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Guo-Juin Hong, Assistant Professor of Chinese, Asian & African Languages & Literature

Guo-Juin Hong
Contact Info:
Office Location:  2101 Campus Drive
Office Phone:  (919) 660-4396
Email Address: send me a message

Teaching (Fall 2019):

  • AMES 141S.01, AUDIOVISUAL CULTURES Synopsis
    Franklin Center 230, Th 04:40 PM-07:10 PM
    (also cross-listed as AMI 141S.01, VMS 141S.01)
  • AMES 511.01, DOCUMENTARY/EAST ASIAN CULTURE Synopsis
    Franklin Center 230, Tu 04:40 PM-07:10 PM
    (also cross-listed as AMI 641.01, DOCST 511.01, ICS 513.01)
Office Hours:

Tues 2:30 – 3:30 & by appointment on Tuesday
Education:

Ph.D.University of California at Berkeley2004
Ph.D. in Rhetoric with a designated emphasis in Film StudiesUniversity of California, Berkeley2004
M.A.San Francisco State University1995
B.A.Fu Jen Catholic University (Taiwan)1991
Specialties:

Chinese
Film Studies
Cultural Studies
Research Interests:

Film historiography, film theory, postcolonial theory and theories of culture and globalization; film and other media of Taiwan, Hong Kong and China

Keywords:

Asia • China • Hongkong • Taiwan • Film • Postcolonialism • Globalisation • Media

Current Ph.D. Students   (Former Students)

  • Chia-Yu Hsu  
  • Rodger Frey  
Recent Publications   (More Publications)

  1. G. Hong, Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentaries, positions: asia critique, vol. 21 no. 3 (Summer, 2013), pp. 683-701
  2. Hong, GJ, Voices and their discursive Dis/Content in Taiwan documentary, Frontiers of Literary Studies in China, vol. 7 no. 2 (January, 2013), pp. 183-193, ISSN 1673-7318 [doi]  [abs]
  3. Hong, G, Theatrics of Cruising: Bath Houses and Movie Houses in Tsia Ming-Linag’s Films, in Queer Sinophone Cultures, edited by Chiang, H; Heinrich, AL (2013), Routledge
  4. Hong, G, Voice and Its Dis/Content in New Taiwan Documentary, Frontiers of Literary Studies in China (2012)
  5. Hong, G, Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, Positions: East Asia Cultures Critique (2012)