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Publications of Guo-Juin Hong    :chronological  alphabetical  combined  bibtex listing:

Books

  1. Hong, G-J, Taiwan Cinema: A Contested Nation on Screen (March, 2011), Palgrave Macmillan
  2. Hong, GJ, Taiwan cinema: A contested nation on screen, paperback edition with expanded afterword (January, 2011), pp. 1-229, Palgrave Macmillan US, ISBN 9780230111622 [doi]  [abs]

Papers Published

  1. G. Hong, Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentaries, positions: asia critique, vol. 21 no. 3 (Summer, 2013), pp. 683-701
  2. Hong, GJ, Voices and their discursive Dis/Content in Taiwan documentary, Frontiers of Literary Studies in China, vol. 7 no. 2 (January, 2013), pp. 183-193, ISSN 1673-7318 [doi]  [abs]
  3. Hong, G, Voice and Its Dis/Content in New Taiwan Documentary, Frontiers of Literary Studies in China (2012)
  4. Hong, G, Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, positions: east asia cultures critique (2012)
  5. Hong, G, Historiography of Absence: Taiwan Cinema before New Cinema 1982, Journal of Chinese Cinemas, vol. 4 no. 1 (2010), pp. 5-14
  6. Hong, G-J, From the Masses to the Masses, VIsual Anthropology, vol. 22 no. 1 (2009), pp. 75-76
  7. Hong, G-J, Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, positions: east asia cultures critique (2009)
  8. Guo Juin Hong, , Meet Me in Shanghai: Melodrama and the Cinematic Production of Space in 1930s Shanghai Leftist Films, Journal of Chinese Cinemas, vol. 3 no. 3 (2009), pp. 215-230
  9. G. Hong, Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, edited by Tani Barlow, positions: east asia cultures critique, vol. 15 no. 3 (2007), pp. 553-580, Duke University Press, ISSN 1067-9847
  10. Hong, G, Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s Shanghai, Cinema Journal (2006)
  11. Hong, G, Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary, postions: east asia cultural critique (2006)
  12. Hong, G, Framing Time: _New Women_ and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, positions: east asia cultural critique (2005)
  13. Hong, G, Toying with History: Toys and Film Consumption/Criticism/ History, Chungwai Wenxue (Chung Wai Literary Monthly) (September, 2002), Graduate Institute of Foreign Languages, National Taiwan University, Taipei, Taiwan
  14. Hong, G, Strategies of Defiance: Towards a Thesis on Anti-Realist Documentary, Film Appreciation Journal no. 111 (Spring, 2002), National Film Archive, Taipei, Taiwian

Papers Accepted

  1. G. Hong, Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in 1930s Shanghai, Journal of Chinese Cinemas (2008)

Edited Volumes

  1. Hong, GJ, Our neighbors (1963): Historiography of home and emerging realism in post-1949 Taiwan, in Thirty-two New Takes on Taiwan Cinema (December, 2022), pp. 22-35, ISBN 9780472075461
  2. Hong, G, Theatrics of Cruising: Bath Houses and Movie Houses in Tsia Ming-Linag’s Films, in Queer Sinophone Cultures, edited by Chiang, H; Heinrich, AL (2013), Routledge
  3. Hong, G, Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films, in Sinophone Queer Reader (2012)
  4. Hong, G, Healthy Realism in Taiwan, 1964-1980: Film Styles, Cultural Policies, and Mandarin Cinema, in The Chinese Cinema Book, edited by Lim, SH; Ward, J (2011), British Film Institute
  5. Hong, G, Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films, in Sinophone Queer Cinema (2011)
  6. Hong, G-J, Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema, in Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures, edited by Khoo, O; Metzger, S (2009), pp. 57-72, Intellect, the University of Chicago Press, Chicago
  7. Hong, G, Island of No Return: Cinematic Retrospection in Wang’s Taiwan Trilogy, in Techologies of Temporality in Chinese Cinema (2006)

Other

  1. with Hong, G, The Chinese Film Theory (2011), University of Amsterdam Press
  2. Simmons, C, Salt Water (August, 2002), Locus Publishing Company, Taipei, Taiwan (G. Hong, translator.)