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M. Elizabeth C. Bartlet, Associate Professor, Music

Contact Info:
Office Location:  071 Mary Duke Biddle
Office Phone:  +1 919 660 3318
Email Address: send me a message
Web Page:  http://www.duke.edu/~mecb

Office Hours:

By appointment.
Education:

Musicology,University of Chicago,1982
Musicology,University of Chicago,1972
Honours Music,University of Toronto,1970
Specialties:

Musicology
Research Interests: French music and musical institutions, especially opera; Italian composers in France; 18th & 19th centuries

Keywords:

Europe • France • Italy • Music • Opera • 18th Century • 19th Century

Representative Publications   (More Publications)

  1. Platée, Opera Omnia de Jean-Philippe Rameau, Série IV, vol. 10 (forthcoming--2004), Paris: Société Jean-Philippe Rameau, forthcoming--2004 (score in proof.)
  2. Etienne Nicolas Méhul and Opera: Source and Archival Studies of Lyric Theatre during the French Revolution, Consulate and Empire, 2 volumes, Etudes sur l'Opéra français du XIXe Siècle, 4 (1999), Heilbronn: Musik-Edition Lucie Galland, 1999. [xxviii + 912 pp.]
  3. with the [editorial] help of Mauro Bucarelli, Guillaume Tell di Gioachino Rossini: Fonti Iconografiche (1996), Pesaro: Fondazione Rossini, 1996. [xxvi, 200 pp. (in folio), 16 separate colour plates (also in folio)]
  4. Guillaume Tell, opéra en quatre actes di Victor Joseph Etienne de Jouy e Hippolyte Louis Florent Bis, musica di Gioachino Rossini, prima rappresentazione: Parigi - Théâtre de l'Académie Royale de Musique, 3 agosto 1829: Commento critico [e testi], Edizione Critica delle Opera di Gioachino Rossini, sezione prima - opere teatrali, 39, volumes 5-6 (1992, recte 1994), Pesaro: Fondazione Rossini, 1992 [recte 1994]. [253, 324 pp.] (These two volumes complement the critical edition cited below. The Society for Textual Scholarship awarded the introduction to vol. 5 Honorable Mention for the Fredson Bowers Memorial Prize for the most significant contribution to textual scholarship during the past two years (1993 and 1994); they cited in particular the methodology developed in handling sources in French opera. For the monograph-length historical study of this opera see under vol. 1 of the score.)
  5. Guillaume Tell, opéra en quatre actes di Victor Joseph Etienne de Jouy e Hippolyte Louis Florent Bis, musica di Gioachino Rossini, prima rappresentazione: Parigi - Théâtre de l'Académie Royale de Musique, 3 agosto 1829, Edizione Critica delle Opera di Gioachino Rossini, sezione prima - opere teatrali, 39, 4 volumes in folio (1992 [recte 1994]), Pesaro: Fondazione Rossini, 1992 [recte 1994]. [Vol. 1, i-lxxvii [a monograph-length historical introduction], 1-530; vol. 2, i-viii, 531-854; vol. 3, i-viii, 855-1483; vol. 4, i-iii, 1485-2050] (For the critical commentary, see above under books.)