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Publications of Pedro Lasch    :chronological  combined  bibtex listing:

Books

  1. P. Lasch and others, Un Atlas de Cartografías Radicales, edited by Lize Mogel & Alexis Bhagat (November, 2010) (First Spanish edition of the 2007 'An Atlas of Radical Cartography.' Prologue to the Spanish edition: Javier Arbona, Nick Sowers and Bryan Finoki.)
  2. P. Lasch with S. Aravamudan, J. Gonzalez, A. Maillet, W. Mignolo, P. Sigal, Black Mirror/Espejo Negro by Pedro Lasch (Fall, 2010), Nasher Museum of Art and Franklin Humanities Institute. Distributed by Duke University Press [available here]
  3. P. Lasch and others, in Cartography: Artists + Maps, edited by Katharine Harmon (2009), Princeton Architectural Press  [abs]
  4. P. Lasch and others, An Atlas of Radical Cartography, edited by Lize Mogel & Alexis Bhagat (2007), Los Angeles: Journal of Aesthetics and Protest Press

Articles Published

  1. Yates McKee, The Arts of Occupation, The Nation (December 11, 2011) (on 16 Beaver Group.)
  2. Margaret R. Greer, Thine and Mine: The Spanish “Golden Age” and Early Modern Studies, PMLA, vol. 126 no. 1 (November, 2011), pp. 217-224, MLA Journals
  3. P. Lasch and others, Tiempo de Homenajes/tiempos descoloniales: Frantz Fanon, edited by Walter Mignolo, María Eugenia Borsani, María Marta Quintana, Zulma Palerm, El desprendimiento: pensamiento crítico y opción descolonial no. 8 (Fall, 2011), pp. cover & p2, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  4. P. Lasch, If Not Here, Then There: Will We Some Day Regret Not Having Rebuilt the Twin Towers?, 9/11 Anniversary Issue, Towerview: The Chronicle's News and Culture Magazine, vol. 13 no. 2 (September, 2011), pp. 20
  5. Marianna Jordan, MFA program debuts at Duke, The Chronicle (September 16, 2011) (Lasch quoted.)
  6. Correspondent, Duke eyes 10th anniversary of 9/11, Herald Sun (September 11, 2011)
  7. Katya Prosvirkina, Flesh and Metal” looks at responses to 9/11, Recess (September 6, 2011)
  8. Jay Jay, Twin Towers, Fake News Junkies (September 2, 2011) (Article on Lasch's 'Twin Towers Go Global'.)
  9. Megan Malandro, World Trade Center Towers...in Williamsburg?, New York Near Say (August 11, 2011) (Article on Lasch's 'Twin Towers Go Global'.)
  10. Matt Chaban, Why Not Rebuild the Twin Towers in Williamsburg? Or ‘Atop of Obama’s Head?’, New York Observer (August 11, 2011) (Article on Lasch's 'Twin Towers Go Global'.)
  11. Eric Ferreri, Sept. 11 Grief Relief by Ink: A 9/11 art exhibit at Perkins Library shows how some dealt with grief, Duke Today (August 9, 2011)
  12. Matt Chaban, No, Really, Let’s Rebuild the Twin Towers, Even If Not at Ground Zero, New York Observer (August 8, 2011) (Article on Lasch's 'Twin Towers Go Global'.)
  13. P. Lasch, The Indianization of Globalization, edited by Caroline Levander and Walter Mignolo, The Global South, vol. 5 no. 1 (Spring, 2011), pp. 12-13
  14. P. Lasch and others, Pensamiento argentino y opción descolonial, edited by Walter Mignolo, Zulma Palermo, El desprendimiento: pensamiento crítico y opción descolonial, vol. 7 (Spring, 2011), pp. cover & p2, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  15. P. Lasch, LATINO/A AMERICA, in Trans-Americanity: Subaltern Modernities, Global Coloniality, and Cultures of Greater Mexico, edited by Saldívar, José David (2011), pp. cover, Duke University Press
  16. P. Lasch, Global Indianization? and LATINO/A AMERICA, in The Future Lasts Forever, edited by Runo Lagomarsino and Carlos Motta (2011), pp. 45-46, 49, Gävle Konstcentrum, Iaspis, Sweden
  17. Kevin Lincoln, Duke's First MFA, Towerview Feature, Towerview (September 21, 2010), Duke Chronicle, Durham, NC
  18. María Fernanda Cartagena, Art & Theory: Interview with Walter Mignolo (part 2), Latin Art (July 1, 2010)
  19. P. Lasch (and 16 Beaver Group), Free Association/Means in Common, edited by Anna Curcio and Ceren Ozselcuk, Rethinking Marxism, Special Issue: The Commons and the Forms of the Commune, vol. 22 no. 3 (July, 2010)
  20. Federica la Paglia, Feliz Cumpleaños America Latina! 200 Years Independence and It Feels Like Yesterday (Around the World Section), edited by Italy/UK., cura. magazine no. 04-Spring (April 21, 2010)
  21. Michael Posner, The independent bookstore is a dying species, Globe and Mail (February 15, 2010), CTVglobemedia Publishing Inc, Toronto, Canada (16 Beaver.)
  22. María Fernanda Cartagena, Art & Theory: Interview with Walter Mignolo (part 1), Latin Art (January 1, 2010)
  23. Walter Mignolo (entrevista), Matriz Colonial del Poder, Segunda Epoca, in Desenganche: Visualidades y Sonoridades Otras (2010), pp. 160-173, Quito: La Tronkal
  24. Walter Mignolo, Aiesthesis Decolonial, Arte y Cultura, Revista Calle 14, vol. 4 no. 4 (2010), pp. 10-25, Bogota, Colombia [html]
  25. P. Lasch and others, Arte y estética en la encrucijada descolonial, edited by Eds. Walter Mignolo, Zulma Palermo, El desprendimiento: pensamiento crítico y opción descolonial no. 6 (2010 Spring), pp. cover & p2, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  26. P. Lasch, University, Narcochingadazo, and Hemispheric Non-Cooperation, edited by Jill Lane and Marcial Godoy-Anativia, e-misférica, vol. 6 no. 2 (2010 February), New York University: Hemispheric Institute of Performance and Politics
  27. Monika Fabian, Mexico celebrates its independence on Wednesday 16, Time Out New York (September 7, 2009)
  28. Jeremy W. Crampton, Cartography: performative, participatory, political, Progress in Human Geography, vol. 33 no. 6 (2009), pp. 840–848, Department of Geosciences, Georgia State University, Atlanta, GA, USA
  29. P. Lasch with 16 Beaver, C.A.R.T.E.L., Special Issue Publication and Website, edited by Temporary Services, Art Work: A National Conversation About Art, Labor, and Economics (2009 Fall) [us]
  30. P. Lasch and others, La teoría política en la encrucijada descolonial, edited by Eds. Walter Mignolo, Sylvia Wynter, Lewis Ricardo Gordon, Alejandro de Oto, El desprendimiento: pensamiento crítico y opción descolonial no. 5 (2009 Fall), pp. cover & p2, Argentina: Editorial Signo and GlobalArgentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  31. Walter Mignolo (entrevista por La Tronkal), Matriz Colonial del Poder, Segunda Epoca, Corneta: Semanario Cultural de Caracas no. 72 (2009 November 19 - 25)
  32. P. Lasch, What Are We Before We Are Naturalized? A Journal of Non-Linear Activity, IDEA: Arts & Society no. 33-34 (2009), pp. 7-27
  33. Ovidiu Tichindeleanu, The Mask is Our Entryway to Collective Being, IDEA: Arts & Society, vol. 33-34 (2009), pp. 5-6
  34. P. Lasch, A Proposal for the 11th Istanbul Biennial, 2009, IDEA: Arts & Society (2009), pp. 146-148 (Special insert as artwork.)
  35. Cortes, Alejandro, El arte siempre va con la política, Que Pasa Triangle (2008, June 12-18), Raleigh, NC
  36. Pfeiffenberger, Sylvia, Art Below the Border, This Month at Duke (December, 2008), Durham, NC
  37. P. Lasch with 16Beaver Group, Iraq Questionnaire Answers, October Magazine no. No. 123 (Winter, 2008), pp. 149-160, MIT Press
  38. P. Lasch, Tianguis Transnacional: Drifting and Indigenous Migrancy, WHW Newspapers, edited by Brian Holmes, 16Beaver Group, & What, How, for Whom / WHW: Ivet Curlin, Ana Devic, Natasa Ilic, Sabina Sabolovic, What Keeps Mankind Alive? and Continental Drift no. Issue #15 (Fall, 2008), pp. 20-21, Zagreb, Croatia
  39. Kingsley, Amy, Not for Sale: Elm Street’s Elsewhere reinvents retail, Yes Weekly (September 3, 2008), Greensboro, NC
  40. Broili, Susan, A Golden Belt art unveiling, The Herald-Sun (August 15, 2008), Durham, NC
  41. P. Lasch, El color de la razón: racismo epistemológico y razón imperial, edited by Walter Mignolo, Emmanuel Chukwudi Eze, Paget Henry, Santiago Castro-Gómez, El desprendimiento: pensamiento crítico y opción descolonial no. 3 (Spring, 2008), pp. cover & p2, Argentina: Editorial Signo and GlobalArgentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  42. Cortes, Alejandro, Por una sola minoría racial, Que Pasa Triangle (October 9-15, 2008), Raleigh, NC
  43. McKee, Yates, Contemporary Art & the Legacies of Democracy, in A Guide to Democracy in America (2008), pp. p 34-35, Creative Time Books, New York
  44. P. Lasch and others, Genero y Descolonialidad, edited by Walter Mignolo, Maria Lugones, Isabel jiménez-Lucena and Madina Tlostanova, El desprendimiento: pensamiento crítico y opción descolonial no. 4 (2008 Fall), pp. cover & p2
  45. Jaramillo, Paola Andrea, La Antorcha Guadalupana: Una luz que une fronteras, La Conección (Raleigh, NC) (December 11, 2007)
  46. Molina Ramírez, Tania, Sonideros mexicanos crean comunidad transfronteriza virtual en EU: Ragland, La Jornada (México) (October 21, 2007)
  47. Ambriz, Rodolfo, El Cenart hace tocada sonidera, Excélsior (México) (October 20, 2007)
  48. Molina Ramírez, Tania, Ser mixteco o purépecha ya no puede entenderse con una lógica territorial, La Jornada (México) (October 20, 2007)
  49. Muñoz Valdez, César, Transitio_MX 02, segundo encuentro de artistas electrónicos en México, Diario La Razón (México) (October 10, 2007)
  50. Stockton Moore, Cindy, Gallerists Ready for Fall Shows & Moving Days, The New York Sun (August 6, 2007)
  51. Del Moral, Christian, Los sonideros: tradición mexicana en NY, El Diario La Prensa (New York) (May 18, 2007)
  52. J. Bratich, Popular Secrecy and Occultural Studies: A strategic crypto-analysis, Cultural Studies, vol. 21 no. 1 (January, 2007), pp. 42-57, Taylor & Francis
  53. De Acosta, Alejandro, Latino/a America: A Geophilosophy for Wanderers, in An Atlas of Radical Cartography, edited by Lize Mogel & Alexis Bhagat (2007), Los Angeles: Journal of Aesthetics and Protest Press
  54. G. Cardenas, Visualizing Mexican Migration to the United States, CMD Working Paper #06-04e, The Center for Migration and Development Working Paper Series (June, 2006), Princeton University
  55. P. Lasch and others, Introducción: (Des)Colonialidad del ser y el saber, Eds. Mignolo, Maldonado-Torres, Schiwy, El desprendimiento: pensamiento crítico y opción descolonial no. 1 (2006 Spring), pp. 2 & cover, Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  56. 16Beaver Group, Map of New ORDER Lines, edited by Kyunghwa Ahn, Journal BOL no. Issue #4 (2006), Seoul: BOL
  57. P. Lasch, Justice for Three Voices: Two Real, One Imaginary, edited by Kyunghwa Ahn, Journal BOL no. Issue #4 (2006), Seoul: BOL
  58. W. Mignolo, Interculturalidad, descolonización del estado y del conocimiento, edited by Eds. Walter Mignolo, Catherine Walsh, Alvaro García Linera, El desprendimiento: pensamiento crítico y opción descolonial no. 2 (2010 Fall), Argentina: Editorial Signo & Durham: Globalization and the Humanities Project, Duke University
  59. 16 Beaver Group, Act Patriot Act (2005), The Contemporary Museum, Baltimore (Special publication for the exhibition "Patriot".)
  60. P. Lasch, Una Propuesta Escultorica, Saber Ver, vol. Segunda Epoca (2005), pp. 38-39
  61. E. Gabara, Recycled Photographs: Moving Still Images of Mexico City, 1950/2000, in Photography and Writing in Latin America: Double Exposures, edited by Marcy Schwartz and Mary Beth Tierney-Tello (2005), Albuquerque: University of New Mexico Press
  62. P. Lasch, Naturalizations: Media Defacements, Rethinking Marxism, vol. 16:4 (2004), pp. 486-487
  63. 16Beaver Group, An Open Interview and Lunch, Fuse Magazine, vol. 26:2 (2003), pp. 12-13 (special issue "Democracies Improvised", as well as Special Addendum.)
  64. P. Lasch, La Mesa de Juego de Mendeleiev, Ciencias, vol. 65 no. 76 (2002), Mexico City: U.N.A.M.
  65. P. Lasch, Un Arte que Nace, y si no se Reproduce...Muere, Longevidad: Ciencia y Culture no. 108-116 (2000)
  66. P. Lasch, El Pincel Electrico y el Cuadro de Plata, Ciencias, vol. 59 (2000), pp. 76-77, Mexico City: U.N.A.M.
  67. P. Lasch, Ciencia y Circo, Ciencas, vol. 57 (2000), pp. 68-74, Mexico City: U.N.A.M.
  68. P. Lasch, Una Propuesta Escultorica para el Zocalo, Curare: Espacio Critico para las Artes, vol. 15 (1999), pp. 89-95

Book Reviews

  1. Luz Elena Ramírez Gochicoa, Pedro Lasch: Un artista a través del espejo, Revista Dirección de Bibliotecas (October, 2010), México: Universidad Autónoma del Estado de México (UAEM)
  2. Ethel Baraona Pohl, An Atlas of Radical Cartography, Plataforma Arquitectura (June 9, 2009), España: Plataforma Networks
  3. Michael Innis, Black Mirror/Espejo Negro by Pedro Lasch, Latin American Indian Literatures Journal, vol. 25 no. 2 (2009 Fall), pp. 202-211

Other

  1. Gregory Sholette, Dark Matter: Art and Politics in the Age of Enterprise Culture (September, 2010), London: Pluto Press (pp xi, 216 (Lasch) & pp 107, 182, 191, 216 (16 Beaver).)
  2. Pedro Lasch & Miguel Rojas Sotelo, Separata Decolonial, Revista Calle 14: Arte y Decolonialidad, vol. 4 no. 5 (2010), Bogota, Colombia

Exhibition Catalogs

  1. P. Lasch and others, Where Do We Migrate To: Issues in Critical Theory, edited by Niels Van Tomme (2011), pp. 17 & insert, University of Maryland Baltimore: Center for Art, Design, and Visual Culture
  2. P. Lasch and others, Mapping: Memory and Motion in Contemporary Art, edited by Sarah Tanguy (2011), pp. 28-29, Katonah Museum of Art
  3. P. Lasch and others, Brain Review 2002 (Part 1), in SPECULATIVE: Exhibition catalogue, edited by Christopher O'Leary and Zach Blas (2011), pp. 36-42, Los Angeles Contemporary Exhibitions Los Angeles
  4. P. Lasch and others, Haiti: History Embedded in Amber, edited by Edouard Duval Carrier (2011), pp. 30-31, Franklin Humanities Institute
  5. P. Lasch and others, Greater New York (Exhibition Catalogue), edited by New York: PS1 MoMA (May, 2010)
  6. P. Lasch, Tanta Cerca Tan Cerquita, in Catalog for Transitio 2007: International Festival of Electronic Arts & Transnational Communities, edited by Eds. Grace Quintanilla & Mariana Delgado (Spring, 2009), Centro Nacional de las Artes, Mexico City
  7. 16 Beaver Group, Between US: Exhibition Notes and Documentation, in Fever Variations: Gwangju Biennale 2006 Catalogue, edited by Hong-hee Kim, vol. 2 (2006), pp. 168-169, Gwangju Biennale Foundation
  8. P. Lasch, Naturalizations, in Caras Vemos, Corazones No Sabemos: Faces Seen, Hearts Unkown (Exhibitition Catalogue), edited by Amelia Malagamba (2006), pp. 66, Notre Dame: Snite Museum, University of Notre Dame
  9. 16 Beaver Group, Between US: Introduction, in Fever Variations: Gwangju Biennale 2006 Catalogue, edited by Hong-hee Kim, vol. 1 (2006), pp. 281-295, Gwangju Biennale Foundation
  10. R. Rivera-Servera, Of Crucified Bodies and Superheroes: Migration Scenarios and Border Art, in Caras Vemos, Corazones No Sabemos: Faces Seen, Hearts Unkown, edited by Amelia Malagamba (2006), pp. 70-102, Notre Dame: Snite Museum, University of Notre Dame
  11. J. Beck, The Art of Memory and Navigation Across Asia, in Fever Variations: Gwangju Biennale 2006 Catalogue, edited by Hong-hee Kim, vol. 1 (2006), pp. 281-295, Gwangju Biennale Foundation
  12. N. Thompson & G. Sholette, The Interventionists: User’s Manual for the Creative Disruption of Everyday Life (2004), pp. 111-112, Cambridge, MASS MoCA Publication & MIT Press
  13. H. Chen et al, Social Capital (Exhibition Catalogue) (2004), pp. 19-24, Whitney Museum of American Art
  14. L. Suan Hiang, SENI: Singapore 2004, Art & the Contemporary (Exhibition Catalogue) (2004), pp. 36-49, National Arts Council. Singapore

Exhibition Reviews

  1. Roberta Smith, Pedro Lasch: Selections from ‘Phantom Limbs’ and ‘Twin Towers Go Global’, The New York Times: Museum and Gallery Listings for Oct. 7-13 (October 7, 2011)
  2. Roberta Smith, Pedro Lasch: Selections from ‘Phantom Limbs’ and ‘Twin Towers Go Global’, The New York Times: Museum and Gallery Listings for Sept. 23- 29 (September 23, 2011)
  3. Brian Boucher, This Weekend Will See Innumerable 9/11 Memorials, Art in America (September 9, 2011)
  4. Howard Halle, 9/11 Exhibitions: A select guide of what's on, Time Out New York (September 9, 2011)
  5. Chris Vitiello, 9/11 artistic events seek reflection and reconciliation amid the media hype, Independent Weekly (September 7, 2011)
  6. Correspondent, Selections from Pedro Lasch's 'Phantom Limbs' and 'Twin Towers Go Global', Time Out New York (September 6, 2011)
  7. Andrea Appleton, Where Do We Migrate: Group exhibition asks you to consider the plight of refugees, exiles, and migrants, Baltimore City Paper (April 20, 2011)
  8. Anna Komar, Radical Cartography, F5 Magazine no. 67 (December 7, 2010), Moscow, Russia (Review of LATINO/A AMERICA maps shown in NY.)
  9. Paolo Spadano, AND AND AND, Rivista Segno no. 232 (October 14, 2010), Italy: SALA Editori
  10. Michela Sacchetto, NOTES TOWARDS DOCUMENTA 2012 - UN ANNO DOPO LA CONFERENZA DI RIVOLI, ECCO ALCUNI NOMI E LE LINEE GUIDA, ARTKEY (October 11, 2010), Italy: TeKne Media
  11. Correspondent, Wiedergeburt der Twin Towers?, Schwarze Kunst, Aktuelles/Documenta: Texte zu Kunst und Kultur (September 14, 2010), Germany [available here]
  12. Matthew Bowman, London Degree Shows 2010, One Piece at a Time. Pied-à-terre Special Issue (July, 2010), Groupe d'Etudes Interdisciplinaires en Arts Britanniques, France & UK
  13. Ana Vukadin, Pause & Eject 2 at Shoreditch Town Hall, murmurART (February 2, 2010), London, UK
  14. Graciela Kartofel, Carta desde NY, Greater NY at MoMA PS1, Art Nexus no. 77 (2010 June - August)
  15. Hwa Young Caruso and John Caruso Jr., Cartographic Imagery in Contemporary Art, International Journal of Multicultural Education, vol. 12 no. 2 (2010), pp. 1, 4 (Review of "Mapping: Memory and Motion in Contemporary Art," at the Katonah Museum of Art.)
  16. Alison Levy, South of the Borderless, Art Slant (September 6, 2009), New York
  17. Blue Greenberg, Gallery closing to leave big gap in local art community, The Herald-Sun: The Arts (March 1, 2009), Durham: Southern Headlines
  18. David Fellerath, The closing of Branch Gallery leaves a void in the Triangle's contemporary art scene, Independent Weekly (February 25, 2009), Durham, NC
  19. Jessie Tsang, LATINO/A AMERICA: The New York & North Carolina Suites, Recess (January 22, 2009), The Duke Chronicle
  20. Greenberg, Blue, Triangle's ten best art exhibitions of 2008, The Herald-Sun (December 28, 2008), Durham, NC
  21. Natale, Michele, Art Picks, The News & Observer (August 29, 2008), Raleigh, NC
  22. Greenberg, Blue, At the Nasher, new life for an ancient collection, The Herald-Sun (June 22, 2008), Durham, NC
  23. Broili, Susan, Exhibit combines art of two worlds in new statement, The Herald-Sun (June 7, 2008), Durham, NC
  24. Debatty, Regine, Book Review - An Atlas of Radical Cartography, www.we-make-money-not-art.com (April 12, 2008)
  25. Jaramillo, Paola, Sonideros hacen historia en el Triángulo, La Conexión (April 8, 2008), Raleigh, NC
  26. Corresponsal Sección Reven, Exitoso Maratón Sonidero, Qué Pasa Triangle (April 3-9, 2008), Raleigh NC
  27. Natale, Michele, Art Picks, The News & Observer (March 14, 2008), Raleigh, NC
  28. Jovanovich, Alex, An Atlas of Radical Cartography, Art Lies: A Contemporary Art Quarterly no. Issue 57 (Spring, 2008)
  29. Tucker, Daniel, Space Discovery: A review of An Atlas of Radical Cartography, Proximity Magazine (May-June, 2008), pp. p 152
  30. Dewolfe, Stacey, Radical mapping (A New World: By Pedro Lasch), Montreal Mirror: Art this Week, vol. vol 24 no. no 1 (June 19-25, 2008)
  31. Dagger, Jacob, Confronting Sculpture, vol. Volume 94 no. No.4 (July-August, 2008)
  32. Camper, Fred, Galleries & Museums: Critic's Choice, The Chicago Reader (November 22, 2007)
  33. Nadelman, Cynthia, Primitivism Revisited, ARTnews (April, 2007), pp. 133
  34. Melnyczenko, Laura, Primitivism in the 21st century? Review of a Chelsea Exhibition, EXCHANGE: Journal of the Department of Anthropology,
 University of Chicago, Chicago, IL (March, 2007)
  35. Cotter, Holland, PRIMITIVISM REVISITED: After the End of an Idea, The New York Times (January, 2007)
  36. Lopez, Ruth, Charting New Territory, Time Out Chicago no. 146 (December 13, 2007 - December 26)
  37. M. Rakowitz, Pedro Lasch’s Open Routines - Artists’ Artists Section, Art Forum (December, 2006)
  38. M. Mayer, Arte, migración e identidad, El Universal (Mexico) (October 13, 2006)
  39. C. Houser, Review of Pedro Lasch Solo Exhibition at Queens Museum of Art, Art Nexus no. 61 (June, 2006)
  40. R. Beattie, Immigrant Art Exhibitions: Insights of Passage, New York York Times (May 19, 2006)
  41. J. Paredes, Programa para Latinos en Queens, El Diario La Prensa (New York) (May 14, 2006)
  42. V. Alvarado, Reseña: Exposición 'Propia Visión', Diario de México (Nueva York) (April 18, 2006)
  43. Corresponsal, Retratan cómo viven sus tradiciones y sus costumbres los mexicanos en NY, Azteca 21 (Mexico City) (April 17, 2006)
  44. Corresponsal, Abren muestra fotográfica sobre vida de mexicanos en Nueva York, Milenio (Guadalajara) (April 17, 2006)
  45. J. Paredes, Un tributo a nuestra herencia, El Diario La Prensa (New York) (April 16, 2006)
  46. B. Gopnik, In Baltimore, Delving Into the Notion of Patriotism, Washington Post (May 31, 2005)
  47. J. Bowers, Without Borders: The Contemporary’s New Show of Political Art Feels Like a Revolutionary Move, City Paper (Baltimore) (May 11, 2005)
  48. V. Ballinas, Sugieren convertir cines y teatros abandonados en espacios culturales, La Jornada (Mexico) (August 3, 2003)
  49. R. González Mello, Andamios Interiores, Curare: Espacio Crítico para las Artes no. 15 (1999), pp. 88-89
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