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 Recent Faculty Publications

Books

  1. with Patricia Leighten. Cubism and Culture. London and New York: Thames & Hudson Press, (2001). (French Edition, 2002, Cubisme et culture)
  2.  Fascist Visions: Art and Ideology in France and Italy.  edited by Matthew Affron and Mark AntliffPrinceton University Press, (1997). (Contributors: Walter Adamson (History, Emory University); Matthew Affron (Art History, University of Virginia); Emily Braun (Art History, Hunter College, City University of New York); Michele Cone (Art History, New School for Social Research); Emilio Gentile (Political Science, Universita di Roma); Nancy Locke (Art History, Wayne State University); Marla Stone (History, Occidental University))
  3.  Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton University Press, (1993).

Articles Published

  1. "Response to Roger Griffin's: The Primacy of Culture: The Current Growth (or Manufacture) of Consensus in Fascist Studies." Journal of Modern History  (April, 2002): 267-272.
  2. "Fascism, Modernism and Modernity." The Art Bulletin (The State of Art History Series)  (March, 2002): 148-69. (reprinted in Critical Concepts in Political Science: Fascism, eds. Matthew Feldman and Roger Griffin, Routledge (2003))
  3. "Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth." Qui Parle  (2001): 57-102.
  4. M. Antliff. "The Fourth Dimension and Italian Futurism: A Politicized Space." Art Bulletin  (December, 2000): 720-33.
  5. M. Antliff. "Modernism and Facism: French Fascist Aesthetics Between the Wars." Re-thinking Images Between the Wars: New Perspectives in Art History. Edited by Oystein Hjort.  (2000): 13-45.
  6. M. Antliff. "Creative Time: Bergson and European Modernism." Tempus Fugit. Edited by Jan Schall.  (2000): 35-65.
  7. M. Antliff. "The Rhythms of Duration: Bergson and the Art of Matisse." The New Bergson. Edited by John Mullarkey.  (1999): 184-208.
  8. M. Antliff. "Cubism, Futurism, Anarchism: The Aestheticism of the Action d'art Group, 1906-1920." Oxford Art Journal  vol. 21:2 (1998): 99-120.
  9. M. Antliff. "La Cite francaise: George Valois, Le Corbusier, and Fascist Theories of Urbanism." Fascist Visions: Art and Ideology in France and Italy. Edited by Mark Antliff and Matthew Affron.  (1997).
  10. M. Antliff. "The Jew as Anti-Artist: Georges Sorel, Antisemitism, and the Aesthetics of Class-Consciousness." Oxford Art Journal  vol. 20:1 (1997): 50-57.
  11. M. Antliff and Matthew Affron. "Art and Fascist Ideology in France and Italy: An Introduction." Fascist Visions: Art and Ideology in France and Italy. Edited by Mark Atliff and Matthew Affron.  (1997).
  12. M. Antliff. "Organicism Against Itself: Cubism, Duchamp-Villon and the Contradictions of Modernism." Word & Image  (1996): 366-388.
  13. M. Antliff with Patricia Leighten. "Primitive." Critical Terms for Art History. Edited by Robert S. Nelson and Richard Shiff.  (1996). (revised version, 2003)
  14. M. Antliff. "Cubism, Celtism, and the Body Politic." The Art Bulletin  (December, 1992): 655-668.
  15. M. Antliff. "Bergson and Cubism: A reassessment." Art Journal  (Winter, 1988): 341-349. (translated into Japanese in Gendai shiso: revue de la Pensee d'aujourd 'hui, Tokyo, vol. 23, 1995)

Book Reviews

  1. "Emily Braun, Mario Sironi and Italian Modernism: Art and Politics under Fascism (Cambridge 2000)." caa.reviews  (November, 2001).
  2. M. Antliff. "Emily Braun, Mario Sironi and Italian Modernism: Art and Politics under Facism."   (2000). (in the on-line journal CAA: REVIEWS (November 2001))
  3. M. Antliff. ""Cubism in the Shadow of Marx": David Cottington, Cubism in the Shadow of War: The Avant-Garde and Politics in Paris, 1905-1914, Yale University Press, 1998." Art History  (September, 1999): 444-50.
  4. M. Antliff. "David Weir, Anarchy and Culture: The Aesthetic Politics of Modernism, University of Massachusetts Press, 1997." Modernism/modernity  (January, 1999): 167-69.
  5. Review Article of David Cottingham. "Cubism in the Shadow of War: The Avant-Garde and Politics in Paris 1905-1914."   (1998). (Art History - September 1999 pgs. 444-450)
  6. Review of David Weir. "Anarchy and Culture: The Aesthetic Politics of Modernism."   (1997). (Modernism/modernity-January 1999, pgs. 167-169)
  7. Review of Romy Golan. "Modernity & Nostalgia: Art and Politics between the Wars."   (1995). (Art History-September 1997, pgs. 505-507)

Exhibition Catalogs

  1. M. Antliff. Drawings by Henri-Gaudier Brzeska. Yale Center for British Art, New Haven, Ct., (1987).

Other

  1. M. Antliff. "Bergson and Poltics and Aesthetics: Aestheticized Politics." The Encyclopedia of Aesthetics. Edited by Michael Kelly. Vols. 1-4 (1998). (Vol. 1, pgs. 266-268, Vol. IV, pgs. 26-29)
 

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