Faculty ::

 Recent Faculty Publications

Books

1. with M. Antliff. Cubisme et Culture. Paris: Thames & Hudson, (2002). (Trans. and rev. version of Cubism and Culture, London: Thames & Hudson, 2001)
2. with M. Antliff. Cubism and Culture. London and New York: Thames & Hudson, (2001).
3.  Re-Ordering the Universe: Picasso and Anarchism, 1897-1914. Princeton University Press, (1989).

Articles Published

1. "Answering the Anarchist Call: The Visual Arts in Turn-of-the-Century Paris." Realizing the Impossible: Art Against Authority. Edited by E. Ruin and J. MacPhee, AK Press.  (2007).
2. with M. Antliff. "Primitive." Critical Terms for Art History. Edited by Robert Nelson and Richard Shiff, University of Chicago Press. revised edition (2003).
3. "The White Peril and l'art nègre: Picasso, Primitivism, and Anticolonialism." Race-ing Art History. Edited by Kymberly Pinder.  (2002).
4. "Colonialism, l'art nègre, and les Demoiselles d'Avignon." Picasso's Les Demoiselles d'Avignon. Edited by Christopher Green, Cambridge University Press.  (2001).
5. with Mark Antliff. "Primitive." Critical Terms for Art History. Edited by Robert Nelson and Richard Shiff.  (1996): 170-84. (rev. ed., 2003)
6. "Kees van Dongen: Art, Anarchism, & Audience." Ideas  vol. IV/2 (1996): 46-52.
7. "Reveil Anarchiste: Salon Painting, Political Satire, Modernist Art." Modernism/modernity  vol. II (April, 1995): 17-47. [html]
8. "Cubist Anachronisms: Ahistoricity, Cryptoformalism, And Business-As-Usual in New York." Oxford Art Journal  vol. XVII (Fall, 1994): 91-102.
9. "The White Peril and l'art negre: Picasso, Primitivism, and Anticolonialism." The Art Bulletin  vol. LXXII (December, 1990): 609-630. (Arthur Kingsley Porter Prize, 1990; repr. in Race-ing Art History, ed. Kymberly Pinder, London and New York: Routledge, 2002)
10. "La Propagande par le rire: Satire and Subversion in Apollinaire, Jarry and Picasso's Collages." Gazette des Beaux-Arts  vol. CXII (October, 1988): 163-172.
11. "Clarence John Laughlin: The Art and Thought of an American Surrealist." History of Photography  vol. XII (1988): 129-146. (April-June)
12. "Gary Kuehn: Metaphor and Metamorphosis." Gary Kuehn, Cologne, Germany: Galerie Jule Kewenig (1988): 4-21.
13. "The Dreams and Lies of Picasso." Arts Magazine  vol. LXII no. 2 (October, 1987): 50-55.
14. "Picasso's Collages and the Threat of War, 1912-13." The Art Bulletin  vol. LXVII no. 4 (December, 1985): 653-672. (repr. in Collage: Critical Views, edited by Katherine Hoffman, Ann Arbor: UMI Research Press, 1989)
15. "Critical Attitudes Towards Overtly Manipulated Photography in the 20th Century." Art Journal, Part I  vol. XXXVII no. 2 (Winter, 1977): 133-138. (Art Journal, Part II, Vol. XXXVII, no. 4, Summer, 1978, 113-121)
16. "DeCarava at the Witkin." Photograph  vol. I (1977): 14 and 28.

Articles Accepted

1. "Café Scene; Salomé; Head of a Woman; Vase, Gourd and Fruit; Scallop Shells and Piano; Still Life with Calling Card; and Ace of Clubs." Picasso and the Allure of Language. Edited by Susan Greenberg Fisher.  (2009).  [abs]
2. "Response to Ariel Dorfman’s 'Picasso’s Closet'." The Art Bulletin  (2008).

Articles Submitted

1. "‘A Rationale of Ugliness’: Primitivism, Cubism and Audience, 1907-1913." The Art Bulletin  (2007).

Book Reviews

1. Patricia Mathews. "Passionate Discontent: Creativity, Gender, and French Symbolist Art." Modernism/modernity  vol. VIII no. 2 (April, 2001): 369-371.

Books in Progress

1.  A Politics of Form: Art, Anarchism, and Audience in Avant-Guerre Paris.  forthcoming University of Chicago Press, 2009.  [abs]
2. with M. Antliff. A Cubism Reader: Documents and Criticism, 1906-1914.  University of Chicago Press (in press), forthcoming Spring 2008.  [abs]