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Esther L. Gabara, Assistant Professor of Romance Studies, & Art and Art History; Spanish

Contact Info:
Office Location:  213 Languages Building
Office Phone:  919-660-3112, 919-660-3100
Email Address: send me a message

Office Hours:

Leave: 2004-2005

Ph.D.Stanford University2001
M.A.Stanford University1997
B.A.University of Pennsylvania1993

20th Century Latin American Visual Culture and Literature
Theory & Criticism
Latin-American Studies
Caribbean Studies
Comparative Studies: Translation, Travel Narratives, Trans-Culturality
Modernity and Modernism
Globalization, Postmodernity, Contemporaneity
Film, Media and Visual Studies
Research Interests:

Comparative Studies of Literature and Visual Culture; Gender Studies; 20th Century Mexico, Brazil, and the Spanish Caribbean


Americas • Mexico • Brazil • Caribbean • Literature • Visual Culture • Gender

Current Ph.D. Students   (Former Students)

  • Amanda L. Suhey  
  • Raul Ferrera-Balanquet  
  • Kency Cornejo  
  • Camila Maroja  
  • Alfredo Rivera  
Representative Publications   (More Publications)

  1. Gabara, E, Errant Modernism: The Ethos of Photography in Mexico and Brazil, A John Hope Franklin Center Book (November, 2008), Duke University Press [ref=sr_1_1]
  2. Gabara, EL, Fighting It Out: Being Naco in the Global Lucha Libre, Mexico Issue, Journal of Decorative and Propaganda Arts., vol. 26 (2010), pp. 277-300, The Wolfsonian-Florida International University [html]
  3. Gabara, EL, Perspectives on Scale: From the Atomic to the Universal, in Art and Globalization, edited by Elkins, J; Kim, AS; Valiavicharska, Z (2010), pp. 200-204, Penn State Press [html]
  4. Gabara, E, Gestures, Practices, and Projects: [Latin] American Re-visions of Visual Culture and Performance Studies, E Misférica, vol. 7 no. 1 (2010) [e-misferica-71]
  5. Gabara, EL, Recycled Photographs: Moving Still Images of Mexico City, 1950/2000, in Double Exposure: Photography and Literature in Latin America, edited by Schwartz, M; Tierney-Tello, MB (2006), pp. 139-172, Albuquerque: University of New Mexico Press [ref=sr_1_1]
  6. Gabara, EL, Modernist Ethics: Really Engaging Popular Culture in Mexico and Brazil, in The Ethics of Latin American Literary Criticism: Reading Otherwise, edited by Zivin, EG (2007), pp. 63-104, Palgrave Macmillan [ref=sr_1_1]
  7. Gabara, E, Cannon and camera - Photography and colonialism in the Américas, English Language Notes, vol. 44 no. 2 (Winter, 2006), pp. 45-64 [pdfviewer]
  8. Gabara, E, Facing Brazil: The problem of portraiture and a modernist sublime, New Centennial Review, vol. 4 no. 2 (January, 2004), pp. 33-76, Johns Hopkins University Press (Special issue entitled “Phosphorescent Memory: Visual Culture in the Americas”.) [html], [doi]
  9. Gabara, EL, ’Nunca olhei tão olhado em minha vida e está sublime’: O (auto)retrato e a fotografia na obra de Mário de Andrade, in A Historiografia Literária e as Técnicas de Escrita. Do Manuscrito ao Hipertexto, edited by Süssekind, F; Dias, T (2004), pp. 169-190, Vieira e Lent/ Edições Casa de Rui Barbosa
  10. Gabara, EL, La ciudad loca: An Epistemological Plan, Journal of Latin American Cultural Studies, vol. 9 no. 2 (2000), pp. 119-35
  11. Folgarait, L, Seeing Mexico Photographed: The Work of Horne, Casasola, Modotti, and Álvarez Bravo, Caa.Reviews (Online), College Arts Association (Winter, 2011) [repository]
Selected Invited Talks

  1. Nostalgic Critique: Contemporary Photography as Non-literary Fiction, December 03, 2010, The Itinerant Languages of Photography. Princeton University, Princeton, NJ    
  2. Modernist Tourists in Mexico., October 14, 2010, Paul Strand in Mexico. Aperture Foundation, New York, New York    
  3. Gesture: Signs of the Body in Visual Studies, May 28, 2010, The 2010 Visual Culture Studies Conference. Institute for Modern and Contemporary Culture at University of Westminster, London, United Kingdom    
  4. “Drawn: The New Art of Making Fiction”, December 02, 2009, Centre for Latin American and Caribbean Studies, University of Manchester. Manchester, United Kingdom.    
  5. "Queer Surrealism: As peripheral surrealism", July 23, 2009, Surrealism and Non-Normative Sexualities. Seminar at The Radcliffe Institute for Advanced Study at Harvard University. Cambridge, MA.    
  6. "The “Quasi-Corpus," Habeas Corpus, and Relative Democracy: The Cutting Intimacy of Non-Literary Fiction, April 13, 2009, Department of Romance Studies, Cornell University. Ithaca, New York.    
  7. "Misplaced Influence: Art Histories of and from Continental America", February 14, 2009, Courtauld Institute of Art, London, England [pdf]    
  8. “Errant Landscapes: Mário de Andrade Surveys Brazil”, April 14, 2008, University of California, Berkeley    
  9. “Juro que es mujer: El increíble archivo fotográfico de Conchita Jurado y don Carlos Balmori.”, October 11, 2007, Universidad Autónoma Metropolitana (UAM)-Cuajimalpa, Mexico City, Mexico.    
  10. "What Women Do to and in the Casasola Archive, and What it Means About Mexican Photography Today", May 25, 2005, El Museo del Barrio, New York, NY.    
Selected Conference Talks

  1. “Modernist Ethics: Really Engaging Popular Culture”, September 06, 2007, LASA (Latin American Studies Association) Convention    
  2. “Incarnating Fiction, Dissecting Violence: Artur Barrio’s Livro de Carne”, October 13, 2006, Brazilian Studies Association, Vanderbilt University    
  3. Obscuring Vision: Puerto Rican Marginality and Visual Culture, March 17, 2006, Latin American Studies Association. Puerto Rico.    
  4. Arte acción— Acción histórica— Acción textual, April 01, 2005, Carolina Conference on Romance Literatures, University of North Carolina, Chapel Hill    
  5. Apprentice Tourist, Expert Modernist: Mário de Andrade and a (Brazilian) Theory of Modernism, February 20, 2004, College Arts Association Annual Conference. Seattle, WA    
  6. “Interdisciplinary Caribbean Studies.”, April 12, 2002, Annual Conference of the American Comparative Literature Association. Universidad de Rio Piedras, San Juan, Puerto Rico    
Conferences Organized

  • Panel co-organized: “Reconstituting the Politics of Art in Latin America: 1900- now.”, March 17, 2006  
  • Romancing the Humanities: New Theories for Romance Studies, Co-organizer, 2003-04  
Esther Gabara received her PhD from Stanford University in 2001. Her main area of specialization is the relationship between literature and the visual arts in twentieth century Mexico, Brazil, and the Spanish Caribbean; other interests include gender theory and cultural studies. She teaches courses on visual culture in twentieth-century Latin America, the role of the artist/intellectual in Mexico, and the Latin American vanguardias. She has published articles and reviews in the Journal of Latin American Cultural Studies and the Latin American Literary Review, as well as in a collection of essays forthcoming in Brazil, A Historia Literária e as Técnicas de Escrita (Do Manuscrito ao Hipertexto). She is currently working on a manuscript entitled The Ethos of Modernism: Literary and Photographic Aesthetics in Mexico and Brazil, 1920-1940.