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Books
- Gabara, E, Non-Literary Fiction Art of the Americas Under Neoliberalism
(2022), University of Chicago Press
- Gabara, E, Pop América, 1965-1975
(October, 2018),
pp. 200 pages, ISBN 9780938989424 [abs]
- Lasch, BP; Aravamudan, EBS; Jennifer Gonzalez, AM; Mignolo, W; Sigal, P, Black Mirror/Espejo Negro
(2010), Nasher Museum of Art and the Franklin Humanities Institute, distributed by Duke University Press
- Gabara, E, Errant Modernism: The Ethos of Photography in Mexico and Brazil, A John Hope Franklin Center Book
(November, 2008), Duke University Press [ref=sr_1_1]
Book in Progress
- Gabara, EL, “El laberinto de la hermandad: Me-Xicano Photography and Protest.”,
LA RAZA
(February, 2020), University of Washington Press/ Autry National Center/ Chicano Studies Research Center, ISBN 9780895511652
- Gabara, EL, “Missing Body Art: Absent Identity in the Work of Tatiana Parcero.”,
Revolution and Ritual: The Photographs of Sara Catrejón, Graciela Iturbide, and Tatiana Parcero.
(January, 2017)
- Gabara, EL, “Crossing the Border: Whether Real or Imagined.”,
What It Means to Be American
(May, 2015), Smithsonian Institute/ Zócalo Public Square [#esther-gabara]
- Gabara, EL, Non-Literary Fiction: Invention and Interventions in Contemporary Latin American Art
(2012)
- Gabara, EL, Arte y colonialidad: Arte latinoamericano en España
(2012)
- Gabara, EL, Orit Raff: Inside Drawing
(February, 2000),
pp. n.p.-n.p., Pamphlet, Julie Saul Gallery, New York, and Galerie Paula Boettcher, Berlin
Articles in a Collection
- Gabara, E, El signo de la moda/ The Sign of Fashion,
in Un arte sin tutela / Art Without Guardianship Salon independiente en Mexico, 1968-1971 / Salón Independiente in Mexico 1968-1971
(2018), ISBN 9788417047627 [abs]
- Gabara, EL, Photography, Avant-Garde and Modernity,
in A Companion to Modern and Contemporary Latin American & Latino Art, Blackwell Companions to Art History Series, edited by Anreus, A; Greeley, R; Sullivan, M
(2015)
- Gabara, EL, Landscape: Errant Modernism and Aesthetics in Brazil,
in Modern Art in Africa, Asia and Latin America: An Introduction to Global Modernisms, edited by Brien, EO; Nicodemus, E; Chiu, M; Benjamin Genocchio, MKC; Tejada, R
(2012),
pp. 353-361, Wiley-Blackwell
- Gabara, EL, Orientalism Unmoored,
in Orit Raff: Shangri-La
(January, 2011),
pp. n.p.-n.p., Tel Aviv, Israel: A’ Point Books/ Noga Callery of Contemporary Art [author's comments]
- Gabara, EL, Perspectives on Scale: From the Atomic to the Universal,
in Art and Globalization, edited by Elkins, J; Kim, AS; Valiavicharska, Z
(2010),
pp. 200-204, Penn State Press [html]
- Gabara, EL, Modernist Ethics: Really Engaging Popular Culture in Mexico and Brazil,
in The Ethics of Latin American Literary Criticism: Reading Otherwise, edited by Zivin, EG
(2007),
pp. 63-104, Palgrave MacMillan [ref=sr_1_1]
- Gabara, EL, Recycled Photographs: Moving Still Images of Mexico City, 1950/2000,
in Double Exposure: Photography and Literature in Latin America, edited by Schwartz, M; Tierney-Tello, MB
(2006),
pp. 139-172, Albuquerque: University of New Mexico Press [ref=sr_1_1]
- Gabara, EL, ’Nunca olhei tão olhado em minha vida e está sublime’: O (auto)retrato e a fotografia na obra de Mário de Andrade,
in A Historiografia Literária e as Técnicas de Escrita. Do Manuscrito ao Hipertexto, edited by Süssekind, F; Dias, T
(2004),
pp. 169-190, Vieira e Lent/ Edições Casa de Rui Barbosa
Translation in a Journal
- Colectivo Situaciones, Buenos Aires, Argentina, “Disquiet in the impasse: Coming from the Latin American Situation,”,
http://micropolitics.wordpress.com/
(Winter, 2010) (forthcoming.)
Reviews of Published Books
- Gabara, E, “Doing unpayable debt”,
Cultural Dynamics, vol. 35 no. 4
(November, 2023),
pp. 237-244 [doi] [abs]
- Gabara, E; Adey, I, The Bermuda Triangle of Madrid’s Museums: The Prado, the Museum of the Americas and the National Museum of Anthropology,
Art in Translation, vol. 12 no. 2
(January, 2020),
pp. 128-149 [doi] [abs]
- Gabara, EL, “Crossing the Border: Whether Real or Imagined.”,
What It Means to Be American
(May, 2015), Smithsonian Institute/ Zócalo Public Square [#esther-gabara]
- Gabara, E, Fictions of emancipation: Collaborations with and against the law,
English Language Notes, vol. 51 no. 1
(Summer, 2013),
pp. 173-181 [repository], [doi] [abs]
- Gabara, EL, El triángulo museológico de las Bermudas: El Prado, el Museo de América y el Museo Nacional de Antropología,
Revista SUR/versión. Investigación y creación de América Latina y el Caribe, vol. 2 no. 2
(2013)
- Gabara, E, El triángulo museológico de las Bermudas: El Prado, el Museo de América y el Museo Nacional de Antropología, edited by Badia, JLMYT,
El D_Efecto Barroco: Políticas De La Imagen Hispana
(June, 2012) [available here]
- Noble, A, Review of Errant Modernism,
A Contracorriente, vol. 8
(2012),
pp. 442-447 [pdf]
- Oldfield, P, Review of Errant Modernism,
Bulletin of Latin American Research, vol. 31 no. 3
(2012),
pp. 409-410
- Edwards, E, Relocating Photographies, Histories and Modernisms,
Art History, vol. 34 no. 1
(January, 2011),
pp. 211-213 [pdf]
- Segre, E, Review of Errant Modernism, etc.,
History of Photography, vol. 35 no. 1
(2011),
pp. 85-88
- Delgado, Z; Patricia, M, Review of Errant Modernism,
E.I.A.L., vol. 22 no. 1
(2011),
pp. 179-181
- Preciado, CD, Review of Errant Modernism,
Arizona Journal of Hispanic Cultural Studies, vol. 15
(2011),
pp. 216-217
- Gallo, R, Review of Errant Modernism,
Modernism/Modernity, vol. 18 no. 1
(2011),
pp. 201-203
- Rawson, K, Review of Errant Modernism,
Aztlán. A Journal of Chicano Studies, vol. 36 no. 1
(2011),
pp. 223-228
- Prado, S; Ignacio, M, Estrategias para mirar la nación. El giro visual de los estudios culturales mexicanos en lengua inglesa,
Mexican Studies/ Estudios Mexicanos, vol. 27 no. 2
(2011),
pp. 449–469-449–469
- Herlinghaus, H, Review of Errant Modernism,
MLN, vol. 26 no. 2
(2011),
pp. 418-420
- Folgarait, L, Seeing Mexico Photographed: The Work of Horne, Casasola, Modotti, and Álvarez Bravo
(Winter, 2011) [repository]
- Noble, Andrea, Review of Errant Modernism,
A Contracorriente, vol. 8 no. 1
(Fall, 2010),
pp. 442-447 [pdf]
- Flaherty, G, Review of Errant Modernism and National Camera,
caa on-line reviews
(August, 2010) [1500]
- Krippner, J, Errant Moderism: The Ethos of Photography in Mexico and Brazil,
The Americas, vol. 66 no. 3
(January, 2010),
pp. 416-418 [html]
- Foster, DW, Errant Modernism: The Ethos of Photography in Mexico and Brazil,
Luso-Brazilian Review, vol. 47 no. 1
(2010),
pp. 227-229 [html]
- Galvez, A, Review of Errant Modernism,
E-misférica, vol. 7 no. 1
(2010) [galvez]
- Castro, ME; Paul, , Review of Errant Modernism,
The Bulletin of Hispanic Studies, vol. 87 no. 7
(2010),
pp. 894-895
- Gallo, R, Mexican Photography: From the Daguerrotype to Digital Images,
Hispanic Review, vol. 39 no. 1
(Winter, 2010),
pp. 135-141
- Gabara, E, Gestures, Practices, and Projects: [Latin] American Re-visions of Visual Culture and Performance Studies,
E-misférica, vol. 7 no. 1
(2010) [e-misferica-71]
- Gabara, EL, Fighting It Out: Being Naco in the Global Lucha Libre, Mexico Issue, vol. 26
(2010),
pp. 277-300, The Wolfsonian-Florida International University [html]
- Carranza, LE, Errant Modernism: The Ethos of Photography in Mexico and Brazil,
Choice, vol. 47 no. 1
(September, 2009)
- O Toole, G, The Errors of the Avant-Garde,
The Latin American Review of Books
(July, 2009) [available here]
- Fraser, B, Review of Errant Modernism,
Chasqui, vol. 38 no. 2
(2009),
pp. 185-187 [retrieve.do]
- Gabara, EL, "Cannon and Camera": Photography and Colonialism in the Américas,
ELN, vol. 44 no. 2
(Winter, 2006),
pp. 45-64 [pdfviewer], [doi]
- Gabara, EL, Facing Brazil: The Problem of Portraiture and a Modernist Sublime,
CR: The New Centennial Review, vol. 4 no. 2
(2004),
pp. 33-76, Johns Hopkins University Press (Special issue entitled “Phosphorescent Memory: Visual
Culture in the Americas”.) [html], [doi]
- Gabara, EL, Review of Fragments of a Golden Age: The Politics of Culture in Mexico since 1940. Eds. Gilbert Joseph, Anne Rubenstein, and Eric Zolov,
Nepantla: Views from South, vol. 4 no. 1
(2003),
pp. 201-207
- Gabara, EL, Review of Primitivism and Identity in Latin America: Essays on Art, Literature, and Culture. Eds. Erik Camayd-Freixas and José Eduardo González,
Latin American Literary Review, vol. 61
(Summer, 2003),
pp. 113-115
- Gabara, EL, Engendering Nation: Las bellas artes públicas and the Mexican Photo-essay, 1920-1940,
in Yearbook of Comparative and General Literature, vol. 49
(Fall, 2001),
pp. 139-154
- Gabara, EL, La ciudad loca: An Epistemological Plan,
Journal of Latin American Cultural Studies, vol. 9 no. 2
(2000),
pp. 119-35 [doi]
- Gabara, E; Conlon, J, Moving the Avant-Garde,
Stanford Humanities Review, vol. 7 no. 1
(June, 1999),
pp. vii-xii
- Santiago, S, Two Strangers in Mexico,
Stanford Humanities Review, vol. 7 no. 1
(June, 1999),
pp. vii-xii (Trans. with Joy Conlon.)
- Conlon, J, Two Strangers in Mexico, by Silviano Santiago,
Stanford Humanities Review, vol. 7 no. 1
(1999),
pp. 79-87
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