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Books
- Esther Gabara. Errant Modernism: The Ethos of Photography in Mexico and Brazil. .A John Hope Franklin Center BookDuke University Press,
(November, 2008). [ref=sr_1_1]
Articles Published
- "‘Juro que es mujer’: el archivo fotográfico de Conchita Jurado y Don Carlos Balmori. Las sexualidades performáticas en el México posrevolucionarios." Cultura visual e innovaciones tecnológicas en América Latina (desde 1840 a las vanguardias). Edited
by González-Stephan, Beatriz. (2012). (forthcoming (submitted))
- "Orientalism Unmoored." Orit Raff: Shangri-La (January, 2011): n.p..
- Colectivo Situaciones, Buenos Aires, Argentina. "“Disquiet in the impasse: Coming from the Latin American Situation,”." http://micropolitics.wordpress.com/ (Winter, 2010). (forthcoming)
- "Fighting It Out: Being Naco in the Global Lucha Libre." Journal of Decorative and Propaganda Arts. Mexico Issue vol. 26 (2010): 277-300. [html]
- "Perspectives on Scale: From the Atomic to the Universal." Art and Globalization. Edited
by James Elkins, Alice S. Kim, and Zhivka Valiavicharska. (2010): 200-204. [html]
- "Modernist Ethics: Really Engaging Popular Culture in Mexico and Brazil." The Ethics of Latin American Literary Criticism: Reading Otherwise. Edited
by Erin Graff Zivin. (2007): 63-104. [ref=sr_1_1]
- ""Cannon and Camera": Photography and Colonialism in the Américas." ELN vol. 44 no. 2 (Winter, 2006): 45-64. [pdfviewer]
- "Recycled Photographs: Moving Still Images of Mexico City, 1950/2000." Double Exposure: Photography and Literature in Latin America. Edited
by Marcy Schwartz and Mary Beth Tierney-Tello. (2006): 139-172. [ref=sr_1_1]
- "Facing Brazil: The Problem of Portraiture and a Modernist Sublime." CR: The New Centennial Review vol. 4 no. 2 (2004): 33-76. (Special issue entitled “Phosphorescent Memory: Visual
Culture in the Americas”) [html]
- "'Nunca olhei tão olhado em minha vida e está sublime’: O (auto)retrato e a fotografia na obra de Mário de Andrade." A Historiografia Literária e as Técnicas de Escrita. Do Manuscrito ao Hipertexto. Edited
by Flora Süssekind and Tânia Dias. (2004): 169-190.
- "Engendering Nation: Las bellas artes públicas and the Mexican Photo-essay, 1920-1940." Yearbook of Comparative and General Literature vol. 49 (Fall, 2001): 139-154.
- "La ciudad loca: An Epistemological Plan." Journal of Latin American Cultural Studies vol. 9 no. 2 (2000): 119-35.
- Esther Gabara and Joy Conlon. "Moving the Avant-Garde." Stanford Humanities Review vol. 7 no. 1 (June, 1999): vii-xii.
- Silviano Santiago. "Two Strangers in Mexico." Stanford Humanities Review vol. 7 no. 1 (June, 1999): vii-xii. (Trans. with Joy Conlon)
- Joy Conlon. "Two Strangers in Mexico, by Silviano Santiago." Stanford Humanities Review vol. 7 no. 1 (1999): 79-87.
Book in Progress
- “Non-Literary Fiction: Invention and Interventions in Contemporary American Visual Culture”
(2010) .
Book Reviews
- Leonard Folgarait. "Seeing Mexico Photographed: The Work of Horne, Casasola, Modotti, and Álvarez Bravo." Caa.reviews (online), College Arts Association (Winter, 2010).
- "Review of Primitivism and Identity in Latin America: Essays on Art, Literature, and Culture. Eds. Erik Camayd-Freixas and José Eduardo González." Latin American Literary Review vol. 61 (Summer, 2003): 113-115.
- "Review of Fragments of a Golden Age: The Politics of Culture in Mexico since 1940. Eds. Gilbert Joseph, Anne Rubenstein, and Eric Zolov." Nepantla: Views from South vol. 4 no. 1 (2003): 201-207.
Articles Online
- E. Gabara, Gestures, Practices, and Projects: [Latin] American Re-visions of Visual Culture and Performance Studies,
E-misférica, vol. 7 no. 1
(2010) [e-misferica-71] .
Other
- "Orit Raff: Inside Drawing." (February, 2000): n.p..
Translation of a Book
- by Pedro Lasch, with essays by Srinivas Aravamudan, Jennifer Gonzalez, Arnauld Maillet, Walter Mignolo, and Peter Sigal, Black Mirror/Espejo Negro
(2010), Nasher Museum of Art and the Franklin Humanities Institute, distributed by Duke University Press .
Reviews of Published Books
- Gallo, Rubén, Mexican Photography: From the Daguerrotype to Digital Images,
Hispanic Review, vol. 39 no. 1
(Winter, 2011),
pp. 135-141 .
- Edwards, Elizabeth, Relocating Photographies, Histories and Modernisms,
Art History, vol. 34 no. 1
(January, 2011),
pp. 211-213 [pdf] .
- Herlinghaus, Hermann, Review of Errant Modernism,
MLN, vol. 26 no. 2
(2011),
pp. 418-420 .
- Sánchez Prado, Ignacio M., Estrategias para mirar la nación. El giro visual de los estudios culturales mexicanos en lengua inglesa,
Mexican Studies/ Estudios Mexicanos, vol. 27 no. 2
(2011),
pp. 449–469 .
- Rawson, Kristy, Review of Errant Modernism,
Aztlán. A Journal of Chicano Studies, vol. 36 no. 1
(2011),
pp. 223-228 .
- Gallo, Rubén, Review of Errant Modernism,
Modernism/Modernity, vol. 18 no. 1
(2011),
pp. 201-203 .
- Segre, Erica, Review of Errant Modernism, etc.,
History of Photography, vol. 35 no. 1
(2011),
pp. 85-88 .
- Noble, Andrea, Review of Errant Modernism,
A Contracorriente, vol. 8 no. 1
(Fall, 2010),
pp. 442-447 [pdf] .
- Flaherty, George, Review of Errant Modernism and National Camera,
caa on-line reviews
(August 12, 2010) [1500] .
- Krippner, James, Errant Moderism: The Ethos of Photography in Mexico and Brazil,
The Americas, vol. 66 no. 3
(January, 2010),
pp. 416-418 [html] .
- Melo e Castro, Paul, Review of Errant Modernism,
The Bulletin of Hispanic Studies, vol. 87 no. 7
(2010),
pp. 894-895 .
- Galvez, Alyshia, Review of Errant Modernism,
E-misférica, vol. 7 no. 1
(2010) [galvez] .
- Foster, David William, Errant Modernism: The Ethos of Photography in Mexico and Brazil,
Luso-Brazilian Review, vol. 47 no. 1
(2010),
pp. 227-229 [html] .
- Carranza, L.E., Errant Modernism: The Ethos of Photography in Mexico and Brazil,
Choice, vol. 47 no. 1
(September, 2009) .
- O’Toole, Gavin, The Errors of the Avant-Garde,
The Latin American Review of Books
(July 31, 2009) [available here] .
- Fraser, Benjamin, Review of Errant Modernism,
Chasqui, vol. 38 no. 2
(2009),
pp. 185-187 [retrieve.do] .
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