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Publications of Esther Gabara     :chronological  combined  bibtex listing:

Books

  1. Esther Gabara, Errant Modernism: The Ethos of Photography in Mexico and Brazil, A John Hope Franklin Center Book (November, 2008), Duke University Press

Book in Progress

  1. “Non-Literary Fiction: Invention and Interventions in Contemporary American Visual Culture” (2008)

Articles Accepted in Collection

  1. “Perspectives on Scale: From the Atomic to the Universal”, in Globalization and Art, edited by James Elkins, Alice S. Kim, and Zhivka Valiavicharska (2009), Penn State Press

Articles in a Journal

  1. “Fighting It Out: Being Naco in the Global Lucha Libre”, Mexico Issue, Journal of Decorative and Propaganda Arts., vol. 26 (Spring, 2009), The Wolfsonian-Florida International University
  2. “I Swear She Is a Woman: Balmoreadas and Ethics in Drag.”, TDR: The Drama Review (2009)
  3. "Cannon and Camera": Photography and Colonialism in the Américas, ELN, vol. 44 no. 2 (Fall/Winter, 2006), pp. 45-64
  4. Facing Brazil: The Problem of Portraiture and a Modernist Sublime, CR: The New Centennial Review, vol. 4 no. 2 (2004), pp. 33-76 (Special issue entitled “Phosphorescent Memory: Visual Culture in the Americas”.)
  5. Engendering Nation: Las bellas artes públicas and the Mexican Photo-essay, 1920-1940, in Yearbook of Comparative and General Literature, vol. 49 (Fall, 2001), pp. 139-154
  6. Engendering Nation: Las bellas artes públicas and the Mexican Photo-essay, 1920-1940, Yearbook of Comparative and General Literature, vol. 49 (2001), pp. 139-154
  7. La ciudad loca: An Epistemological Plan, Journal of Latin American Cultural Studies, vol. 9 no. 2 (2000), pp. 119-35
  8. Esther Gabara and Joy Conlon, Moving the Avant-Garde, Stanford Humanities Review, vol. 7 no. 1 (June, 1999), pp. vii-xii

Book Reviews

  1. Review of Primitivism and Identity in Latin America: Essays on Art, Literature, and Culture. Eds. Erik Camayd-Freixas and José Eduardo González, Latin American Literary Review, vol. 61 (2003), pp. 113-115
  2. Review of Fragments of a Golden Age: The Politics of Culture in Mexico since 1940. Eds. Gilbert Joseph, Anne Rubenstein, and Eric Zolov, Nepantla: Views from South, vol. 4 no. 1 (2003), pp. 201-207

Articles in a Collection

  1. Modernist Ethics: Really Engaging Popular Culture in Mexico and Brazil, in The Ethics of Latin American Literary Criticism: Reading Otherwise, edited by Erin Graff Zivin (2007), pp. 63-104, Palgrave MacMillan
  2. Recycled Photographs: Moving Still Images of Mexico City, 1950/2000, in Double Exposure: Photography and Literature in Latin America, edited by Marcy Schwartz and Mary Beth Tierney-Tello (2006), pp. 139-172, Albuquerque: University of New Mexico Press
  3. 'Nunca olhei tão olhado em minha vida e está sublime’: O (auto)retrato e a fotografia na obra de Mário de Andrade, in A Historiografia Literária e as Técnicas de Escrita. Do Manuscrito ao Hipertexto, edited by Flora Süssekind and Tânia Dias (2004), pp. 169-190, Vieira e Lent/ Edições Casa de Rui Barbosa

Other

  1. Orit Raff: Inside Drawing (February, 2000), pp. n.p., Pamphlet, Julie Saul Gallery, New York, and Galerie Paula Boettcher, Berlin

Translation in a Journal

  1. Silviano Santiago, Two Strangers in Mexico, Stanford Humanities Review, vol. 7 no. 1 (June, 1999), pp. vii-xii (Trans. with Joy Conlon.)
  2. Joy Conlon, Two Strangers in Mexico, by Silviano Santiago, Stanford Humanities Review, vol. 7 no. 1 (1999), pp. 79-87

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