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Edited
- Embodying Asian/American Sexualities
(2010) [author's comments]
- with Olivia Khoo, Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures
(2009), Intellect [available here]
- with Michaeline Crichlow, Race, Space, Place: Making and Unmaking Freedoms in the Atlantic World,
Cultural Dynamics, vol. 21 no. 3
(2009)
- with Gina Masequesmay, Embodying Asian/American Sexualities
(2009), Lexington Books [CATALOG.db&eqSKUdata=0739129031]
Essays/Articles/Chapters in Books
- S. Metzger, Mifune and Me: Asian/American Corporeal Citations and the Politics of Mobility,
The Journal of Transnational American Studies, vol. 4 no. 1
(2012),
pp. 18 pages [acgcc_jtas]
- S. Metzger, At the Vanishing Point: Theatre and Asian/American Critique,
American Quarterly, vol. 63 no. 2
(2011),
pp. 277-300
- S. Metzger, Le Rugissement du Lion: Mapping and Memory in Montreal’s Chinese/Canadian Street Theater,
in New Essays in Canadian Theatre Vol. 1: Asian Canadian Theatre, edited by Nina Lee Aquino and Ric Knowles
(2011), Playwrights Canada Press [html]
- S. Metzger, Saving Face, or the Future Perfect of Queer Chinese/American Cinema?,
in Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures
(2009),
pp. 223-240
- with Olivia Khoo, Introduction,
in Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures
(2009),
pp. 13-34
- with Gina Masequesmay, Introduction: Embodying Asian/American Sexualities,
in Embodying Asian/American Sexualities
(2009),
pp. 1-21
- with Michaeline Crichlow and Patricia Northover, Questioning Freedoms in the Atlantic World (intro essay),
Cultural Dynamics, vol. 21 no. 3
(2009),
pp. 215-225
- S. Metzger, Unsettling: Towards a Chinese/Cuban Cultural Critique,
Cultural Dynamics, vol. 21 no. 3
(2009),
pp. 317-338
- Ripples in the Seascape: The Cuba Commission Report and the Idea of Freedom,
Afro-Hispanic Review, vol. 27 no. 1
(Spring, 2008),
pp. 105-121
- S. Metzger, The Little (Chinese) Mermaid: Importing "Western" Femininity in Lou Ye's Suzhou he (Suzhou River),
in How East Asian Films Are Reshaping National Identities: Essays on the Cinemas of China, Japan, South Korea, and Hong Kong, edited by Andrew David Jackson, Michael Gibb, and Dave White
(2007),
pp. 135-154, The Edwin Mellen Press
- Patterns of Resistance?: Anna May Wong and the Fabrication of China in American Cinema of the late 30s,
Quarterly Review of Film and Video, vol. 23 no. 1
(2006),
pp. 1-11
- Charles Parsloe's Chinese Fetish: An Example of Yellowface Performance in Nineteenth-Century American Melodrama,
Theatre Journal, vol. 56
(December, 2004),
pp. 627-651
- with Cathy Irwin, Keeping Up Appearances: Ethnic Alien-Nation in Female Solo Performance, edited by Sansan Kwan and Kenneth Speirs,
Mixing It Up: Multiracial Subjects
(2004),
pp. 163-180, University of Texas
- Ice Queens, Rice Queens and Intercultural Investments in Zhang Yimou's Turandot,
Asian Theatre Journal, vol. 20 no. 2
(Fall, 2003),
pp. 209-217
- Filmic Revisions of Vietnam and the MIAs (Male Indochinese Asexuals),
Quarterly Review of Film and Video, vol. 19 no. 2
(2002),
pp. 107-121
- Eugenie Chan,
in Asian American Playwrights: A Bio-Bibliographical Critical Sourcebook, edited by Miles X. Liu
(2002),
pp. 18-23, Greenwood Publishing
- Mulan, verkleedpartijen in China, edited by Nadia Lie & Theo D'haen,
Zorro & Co. : Populaire personages en het koloniale verleden.
(2002),
pp. 117-126, Nijmegen:Vantilt
- Farewell My Fantasy,
Journal of Homosexuality, vol. 39 no. 3-4
(2000),
pp. 213-232 (also published in Queer Asian Cinema, ed.
Andrew Grossman (NY: Haworth Press, 2000).
Revised version in Chinese translation
published as "Ba Wang Bie Ji Kua Xingbie yu
Wenhua de Huanmie." Ed. and Trans. Ya-Chen
Chen. Ba Wang Bie Ji: Tongxinglian Yuedu yu
Kua Wenhua Duehua. Taiwan: Nanhua University
Press, 2004: 121-157..)
Book Reviews
- S. Metzger, When Men Dance: Choreographing Masculinities across Borders,
Dance Research Journal, vol. 44 no. 1
(Summer, 2012),
pp. 118-119
- S. Metzger, Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity; Beyond the Black Lady: Sexuality and the New African American Middle Class,
American Literature, vol. 83 no. 4
(Dec 2011),
pp. 866-868
- S. Metzger, The Provincetown Players and the Culture of Modernity; Avant-Garde Performance and the Limits of Criticism: Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement; Performance in America: Contemporary U.S. Culture and the Performing Arts,
American Literature, vol. 79 no. 4
(December, 2007)
- S. Metzger, Double Agency: Acts of Impersonation in Asian American Literature and Culture and Americans First: Chinese Americans and the Second World War,
American Literature, vol. 79 no. 1
(March, 2007),
pp. 201-203
- Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s and From Inner Worlds to Outer Space: The Multimedia Performances of Dan Kwong,
TDR, vol. 50 no. 192
(Winter, 2006)
- The Protestant Ethnic and the Spirit of Capitalism by Rey Chow,
Modern Chinese Literature and Culture and MCLC Resource Center Publication
(February, 2005) [htm]
- with Hope Medina, Performing America: Cultural Nationalism in American Theater,
Theatre Journal, vol. 53
(May, 2001),
pp. 358-360
Other
- S. Metzger, Yuko Kurahashi et al, Performance Review of The First National Asian American Theater Festival,
Theatre Journal, vol. 60 no. 2
(May 2008),
pp. 283-285
- Performance Review of Yohen,
Theatre Journal, vol. 51 no. 4
(Dec 1999),
pp. 68-70
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