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Books
- with Patricia Leighten. Cubism and Culture. London and New York: Thames & Hudson Press,
(2001). (French Edition, 2002, Cubisme et
culture)
- Fascist Visions: Art and Ideology in France and Italy. edited by Matthew Affron and Mark AntliffPrinceton University Press,
(1997). (Contributors: Walter Adamson (History, Emory
University); Matthew Affron (Art History,
University of Virginia); Emily Braun (Art
History, Hunter College, City University of
New York); Michele Cone (Art History, New
School for Social Research); Emilio Gentile
(Political Science, Universita di Roma);
Nancy Locke (Art History, Wayne State
University); Marla Stone (History, Occidental
University))
- Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton University Press,
(1993).
Articles Published
- "Response to Roger Griffin's: The Primacy of Culture: The Current Growth (or Manufacture) of Consensus in Fascist Studies." Journal of Modern History (April, 2002): 267-272.
- "Fascism, Modernism and Modernity." The Art Bulletin (The State of Art History Series) (March, 2002): 148-69. (reprinted in Critical Concepts in
Political Science: Fascism, eds. Matthew
Feldman and Roger Griffin, Routledge
(2003))
- "Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth." Qui Parle (2001): 57-102.
- M. Antliff. "The Fourth Dimension and Italian Futurism: A Politicized Space." Art Bulletin (December, 2000): 720-33.
- M. Antliff. "Modernism and Facism: French Fascist Aesthetics Between the Wars." Re-thinking Images Between the Wars: New Perspectives in Art History. Edited
by Oystein Hjort. (2000): 13-45.
- M. Antliff. "Creative Time: Bergson and European Modernism." Tempus Fugit. Edited
by Jan Schall. (2000): 35-65.
- M. Antliff. "The Rhythms of Duration: Bergson and the Art of Matisse." The New Bergson. Edited
by John Mullarkey. (1999): 184-208.
- M. Antliff. "Cubism, Futurism, Anarchism: The Aestheticism of the Action d'art Group, 1906-1920." Oxford Art Journal vol. 21:2 (1998): 99-120.
- M. Antliff. "La Cite francaise: George Valois, Le Corbusier, and Fascist Theories of Urbanism." Fascist Visions: Art and Ideology in France and Italy. Edited
by Mark Antliff and Matthew Affron. (1997).
- M. Antliff. "The Jew as Anti-Artist: Georges Sorel, Antisemitism, and the Aesthetics of Class-Consciousness." Oxford Art Journal vol. 20:1 (1997): 50-57.
- M. Antliff and Matthew Affron. "Art and Fascist Ideology in France and Italy: An Introduction." Fascist Visions: Art and Ideology in France and Italy. Edited
by Mark Atliff and Matthew Affron. (1997).
- M. Antliff. "Organicism Against Itself: Cubism, Duchamp-Villon and the Contradictions of Modernism." Word & Image (1996): 366-388.
- M. Antliff with Patricia Leighten. "Primitive." Critical Terms for Art History. Edited
by Robert S. Nelson and Richard Shiff. (1996). (revised version, 2003)
- M. Antliff. "Cubism, Celtism, and the Body Politic." The Art Bulletin (December, 1992): 655-668.
- M. Antliff. "Bergson and Cubism: A reassessment." Art Journal (Winter, 1988): 341-349. (translated into Japanese in Gendai shiso: revue de la Pensee d'aujourd 'hui, Tokyo, vol. 23, 1995)
Book Reviews
- "Emily Braun, Mario Sironi and Italian Modernism: Art and Politics under Fascism (Cambridge 2000)." caa.reviews (November, 2001).
- M. Antliff. "Emily Braun, Mario Sironi and Italian Modernism: Art and Politics under Facism." (2000). (in the on-line journal CAA: REVIEWS (November 2001))
- M. Antliff. ""Cubism in the Shadow of Marx": David Cottington, Cubism in the Shadow of War: The Avant-Garde and Politics in Paris, 1905-1914, Yale University Press, 1998." Art History (September, 1999): 444-50.
- M. Antliff. "David Weir, Anarchy and Culture: The Aesthetic Politics of Modernism, University of Massachusetts Press, 1997." Modernism/modernity (January, 1999): 167-69.
- Review Article of David Cottingham. "Cubism in the Shadow of War: The Avant-Garde and Politics in Paris 1905-1914." (1998). (Art History - September 1999 pgs. 444-450)
- Review of David Weir. "Anarchy and Culture: The Aesthetic Politics of Modernism." (1997). (Modernism/modernity-January 1999, pgs. 167-169)
- Review of Romy Golan. "Modernity & Nostalgia: Art and Politics between the Wars." (1995). (Art History-September 1997, pgs. 505-507)
Exhibition Catalogs
- M. Antliff. Drawings by Henri-Gaudier Brzeska. Yale Center for British Art, New Haven, Ct.,
(1987).
Other
- M. Antliff. "Bergson and Poltics and Aesthetics: Aestheticized Politics." The Encyclopedia of Aesthetics. Edited
by Michael Kelly. Vols. 1-4 (1998). (Vol. 1, pgs. 266-268, Vol. IV, pgs. 26-29)
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