Publications of Esther Gabara    :chronological  combined  bibtex listing:

Books

1. Esther Gabara, Errant Modernism: The Ethos of Photography in Mexico and Brazil, A John Hope Franklin Center Book (November, 2008), Duke University Press [ref=sr_1_1]

Book in Progress

1. “Non-Literary Fiction: Invention and Interventions in Contemporary American Visual Culture” (2010)

Book Reviews

1. Leonard Folgarait, Seeing Mexico Photographed: The Work of Horne, Casasola, Modotti, and Álvarez Bravo, Caa.reviews (online), College Arts Association (Winter, 2010)
2. Review of Primitivism and Identity in Latin America: Essays on Art, Literature, and Culture. Eds. Erik Camayd-Freixas and José Eduardo González, Latin American Literary Review, vol. 61 (2003), pp. 113-115
3. Review of Fragments of a Golden Age: The Politics of Culture in Mexico since 1940. Eds. Gilbert Joseph, Anne Rubenstein, and Eric Zolov, Nepantla: Views from South, vol. 4 no. 1 (2003), pp. 201-207

Articles in a Journal

1. Fighting It Out: Being Naco in the Global Lucha Libre, Mexico Issue, Journal of Decorative and Propaganda Arts., vol. 26 (2010), pp. 277-300, The Wolfsonian-Florida International University [html]
2. "Cannon and Camera": Photography and Colonialism in the Américas, ELN, vol. 44 no. 2 (Fall/Winter, 2006), pp. 45-64 [pdfviewer]
3. Facing Brazil: The Problem of Portraiture and a Modernist Sublime, CR: The New Centennial Review, vol. 4 no. 2 (2004), pp. 33-76 (Special issue entitled “Phosphorescent Memory: Visual Culture in the Americas”.) [html]
4. Engendering Nation: Las bellas artes públicas and the Mexican Photo-essay, 1920-1940, in Yearbook of Comparative and General Literature, vol. 49 (Fall, 2001), pp. 139-154
5. La ciudad loca: An Epistemological Plan, Journal of Latin American Cultural Studies, vol. 9 no. 2 (2000), pp. 119-35
6. Esther Gabara and Joy Conlon, Moving the Avant-Garde, Stanford Humanities Review, vol. 7 no. 1 (June, 1999), pp. vii-xii

Other

1. Orit Raff: Inside Drawing (February, 2000), pp. n.p., Pamphlet, Julie Saul Gallery, New York, and Galerie Paula Boettcher, Berlin

Articles in a Collection

1. ‘Juro que es mujer’: el archivo fotográfico de Conchita Jurado y Don Carlos Balmori. Las sexualidades performáticas en el México posrevolucionarios, in Cultura visual e innovaciones tecnológicas en América Latina (desde 1840 a las vanguardias), edited by González-Stephan, Beatriz (2012), Editorial Iberoamericana, Vervuert Verlag (forthcoming (submitted).)
2. Orientalism Unmoored, in Orit Raff: Shangri-La (January, 2011), pp. n.p., Tel Aviv, Israel: A’ Point Books/ Noga Callery of Contemporary Art  [author's comments]
3. Perspectives on Scale: From the Atomic to the Universal, in Art and Globalization, edited by James Elkins, Alice S. Kim, and Zhivka Valiavicharska (2010), pp. 200-204, Penn State Press [html]
4. Modernist Ethics: Really Engaging Popular Culture in Mexico and Brazil, in The Ethics of Latin American Literary Criticism: Reading Otherwise, edited by Erin Graff Zivin (2007), pp. 63-104, Palgrave MacMillan [ref=sr_1_1]
5. Recycled Photographs: Moving Still Images of Mexico City, 1950/2000, in Double Exposure: Photography and Literature in Latin America, edited by Marcy Schwartz and Mary Beth Tierney-Tello (2006), pp. 139-172, Albuquerque: University of New Mexico Press [ref=sr_1_1]
6. 'Nunca olhei tão olhado em minha vida e está sublime’: O (auto)retrato e a fotografia na obra de Mário de Andrade, in A Historiografia Literária e as Técnicas de Escrita. Do Manuscrito ao Hipertexto, edited by Flora Süssekind and Tânia Dias (2004), pp. 169-190, Vieira e Lent/ Edições Casa de Rui Barbosa

Articles Online

1. E. Gabara, Gestures, Practices, and Projects: [Latin] American Re-visions of Visual Culture and Performance Studies, E-misférica, vol. 7 no. 1 (2010) [e-misferica-71]

Translation of a Book

1. by Pedro Lasch, with essays by Srinivas Aravamudan, Jennifer Gonzalez, Arnauld Maillet, Walter Mignolo, and Peter Sigal, Black Mirror/Espejo Negro (2010), Nasher Museum of Art and the Franklin Humanities Institute, distributed by Duke University Press

Translation in a Journal

1. Colectivo Situaciones, Buenos Aires, Argentina, “Disquiet in the impasse: Coming from the Latin American Situation,”, http://micropolitics.wordpress.com/ (Winter, 2010) (forthcoming.)
2. Silviano Santiago, Two Strangers in Mexico, Stanford Humanities Review, vol. 7 no. 1 (June, 1999), pp. vii-xii (Trans. with Joy Conlon.)
3. Joy Conlon, Two Strangers in Mexico, by Silviano Santiago, Stanford Humanities Review, vol. 7 no. 1 (1999), pp. 79-87

Reviews of Published Books

1. Gallo, Rubén, Mexican Photography: From the Daguerrotype to Digital Images, Hispanic Review, vol. 39 no. 1 (Winter, 2011), pp. 135-141
2. Edwards, Elizabeth, Relocating Photographies, Histories and Modernisms, Art History, vol. 34 no. 1 (January, 2011), pp. 211-213 [pdf]
3. Herlinghaus, Hermann, Review of Errant Modernism, MLN, vol. 26 no. 2 (2011), pp. 418-420
4. Sánchez Prado, Ignacio M., Estrategias para mirar la nación. El giro visual de los estudios culturales mexicanos en lengua inglesa, Mexican Studies/ Estudios Mexicanos, vol. 27 no. 2 (2011), pp. 449–469
5. Rawson, Kristy, Review of Errant Modernism, Aztlán. A Journal of Chicano Studies, vol. 36 no. 1 (2011), pp. 223-228
6. Gallo, Rubén, Review of Errant Modernism, Modernism/Modernity, vol. 18 no. 1 (2011), pp. 201-203
7. Segre, Erica, Review of Errant Modernism, etc., History of Photography, vol. 35 no. 1 (2011), pp. 85-88
8. Noble, Andrea, Review of Errant Modernism, A Contracorriente, vol. 8 no. 1 (Fall, 2010), pp. 442-447 [pdf]
9. Flaherty, George, Review of Errant Modernism and National Camera, caa on-line reviews (August 12, 2010) [1500]
10. Krippner, James, Errant Moderism: The Ethos of Photography in Mexico and Brazil, The Americas, vol. 66 no. 3 (January, 2010), pp. 416-418 [html]
11. Melo e Castro, Paul, Review of Errant Modernism, The Bulletin of Hispanic Studies, vol. 87 no. 7 (2010), pp. 894-895
12. Galvez, Alyshia, Review of Errant Modernism, E-misférica, vol. 7 no. 1 (2010) [galvez]
13. Foster, David William, Errant Modernism: The Ethos of Photography in Mexico and Brazil, Luso-Brazilian Review, vol. 47 no. 1 (2010), pp. 227-229 [html]
14. Carranza, L.E., Errant Modernism: The Ethos of Photography in Mexico and Brazil, Choice, vol. 47 no. 1 (September, 2009)
15. O’Toole, Gavin, The Errors of the Avant-Garde, The Latin American Review of Books (July 31, 2009) [available here]
16. Fraser, Benjamin, Review of Errant Modernism, Chasqui, vol. 38 no. 2 (2009), pp. 185-187 [retrieve.do]