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Books
- The Liberation of Painting: Modernism and Anarchism in Avant-Guerre Paris. University of Chicago Press,
(2013). [abs]
- Mark Antliff. A Cubism Reader: Documents and Criticism, 1906-1914. University of Chicago Press,
(2008). (French edition, Paris: Les presses du réel, forthcoming 2012.) [abs]
- with Mark Antliff. Cubism and Culture. London and New York: Thames & Hudson,
(2001). (Cubisme et culture, Paris: Thames & Hudson, 2002)
- Re-Ordering the Universe: Picasso and Anarchism, 1897-1914. Princeton University Press,
(1989).
Articles Published
- P. Leighten. "“Modernist Abstraction, Anarchist Antimilitarism, and War”." Anarchist Developments in Cultural Studies (January, 2012).
- P. Leighten. "“The White Peril and L'Art nègre: Picasso, Primitivism, and Anticolonialism”." Cenntenntial Anthology of The Art Bulletin (Fall, 2011). (online)
- "Artists in Times of War: Response to Ariel Dorfman’s 'Picasso’s Closet'." Art Bulletin (March, 2009).
- "Café Scene; Salomé; Head of a Woman; Vase, Gourd and Fruit; Scallop Shells on a Piano; Still Life with Calling Card; and Ace of Clubs." Picasso and the Allure of Language. Edited
by Susan Greenberg Fisher. (2009). [abs]
- "Answering the Anarchist Call: The Visual Arts in Turn-of-the-Century Paris." Realizing the Impossible: Art Against Authority. Edited
by E. Ruin and J. MacPhee, AK Press. (2007).
- with M. Antliff. "Primitive." Critical Terms for Art History. Edited
by Robert Nelson and Richard Shiff, University of Chicago Press. revised edition (2003).
- "The White Peril and l'art negre: Picasso, Primitivism, and Anticolonialism." The Art Bulletin vol. LXXII (December, 2002): 609-630. (Arthur Kingsley Porter Prize, 1990; repr. in
Race-ing Art History, ed. Kymberly
Pinder, London and New York: Routledge, 2002) [3045764]
- "Colonialism, l'art nègre, and les Demoiselles d'Avignon." Picasso's Les Demoiselles d'Avignon. Edited
by Christopher Green, Cambridge University Press. (2001).
- "Kees van Dongen: Art, Anarchism, & Audience." Ideas vol. IV/2 (1996): 46-52.
- "Reveil Anarchiste: Salon Painting, Political Satire, Modernist Art." Modernism/modernity vol. II (April, 1995): 17-47. [html]
- "Cubist Anachronisms: Ahistoricity, Cryptoformalism, And Business-As-Usual in New York." Oxford Art Journal vol. XVII (Fall, 1994): 91-102. [1360577]
- "La Propagande par le rire: Satire and Subversion in Apollinaire, Jarry and Picasso's Collages." Gazette des Beaux-Arts vol. CXII (October, 1988): 163-172.
- "Clarence John Laughlin: The Art and Thought of an American Surrealist." History of Photography vol. XII (1988): 129-146. (April-June)
- "Gary Kuehn: Metaphor and Metamorphosis." Gary Kuehn, Cologne, Germany: Galerie Jule Kewenig (1988): 4-21.
- "Editor's Statement: Revising Cubism." Art Journal. Edited
by P. Leighten. special issue vol. 47 no. 4 (1988): 269-276. [776977]
- "The Dreams and Lies of Picasso." Arts Magazine vol. LXII no. 2 (October, 1987): 50-55.
- "Picasso's Collages and the Threat of War, 1912-13." Art Bulletin vol. LXVII no. 4 (December, 1985): 653-672. (repr. in Collage: Critical Views,
edited by Katherine Hoffman, UMI
Research Press, 1989) [3050849]
- "Critical Attitudes toward Overtly Manipulated Photography in the 20th Century, Part II." Art Journal vol. 37 no. 4 (1978): 313-21. [776042]
- "Critical Attitudes Towards Overtly Manipulated Photography in the 20th Century, Part I." Art Journal vol. 37 no. 2 (Winter, 1977): 133-138. [776182]
- "DeCarava at the Witkin." Photograph vol. I (1977): 14 and 28.
Book Reviews
- Patricia Mathews. "Passionate Discontent: Creativity, Gender, and French Symbolist Art." Modernism/modernity vol. VIII no. 2 (April, 2001): 369-371. [html]
Books in Progress
- The Natural Anarchist: Animal Rights and Visual Culture in Pre-World War I France and Britain. 2011. [abs]
- Modernism and Anarchism. "MODERNISM AND . . ." Series Palgrave/Macmillan,
forthcoming 2014. (under contract; in progress) [abs]
- The Natural Anarchist: Animal Rights and Visual Culture in Pre-World War I France and Britain. 2010. [abs]
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