Faculty ::

 Recent Faculty Publications

Books

1. M. Antliff and V.Greene, editors. The Vorticists: Rebel Artists in London and New York, 1914-1918.. (2010).
2. Mark Antliff and Patricia Leighten. A Cubism Reader: Documents and Criticism 1906-1914, University of Chicago Press. (2008).  [abs]
3.  Avant-Garde Fascism: The Mobilization of Myth, Art and Culture in France, 1909-1939, Duke University Press. (2007).
4. M. Antliff and Patricia Leighten. Cubism and Culture. London and New York: Thames & Hudson Press, (2001). (French Edition, 2002, Cubisme et culture)
5.  Fascist Visions: Art and Ideology in France and Italy.  edited by Matthew Affron and Mark AntliffPrinceton University Press, (1997). (Contributors: Walter Adamson (History, Emory University); Matthew Affron (Art History, University of Virginia); Emily Braun (Art History, Hunter College, City University of New York); Michele Cone (Art History, New School for Social Research); Emilio Gentile (Political Science, Universita di Roma); Nancy Locke (Art History, Wayne State University); Marla Stone (History, Occidental University))
6.  Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton University Press, (1993).

Articles Published

1. M. Antliff. "Shaping Duration: Bergson and Modern Sculpture." The European Legacy  (December, 2011): 899-918.
2. M. Antliff. "Drawing the Vortex." Tate, etc.  (June, 2011): 36-41.
3. M. Antliff. "Mitos de revolución: fascismo de vanguardia en Francia." Afinidades. Revista de Literatura y Pensamiento  (May, 2011): 23-35.
4. M. Antliff. "Organicism among the Cubists: The Case of Raymond Duchamp-Villon." Biocentrism and Modernism. Edited by eds., Olivar Botar and Isabelle Wünsche.  (2011): 161-181.
5. "Sculpture against the State." Memoria e ricerca  vol. 33 (2010): 49-62.
6. "Henri Gaudier Brzeska's Guerre sociale: Art, Anarchism and Anti-Militarism in Paris and London, 1909-1915." Modernism/Modernity  vol. 17 no. 1 (2010): 135-169.
7. "Sculptural Nominalism/Anarchist Vortex: Henri Gaudier-Brzeska, Dora Marsden, Ezra Pound." The Vorticists: Rebel Artists in London and New York, 1914-1918  (2010): 47-57.
8. "Alvin Langdon Coburn Among the Vorticists: Studio Photographs and Lost Works by Jacob Epstein, Wyndham Lewis and Edward Wadsworth." Burlington Magazine  vol. CLII no. 1290 (2010): 580-589.
9. "Classicism Neither Right nor Left: the Combat Group and the Cultural Politics of French Fascism during the 1930's." Academics, Pompiers, Official Artists and the Arrière-garde: Defining Tradition in France, 1900-1960. Edited by Natalie Adamson and Toby Norris.  (2010): 169-189.
10. "The Jew As Anti-Artist: Georges Sorel, Antisemitism, and the Aesthetics of Class-Consciousness." Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation. Edited by Matthew Baigel, Milly Heyd and Rose Carol Washton-Long.  (2010): 19-50.
11. "Classical Violence: Thierry Maulnier, French Fascist Aesthetics, and the 1937 Paris World’s Fair." Modernism/modernity  (2008): 45-62.
12. "'Their Country’: Henri Gaudier, Anarchism, and Anti-Militarism, 1910-1914." ‘We the Moderns': Gaudier Brzeska and his European Contemporaries. Edited by Sebastiano Barassi.  (2007): 75-87.
13. M. Antliff and Allan Antliff. "Correspondence: Kenneth Roxroth to Hebert Read and George Woodcock." Chicago Review: Special Issue on Kenneth Rexroth  (Fall, 2006).
14. "Modernism." Historical Encyclopedia of World Fascism, edited by Cyprian Blamires  (2006).
15. "Bergson." Encyclopedia of Europe, 1789-1914. Edited by John Merriman and Jay Winter.  (2006).
16. "Cubism." Encyclopedia of Europe, 1789-1914. Edited by John Merriman and Jay Winter.  (2006).
17. "Georges Sorel and the Anti-Enlightenment: Art, Politics, Ideology." Nationalism and French Visual Culture, 1870-1914: A Symposium. Edited by June Hargrove and Neil McWilliam.  (2005): 307-332. (Studies in the History of Art, National Gallery of Art, Washington)
18. M. Antliff and Patricia Leighten. "Primitive." Critical Terms for Art History. Edited by Robert S. Nelson and Richard Shiff.  (2003).
19. "Response to Roger Griffin's: The Primacy of Culture: The Current Growth (or Manufacture) of Consensus in Fascist Studies." Journal of Modern History  (April, 2002): 267-272.
20. "Fascism, Modernism and Modernity." The Art Bulletin (The State of Art History Series)  (March, 2002): 148-69. (reprinted in Critical Concepts in Political Science: Fascism, eds. Matthew Feldman and Roger Griffin, Routledge (2003))
21. "Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth." Qui Parle  (2001): 57-102.
22. "The Fourth Dimension and Italian Futurism: A Politicized Space." Art Bulletin  (December, 2000): 720-33.
23. "Modernism and Facism: French Fascist Aesthetics Between the Wars." Re-thinking Images Between the Wars: New Perspectives in Art History. Edited by Oystein Hjort.  (2000): 13-45.
24. "Creative Time: Bergson and European Modernism." Tempus Fugit. Edited by Jan Schall.  (2000): 35-65.
25. "The Rhythms of Duration: Bergson and the Art of Matisse." The New Bergson. Edited by John Mullarkey.  (1999): 184-208.
26. "Cubism, Futurism, Anarchism: The Aestheticism of the Action d'art Group, 1906-1920." Oxford Art Journal  vol. 21:2 (1998): 99-120.
27. "La Cite francaise: George Valois, Le Corbusier, and Fascist Theories of Urbanism." Fascist Visions: Art and Ideology in France and Italy. Edited by Mark Antliff and Matthew Affron.  (1997).
28. M. Antliff and Matthew Affron. "Art and Fascist Ideology in France and Italy: An Introduction." Fascist Visions: Art and Ideology in France and Italy. Edited by Mark Atliff and Matthew Affron.  (1997).
29. "The Jew As Anti-Artist: Georges Sorel, Antisemitism, and the Aesthetics of Class-Consciousness." Oxford Art Journal  vol. 20:1 (1997): 50-67.
30. "Organicism Against Itself: Cubism, Duchamp-Villon and the Contradictions of Modernism." Word & Image  (1996): 366-388.
31. "Cubism, Celtism, and the Body Politic." The Art Bulletin  (December, 1992): 655-668.
32. "Bergson and Cubism: A reassessment." Art Journal  (Winter, 1988): 341-349. (translated into Japanese in Gendai shiso: revue de la Pensee d'aujourd 'hui, Tokyo, vol. 23, 1995)

Articles Accepted

1. M. Antliff. "Politicizing the New Sculpture." Vorticism: New Perspectives. Edited by Mark Antliff and Scott Klein.  (2013). (Forthcoming)
2. M. Antliff. "Bad Anarchism; Aestheticized Mythmaking and the Legacy of Georges Sorel among the European Left." Anarchist Developments in Cultural Studies  (2013).
3. "Sculpture Against the State." Artistes et partis – Esthétique et politique (1900-1945), eds, Maria Stavrinaki and Maddalena Carli  (2012).
4. "Labor, Leisure, and Dissident Socialism: Robert L. Herbert’s Social History of Art." Histoire sociale de l’art: une anthologie critique. Edited by Philippe Bordes.  (2011).

Book Reviews

1. "Emily Braun, Mario Sironi and Italian Modernism: Art and Politics under Facism (2000)."   (November, 2001). (in the on-line journal CAA: REVIEWS)
2. "Cubism in the Shadow of Marx: David Cottington, Cubism in the Shadow of War: The Avant-Garde and Politics in Paris, 1905-1914, Yale University Press, 1998." Art History  (September, 1999): 444-50.
3. "David Weir, Anarchy and Culture: The Aesthetic Politics of Modernism, University of Massachusetts Press, 1997." Modernism/modernity  (January, 1999): 167-69.
4. "Romy Golan, Modernity & Nostalgia: Art and Politics between the Wars, 1995."   (September, 1997). (Art History, 505-507)

Exhibition Catalogs

1.  Drawings by Henri-Gaudier Brzeska. Yale Center for British Art, New Haven, Ct., (1987).

Books in Progress

1. Mark Antliff and Scott Klein editors. Vorticism: New Perspectives. 2013. (Forthcoming from Oxford University Press)

Other

1. "Bergson and Poltics and Aesthetics: Aestheticized Politics." The Encyclopedia of Aesthetics. Edited by Michael Kelly. Vols. 1-4 (1998). (Vol. 1, pgs. 266-268, Vol. IV, pgs. 26-29)