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 Recent Faculty Publications

Books

  1. K. Stiles. Correspondence Course, An Epistolary History of Carolee Schneemann and Her Circle. Duke University Press, (2010).
  2.  “Cloud with its Shadow: Marina Abramovic” in Marina Abramovic. Phaidon, (2008).
  3. K. Stiles, ed.,. States of Mind: Dan & Lia Perjovschi. Nasher Museum of Art at Duke University; distributed by Duke University Press, Durham, North Carolina, (2007).
  4. K. Stiles and Peter Selz, eds.,. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. University of California Press, (1996). (forthcoming in an expanded new edition edited by Kristine Stiles in 2012)
  5.  AmaLia Perjovschi. Soros Foundation, Bucharest, Romania, (1996).
  6.  Dan Perjovschi's Postcards From America.. Pont La Vue Press, New York, (1995).
  7.  Raphael Montanez Ortiz: Years of the Warrior, Years of the Psyche, 1968-1988. El Museo Del Barrio, New York, (1988).
  8.  Questions. KronOscope Press, (1982). (This artist's book contains essays on Kristine Stiles' art by Lynn Hershman, Kathy O’Dell, and Richard Irwin.)

Articles Published

  1. K. Stiles. "Negative Affirmative: San Francisco Bay Area Art, 1974-1981." Under the Big Black Sun: California Art 1974-1981. Edited by Paul Schimmel.  (2011): 27-43.
  2. K. Stiles. "7.47 a.m. (The Traumatic Visual Vocabulary of Maurice Benayoun’s So.So.So. Somebody Somewhere Some time)." Maurice Benayoun / OPEN ART 1980-2010  (2011): 83-87.
  3. K. Stiles. "Peggy Phelan and Kristine Stiles In Conversation." Millennium Film Journal  no. 54 (2011): 30-34.
  4. K. Stiles. "Home Alone: ‘Reversal of Positions of Presentation’ and the Visual Semantics of Domesticity." The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990. Edited by Nancy Princenthal and Helaine Posner.  (2011): 50-67.
  5. K. Stiles. "“Foreword, Or, Unbuckling the Belt of Fluxus through Billie Maciunas’ Experiences”." Billie Maciunas, The Eve of Fluxus  (2010): ix-xvi..
  6. "Art will be…2009-2034." Duke Alumni Magazine  (May, 2009).
  7. "Irregular Ways of Being in Time." The Third Mind: American Artists Contemplate Asia 1860-1989. Edited by Alexandra Munroe.  (2009): 333-345.
  8. "The Trinity Session." Future Species: Hybrids, Exoskel, Cybor Living Makeover Madness  (2009): 35-38.
  9. "INSIDE/OUTSIDE: Balancing Between a Dusthole and Eternity." Archive  vol. 1 (2008).
  10. "Come and Go." California Video  (2008).
  11. "Burden of Light." Chris Burden  (2007).
  12. "Teaching a Dead Hand to Draw, Kim Jones, War and Art." Kim Jones: A Retrospective  (2007).
  13. "Shaved Heads and Marked Bodies: Representations From Cultures of Trauma" (1993), appeared without its 1996 "Afterword" in Bruce Lawrence and Aisha Karim, eds., On Violence: An Anthology (Durham, N.C., Duke University Press); 522-538."   (2007). (This essay was originally published in Strategie II: Peuples Mediterraneens [Paris]64/65 (1993): 95-117; it was excerpted in Dan Perjovschi Post R, for the exhibition “Media Culpa,” Bucharest, Romania, 1995; it was reprinted with a new Afterword in Jean O'Barr, Nancy Hewitt, Nancy Rosebaugh, eds., Talking Gender: Public Images, Personal Journeys, and Political Critiques (Chapel Hill: University of North Carolina Press, 1996): 36-64; excerpted in Dan Perjovschi: Anthroprogramming (New York: Franklin Furnace, 1996); excerpted in Lusitania [New York] 6 (1994): 23-39; excerpted in German in kursiv [Linz, Austria] 2-3. (1995): 19-25; excerpted in numerous Romanian journals 1994-present.) [html]
  14. "States of Mind: Dan & Lia Perjovschi." States of Mind: Dan & Lia Perjovschi  (2007).
  15. "Shaved Heads and Marked Bodies: Representations from Cultures of Trauma." The Chain of Violence: An Anthology. Edited by Bruce Lawrence and Aisha Karim.  (2007).
  16. "Metzger's Fierce, Poignant, and Prescient Manifestos." Rett Kopi: A Norwegian Journal of Art and Aesthetics  (2006).
  17. "Chris Burden."   (2006).
  18. K. Stiles and Paul Grobstein. "The Art Historian and the Neurobiologist." http://serendip.brynmawr.edu/bb/artneuro/  (2005).
  19. "Barbara Smith's Haunting." The 21st Century Odyssey Part II: The Performances of Barbara T. Smith  (2005).
  20. "Remembrance, Resistance, Reconstruction, the Social Value of Lia & Dan Perjovschis's Art."   (2005).
  21. "The Story of the Destruction in Art Symposium and the "DIAS Affect"." Gustav Metzger: Geschichte Geschichte  (2005). [pdf]
  22. "Remembrance, Resistance, Reconstruction, The Social Value of Lia and Dan Perjovschi's Art." European Influenza  (2005).
  23. "Fluxus Performance and Humor." The Artist’s Joke  (2005).
  24. "Agnes Hegedus, Bernd Lintermann, Jeffrey Shaw: reconfiguring the CAVE." Future Cinema: The Cinematic Imaginary after Film. Edited by Jeffrey Shaw and Peter Weibel.  (2004): 492-497.
  25. "Chris Burden's Free Physics."   (2004). (Forthcoming)
  26. "I/Eye/Oculus: Performance, Installation and Video." Art of the Twentieth Century. Edited by Charles Harrison and Paul W. Wood.  (2004): 183-229.
  27. "Paul Couillard and Ed Johnson," for Artspace, Ontario, Canada."   (2004).
  28. "Peinture, Photographie, Performance: Le Cas de Georges Mathieu." Georges Mathieu  (2003): 75-81.
  29. "Franz West's Dialogic PaBtucke." Franz West  (2003): 104-121.
  30. "Performance." Critical Terms for Art History. Edited by Robert Nelson and Richard Shiff. 2nd Edition (2003): 75-97.
  31. "Anomaly, Sky, Sex, and Psi in Fluxus." Critical Mass: Happenings, Fluxus, Performance & Intermedia at Rutgers University 1958-1971  (2003): 60-88.
  32. "At Last, A Great Woman Artist: Writing About Carolee Schneemann’s Epistolary Practice." Singular Women. Edited by Kristen Frederickson and Sarah E. Webb.  (2003).
  33. "Jean-Jacques Lebel's Phoenix and Ashes." Jean-Jacques Lebel  (2003): 3-15.
  34. "Thunderbird Immolation: William Pope L. & Burning Racism." William Pope.L: Eracism. Edited by Mark Bessire.  (2002): 36-42.
  35. "David Tudor-Alive , Free, and Without Need of Culture" in a special issue, "Composers Inside Electronics: Music after David Tudor"." Leonardo Music Journal  vol. 14 (2002). [html]
  36. "The Painter as an Instrument of Real Time, introduction to Carolee Schneemann’s Imaging Her Erotics: Essays, Interviews, Projects."   (2001): 2-16.
  37. "Il mostro, la maschera e la coscienza allargata, (The Monster, the Mask and the Enlarged Consciousness)." De Dominicis: Raccolta di scritti scullíopera e líartista. Edited by Gabriele Guercio.  (2001): 93-99.
  38. "Concerning Public Art and 'Messianic Time'."   (2001). [html]
  39. "Afterword: Quicksilver and Revelations, Performance at the End of the 20th Century." Performance Artists Talking: 1979-7989: Sex, Food, Money/Fame, Ritual/Death. Edited by Linda Montano.  (2000).
  40. "Never Enough is Something Else: Feminist Performance Art, Probity, and the Avant-Garde." Contours of the Theatrical Avant-Garde: Performance and Textuality. Edited by James M. Harding.  (2000): 239-289. [pdf]
  41. "Being Undyed: The Meeting of Mind and Matter in Yoko Ono’s Events." Yes Yoko Ono. Edited by Alexandra Monroe.  (2000): 145-149.
  42. "Corpora Vilia: Valie Export’s Body." Valie Export’s Visual Syntagmatics  (2000): 16-33.
  43. "Mapping Joshua Neustein's Art." Joshua Neustein: Five Ash Cities, Domestic Tranquility Bne Brak  (2000): 122-130. (reprinted in JOSHUA NEUSTEIN: Five Ash cities (Chicago: Academy Chicago Publishers in Association with Olive Production, 2000))
  44. "Introduction." Uri Katzenstein's Families  (2000): 1-5.
  45. "Comisuri: Art Actiunile ca Objecte." Balkon: Revista de Arta Contemporana  vol. March no. 2 (2000): 3-4.
  46. K. Stiles and Edward A. Shanken. "Missing in Action: Agency and Meaning in Interactive Art."   (2000). [pdf]
  47. K. Stiles. "Parallel Worlds: Representing Consciousness at the Intersection of Art, Dissociation, and Multidimensional Awareness." Reframing Consciousness: Art and Consciousness in the Post- Biological Era. Edited by Roy Ascott.  (2000): 52-60. [books]
  48. "Beautiful, Jean-Jacques': Jean-Jacques Lebel's Affect and the Theories of Gilles Deleuze and Felix Guattari." Jean-Jacques Lebel  (1999): 7-30.
  49. "The Flux/Med' Collages of Bob Watts." Bob Watts Francesco Conz (1999): 1-3.
  50. "300 Words for Dan Perjovschi." After the Wall: Art and Culture in Post-Communist Europe  (1999): 153. [html]
  51. "Battle of the Yams: Contentless Forms and the Recovery of Meaning in Events and Happenings." Off Limits: Rutgers University and the Avant-Garde, 1957-1963  (1999): 118-129.
  52. "Uncorrupted Joy: International Art Actions." Out of Actions: Between Performance and the Object 1949-1979 Paul Schimmel Edition (1998): 226-238. [pdf]
  53. "INSIDE/OUTSIDE: Balancing Between a Dusthole and Eternity." Body and the East: From the 1960s to the Present  (1998): 19-30.
  54. "Joshua Neustein." BOMB  vol. 57 (Fall, 1997): 80-81.
  55. "To the Organizers, Participants, and Audience of REcycling the Mode(ls)'." Messages from the Countryside/Reflections in RE  (1997): 28-29.
  56. "Debate: Empty Slogan of Self-Representation." Siksi [Helsinki]  vol. Spring no. 12:1 (1997): 87-90.
  57. "Schlaget Auf: The Problem with Carolee Schneemann's Paintings." Carolee Schneemann: Up to and Including Her Limits  (1996): 15-25.
  58. "Roman Signer: The Sound of One Bomb Clapping,." Roman Signer  (1996): 10-15.
  59. "Conversation with Paul McCarthy." Paul McCarthy  (1996): 6-29.
  60. "Rampman Against a Portable Field: The 'activites' of Pinchas Cohen Gan." Figure Form Formula: The Art of Pinchas Cohen Gan  (1996): 19-41.
  61. "Irreparable Damage: Meditation on James Lerager's Tales from the Nuclear Age." for James Lerager: Tales from the Nuclear Age  (1994): 3-7.
  62. "Tuna and Other fishy Thoughts on Fluxus Events." Alison Knowles  (1994): 26-35.
  63. "Between Water and Stone; Fluxus Performance, A Metaphysics of Acts." In the Spirit of Fluxus. Edited by Elizabeth Armstrong and Joan Rothfuss.  (1993): 62-99. (excerpted in Tracy Warr, ed., The Artists'Body (London: Phaidon Press, 2000): 211-14) [pdf]
  64. "Survival Ethos and Destruction Art." Discourse: Journal for Theoretical Studies in Media and Culture  vol. 14:2 (Spring, 1992): 74-102.
  65. "Unbosoming Lennon: The Politics of Yoko Ono's Experience." Art Criticism 7:2  vol. Spring (1992): 21-54.
  66. K. Stiles. ""Selected Comments on Destruction Art,"." in Alex Adriaansens, ed., Boek Voor De Instabiele: Book for the Unstable Media  (1992): 43-75. [kristine-stiles-selected-comments]
  67. "Thresholds of Control: Destruction Art and Teminal Culture." Out of Control  (1991): 29-50. (reprinted in Ars Electronica: Facing the Future (A Survey of Two Decades, ed. Timothy Druckrey, Cambridge: MIT Press, 2000)
  68. "Tuna and Other fishy Thoughts on Fluxus Events." FluxAttitudes  (1991): 25-34.
  69. "Readings: Performance and Its Objects." Arts  vol. 65:3 (November, 1990): 35-47.
  70. "Notes on Rudolf Schwarzkogler's Images of Healing." White Walls: A Magazine of Writings by Artists  vol. 25 (Spring, 1990): 13-26.
  71. "Sticks and Stones: The Destruction in Art Symposium." Arts  vol. 63.5 (January, 1989): 54-60.
  72. "Not Just and 'Other' Exhibition." High Performance  vol. 11 (Fall, 1988): 34-38.
  73. "Introduction to the Destruction in Art Symposium: DIAS & Discussion with Ivor Davies." Link  vol. 52 (September, 1987): 4-10.
  74. "Rodforce: Thoughts on the Art of Sherman Fleming." High Performance  vol. 10:2 (Summer, 1987): 34-39.
  75. "Synopsis of the Destruction in Art Symposium (DIAS) and Its Theoretical Significance." The Act  vol. 1 (Spring, 1987): 22-31.
  76. "Imploring Silence: Words and Performance Essence, A Polemic." High Performance  vol. 8.1 (April, 1985): 33-36.
  77. "Modern Myth: A Review of the Interdisciplinary Conference at The New School for Social Research and The Cooper Union." Frank  vol. 4 (November, 1984): 32 & 38.
  78. "STELARC: On Evolution." Frank  vol. 3 (August, 1984): 25 & 35.
  79. "The Luciferian Marriage: Government/Corporate/Media 'Fact' as Entertainment." The Un/Necessary Image. Edited by Peter D'Agostino and Antonio Muntadas.  (1983): 28-31. (reprinted)
  80. "Come and Go." Coming and Going NEW YORK (Subway), PARIS (Metro), San Francisco (BART), Washinton (METRO): Peter D'Agostino  (1982): 76-81.
  81. "La Crise de l'avant-garde and an Interview with Jean-Jacques Lebel." + - 0 [Brussels]  vol. 34 (1981): 32-33 & 35-36.
  82. "Trans-Europ Express-Expressed." Alph-Trans-Chung: Peter D-Agostino  (1980): 55-58.
  83. "No Money Back Anytime." LAICA Journal: Southern California Art Magazine  vol. 23 (1979): 19-23. (June-July)
  84. "Brief essays on American painters." 2 Jahrzehnte amerikanische malerei 1920-1940  (1979): 66 & 76 & 116 & 122.
  85. "Helen and Newton Harrison: Questions." Arts Magazine  vol. 52:6 (February, 1978): 131-133.
  86. "1.1.78 - 2.2.78: Roberta Breitmore." Roberta Breitmore Is Not Lynn Hershman  (1978): 5-14.

Book Reviews

  1. RoseLee Goldberg. "Laurie Anderson." Make: The Magazine of Women's Art  vol. 90 (2001): 90.
  2. Pamela M. Lee. "Object to be Destroyed: The Work of Gordon Matta-Clark." CAA.Reviews, the online reviews publication of the College Art Association  (2000). [html]

Exhibition Catalogs

  1. K. Stiles. Jean Toche: Impressions From The Rogue Bush Imperial Presidency. Durham: John Hope Franklin Center for Interdisciplinary & International Studies, (2009).
  2.  Jean-Jacques Lebel. London: Mayor Gallery, (2003).
  3.  Bob Watts.  edited by Slovenia: Museum of Koper and Editions Francesco Conz(2000).
  4.  Hans Waanders. Raleigh: City Gallery of Contemporary Art, (1997).
  5.  Ion Bitzan. Bath, England: City of Bath College, (1994).
  6.  Recontre Avec Morgan O'Hara. Lausanne: Le Musee Cantonal des Beaux-Arts, (1980).
 

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