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Publications of Mark Antliff :chronological alphabetical combined bibtex listing:
Books
- Antliff, M, Sculptors Against the State: Anarchism and the Anglo-European Avant-Garde (2021), Penn State University Press
- Antliff, M; Leighten, P, Le cubisme devant ses contemporains – Documents et critiques (1906-1914) (2019), Les presses du réel (Forthcoming.) [abs]
- Antliff, M; Klein, SW, Vorticism New Perspectives (October, 2013), pp. 320 pages, Oxford University Press, ISBN 0199937664 [abs]
- Antliff, M; Greene, V, The Vorticists: Rebel Artists in London and New York, 1914-1918. (2010)
- Mark Antliff and Patricia Leighten, A Cubism Reader: Documents and Criticism 1906-1914, University of Chicago Press (2008) [abs]
- Antliff, M; Leighten, P, A Cubism Reader: Documents and Criticism 1906-1914 (2008), University of Chicago Press [abs]
- Avant-Garde Fascism: The Mobilization of Myth, Art and Culture in France, 1909-1939, Duke University Press (2007)
- Antliff, M, Avant-Garde Fascism: The Mobilization of Myth, Art and Culture in France, 1909-1939, (2007), Duke University Press
- Antliff, M; Leighten, P, Cubisme et culture (2002), Thames and Hudson (translated by Diebold, C-M.) [abs]
- Antliff, M; Leighten, P, Cubism and Culture (2001), London and New York: Thames and Hudson (French Edition, 2002, Cubisme et culture.)
- Antliff, M, Fascist Visions: Art and Ideology in France and Italy, edited by Affron, M; Antliff, M (1997), Princeton University Press (Contributors: Walter Adamson (History, Emory University); Matthew Affron (Art History, University of Virginia); Emily Braun (Art History, Hunter College, City University of New York); Michele Cone (Art History, New School for Social Research); Emilio Gentile (Political Science, Universita di Roma); Nancy Locke (Art History, Wayne State University); Marla Stone (History, Occidental University).)
- Antliff, M, Inventing Bergson: Cultural Politics and the Parisian Avant-Garde (1993), Princeton University Press
Articles Published
- Antliff, M, Julia Adeney Thomas and Geoff Eley (eds), Visualizing Fascism: The Twentieth-Century Rise of the Global Right, reviewed by Mark Antliff, Journal of Visual Culture, vol. 20 no. 1 (April, 2021), pp. 113-116, SAGE Publications [doi]
- Antliff, M, Henri Matisse's Portrait of a Standing Riffian: Islam, Byzantium, and 'Aristocratic Barbarism', in Image, Object, and Text: Canadian Contributions to the Study of Islamic Art and Archaeology, edited by Milwright, M; Baboula, E (2021), McGill-Queen's University Press
- Leighten, P; Antliff, M, “Kandinsky and Radical Ecology: States of Mind, States of Abstraction", in Vasily Kandinsky: Around the Circle., edited by Bashkoff, T; Fontanella, M (2021), pp. 29-39, Guggenheim Museum
- Antliff, M, Pacifism, realism, and pathology: Alex comfort, cecil collins, and neo-romantic art during world war II, Modernism Modernity, vol. 27 no. 3 (September, 2020), pp. 519-549 [doi]
- Antliff, M; Leighten, P, Anarchist Modernism after Signac: Fauvism, Futurism, Cubism, in Paris 1900 and Post-Impressionism: Signac and the Indépendants, edited by Desmarais, M-D; Genty, G; Bondil, N (2020), Musée des Beaux-Arts
- Antliff, M, Egoism, Homosexuality, and Joie de vivre: Jacob Epstein’s Tomb of Oscar Wilde, in Anarchism and the Avant-Garde (September, 2019), pp. 37-69, Brill, ISBN 9789004410411 [doi]
- Antliff, M, Contagious Joy: Jacob Epstein, The Tomb of Oscar Wilde, and Action d’art, in Anarchism and the Avant-Garde: Radical Arts and Politics in Perspective, edited by Kosuch, C, vol. 4 no. 2 (2019), pp. 195-225, Brill, ISSN 1947-6574 [doi] [abs]
- Antliff, M, Into the Vortex: Ezra Pound, Anarchism, and the Ideological Project of Art Criticism, in The Companion to Ezra Pound and the Visual Arts, edited by Coyle, M; Preda, R (2019), pp. 193-213, Edinburgh University Press
- Pacifism, Violence and Aesthetics: George Woodcock's Anarchist Sojourn, 1940-1950, Anarchist Studies, vol. 23 no. 1 (2015), pp. 15-44
- Antliff, M, Bergson, Politics and Religion, Symplokē (2014)
- Antliff, M, From Class War to Creative Revolution: Bergson’s Communist Legacy in Britain, Annales Bergsoniennes (2014)
- Thompson, WF; Antliff, M, Bridging two worlds that care about art: psychological and historical approaches to art appreciation., Behavioral and Brain Sciences, vol. 36 no. 2 (April, 2013), pp. 159-160 [doi] [abs]
- Antliff, M, Contagious joy: Anarchism, censorship and the reception of Jacob Epstein's Tomb of Oscar Wilde, c. 1913, The Journal of Modern Periodical Studies, vol. 4 no. 2 (January, 2013), pp. 195-225, The Pennsylvania State University Press [doi] [abs]
- Antliff, M, Introduction: Vorticisms, in Vorticism: New Perspectives, edited by Klein, S; Antliff, M (2013), pp. 1-11, Oxford University Press
- Antliff, M, Politicizing the New Sculpture, in Vorticism: New Perspectives, edited by Antliff, M; Klein, S (2013), pp. 102-118, Oxford University Press
- Antliff, M, Revolutionary Immanence: Bergson among the Anarchists, in Bergson and the Art of Immanence, edited by Mullarkey, J; Mille, CD (2013), pp. 94-111, Edinburgh University Press
- Antliff, M, Fascism and Art History: A Paradigm Shift, Fascism, vol. 1 no. 1 (January, 2012), pp. 53-54 [doi]
- Antliff, M, La sculpture contre l’État. Gaudier Brzeska, Dora Marsden, Ezra Pound, in Artistes et partis – Esthétique et politique (1900-1945), edited by eds, MS; Carli, M (2012), Presses du réel
- Antliff, M, Nasjonens kroppslighet: kubisme og keltisk nasjonalisme, Paginert utgave I Teori & Praksis, vol. 1 (2012), pp. 1-19
- Antliff, M, Bad Anarchism; Aestheticized Mythmaking and the Legacy of Georges Sorel among the European Left, Anarchist Developments in Cultural Studies no. 2 (2012), pp. 155-187
- Antliff, M, Shaping duration: Bergson and modern sculpture, The European Legacy, vol. 16 no. 7 (December, 2011), pp. 899-918, Informa UK Limited, ISSN 1084-8770 [Gateway.cgi], [doi] [abs]
- Antliff, M, Drawing the Vortex, Tate, etc. (June, 2011), pp. 36-41
- Antliff, M, Mitos de revolución: fascismo de vanguardia en Francia, Afinidades. Revista de Literatura y Pensamiento , pp. 23-35
- Antliff, M, Labor, Leisure, and Dissident Socialism: Robert L. Herbert’s Social History of Art, in Histoire sociale de l’art: une anthologie critique, edited by Bordes, P (2011), Les presses du réel
- Antliff, M, Organicism among the Cubists: The Case of Raymond Duchamp-Villon, in Biocentrism and Modernism, edited by eds, OB; Wünsche, I (2011), pp. 161-181, Ashgate Publishing
- Antliff, M, Henri Gaudier-Brzeska's guerre sociale: Art, Anarchism and Anti-Militarism in Paris and London, 1910-1915, Modernism Modernity, vol. 17 no. 1 (January, 2010), pp. 135-169, ISSN 1071-6068 [Gateway.cgi], [doi]
- Antliff, M, The Jew As Anti-Artist: Georges Sorel, Antisemitism, and the Aesthetics of Class-Consciousness, in Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation, edited by Baigel, M; Heyd, M; Washton-Long, RC (2010), pp. 19-50, Brandeis University Press
- Antliff, M, Classicism Neither Right nor Left: the Combat Group and the Cultural Politics of French Fascism during the 1930’s, in Academics, Pompiers, Official Artists and the Arrière-garde: Defining Tradition in France, 1900-1960, edited by Adamson, N; Norris, T (2010), pp. 169-189, Cambridge University Press, 2010
- Antliff, M, Sculptural Nominalism/Anarchist Vortex: Henri Gaudier-Brzeska, Dora Marsden, Ezra Pound, in The Vorticists: Rebel Artists in London and New York, 1914-1918 (2010), pp. 47-57, Tate Publishing
- Mark Antliff,, Alvin Langdon Coburn Among the Vorticists: Studio Photographs and Lost Works by Jacob Epstein, Wyndham Lewis and Edward Wadsworth, Burlington Magazine, vol. CLII no. 1290 (2010), pp. 580-589
- Antliff, M, Sculpture against the State, Memoria e ricerca, vol. 33 (2010), pp. 49-62
- Antliff, M, Classical violence: Thierry Maulnier, French fascist aesthetics and the 1937 Paris world's fair, Modernism Modernity, vol. 15 no. 1 (2008), pp. 45-62, Johns Hopkins University Press, ISSN 1071-6068 [Gateway.cgi], [doi]
- Antliff, M, ’Their Country’: Henri Gaudier, Anarchism, and Anti-Militarism, 1910-1914, in ‘We the Moderns’: Gaudier Brzeska and his European Contemporaries, edited by Barassi, S (2007), pp. 75-87, Kettles Yard Gallery
- Antliff, M; Antliff, A, Correspondence: Kenneth Roxroth to Hebert Read and George Woodcock, Chicago Review: Special Issue on Kenneth Rexroth (Fall, 2006)
- Antliff, M, Cubism, in Encyclopedia of Europe, 1789-1914, edited by Merriman, J; Winter, J (2006), Macmillan Press,
- Antliff, M, Bergson, in Encyclopedia of Europe, 1789-1914, edited by Merriman, J; Winter, J (2006), Macmillan Press,
- Antliff, M, Modernism, in Historical Encyclopedia of World Fascism, edited by Cyprian Blamires (2006), ABC-Clio Press
- Antliff, M, Giorgio Morandi: The art of silence, Journal of Modern Italian Studies, vol. 11 no. 1 (2006), pp. 97-99
- Antliff, M, Georges Sorel and the Anti-Enlightenment: Art, Politics, Ideology, in Nationalism and French Visual Culture, 1870-1914: A Symposium, edited by Hargrove, J; McWilliam, N (2005), pp. 307-332, Yale University Press (Studies in the History of Art, National Gallery of Art, Washington.)
- Antliff, M; Leighten, P, Primitive, in Critical Terms for Art History, edited by Nelson, RS; Shiff, R (2003), University of Chicago Press
- Roberts, DD; De Grand, A; Antliff, M; Linehan, T, Comments on Roger Griffin, the primacy of culture: The current growth (or manufacture) of consensus within fascist studies, Journal of Contemporary History, vol. 37 no. 2 (January, 2002), pp. 259-274 [doi]
- Antliff, M, Fascism, modernism, and modernity, Art Bulletin, vol. 84 no. 1 (2002), pp. 148-169, JSTOR, ISSN 0004-3079 (reprinted in Critical Concepts in Political Science: Fascism, eds. Matthew Feldman and Roger Griffin, Routledge (2003).) [Gateway.cgi], [doi]
- Antliff, M, Emily Braun, Mario Sironi and Italian Modernism: Art and Politics under Facism (2000) (November, 2001), Cambridge University Press (in the on-line journal CAA: REVIEWS.)
- Antliff, M, Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth, Qui Parle (2001), pp. 57-102
- Antliff, M, The Fourth Dimension and Futurism: A Politicized Space, Art Bulletin, vol. 82 no. 4 (December, 2000), pp. 720-720, JSTOR, ISSN 0004-3079 [Gateway.cgi], [doi]
- Antliff, M, Creative Time: Bergson and European Modernism, in Tempus Fugit, edited by Schall, J (2000), pp. 35-65, Nelson-Atkins Museum of Art, Kansas City
- Antliff, M, Modernism and Facism: French Fascist Aesthetics Between the Wars, in Re-thinking Images Between the Wars: New Perspectives in Art History, edited by Hjort, O (2000), pp. 13-45, Museum Tusculantum Press (Copenhagen)
- Antliff, M, The Rhythms of Duration: Bergson and the Art of Matisse, in The New Bergson, edited by Mullarkey, J (1999), pp. 184-208, Manchester: Manchester University Press
- Antliff, M, Cubism, futurism, anarchism: The 'aestheticism' of the action d'art group, 1906-1920, Oxford Art Journal, vol. 21 no. 2 (January, 1998), pp. 99-120, Oxford University Press (OUP), ISSN 0142-6540 [Gateway.cgi], [doi] [abs]
- Antliff, M, "Bergson," and "Politics and Aesthetics: Aestheticized Politics", in The Encyclopedia of Aesthetics, Vols. 1-4, edited by Kelly, M (1998), Oxford University Press (Vol. 1, pgs. 266-268, Vol. IV, pgs. 26-29.)
- Antliff, M, The Jew as anti-artist: Georges Sorel, anti-semitism, and the aesthetics of class consciousness, Oxford Art Journal, vol. 20 no. 1 (January, 1997), pp. 50-67, Oxford University Press (OUP), ISSN 0142-6540 [Gateway.cgi], [doi]
- Antliff, M; Affron, M, Art and Fascist Ideology in France and Italy: An Introduction, in Fascist Visions: Art and Ideology in France and Italy, edited by Atliff, M; Affron, M (1997), Princeton University Press
- Antliff, M, La Cite francaise: George Valois, Le Corbusier, and Fascist Theories of Urbanism, edited by Antliff, M; Affron, M, Fascist Visions: Art and Ideology in France and Italy (1997), Princeton University Press
- Antliff, M, Modernity and nostalgia: Art and politics between the wars - Golan,R, Art History, vol. 20 no. 3 (1997), pp. 505-507
- Mark Antliff,, Organicism Against Itself: Cubism, Duchamp-Villon and the Contradictions of Modernism, Word & Image, vol. 12 no. 4 (1996), pp. 366-388, Informa UK Limited, ISSN 0266-6286 [Gateway.cgi], [doi] [abs]
- Antliff, M, Cubism, Celtism, and the Body Politic, Art Bulletin, vol. 74 no. 4 (December, 1992), pp. 655-668, JSTOR, ISSN 0004-3079 [Gateway.cgi], [doi]
- Antlfif, M, Bergson and Cubism: A reassessment, Art Journal (Winter, 1988), pp. 341-349 (translated into Japanese in Gendai shiso: revue de la Pensee d'aujourd 'hui, Tokyo, vol. 23, 1995.)
Articles Accepted
- Labor, Leisure, and Dissident Socialism: Robert L. Herbert’s Social History of Art, in Histoire sociale de l’art: une anthologie critique, edited by Philippe Bordes (2015), Les Presses du Réel
Exhibition Catalogs
- Drawings by Henri-Gaudier Brzeska (1987), Yale Center for British Art, New Haven, Ct.
Books in Progress
- Sculpture Against the State: Anarchism and the Cosmopolitan Avant-Garde (2017)