Faculty ::

 Recent Faculty Publications

Books

1. with M. Antliff. A Cubism Reader: Documents and Criticism, 1906-1914. University of Chicago Press, (2008).  [abs]
2. with M. Antliff. Cubism and Culture. London and New York: Thames & Hudson, (2001). (Cubisme et culture, Paris: Thames & Hudson, 2002)
3.  Re-Ordering the Universe: Picasso and Anarchism, 1897-1914. Princeton University Press, (1989).

Articles Published

1. "Artists in Times of War: Response to Ariel Dorfman’s 'Picasso’s Closet'." Art Bulletin  (March, 2009).
2. "Café Scene; Salomé; Head of a Woman; Vase, Gourd and Fruit; Scallop Shells on a Piano; Still Life with Calling Card; and Ace of Clubs." Picasso and the Allure of Language. Edited by Susan Greenberg Fisher.  (2009).  [abs]
3. "Answering the Anarchist Call: The Visual Arts in Turn-of-the-Century Paris." Realizing the Impossible: Art Against Authority. Edited by E. Ruin and J. MacPhee, AK Press.  (2007).
4. with M. Antliff. "Primitive." Critical Terms for Art History. Edited by Robert Nelson and Richard Shiff, University of Chicago Press. revised edition (2003).
5. "Colonialism, l'art nègre, and les Demoiselles d'Avignon." Picasso's Les Demoiselles d'Avignon. Edited by Christopher Green, Cambridge University Press.  (2001).
6. "Kees van Dongen: Art, Anarchism, & Audience." Ideas  vol. IV/2 (1996): 46-52.
7. "Reveil Anarchiste: Salon Painting, Political Satire, Modernist Art." Modernism/modernity  vol. II (April, 1995): 17-47. [html]
8. "Cubist Anachronisms: Ahistoricity, Cryptoformalism, And Business-As-Usual in New York." Oxford Art Journal  vol. XVII (Fall, 1994): 91-102. [1360577]
9. "The White Peril and l'art negre: Picasso, Primitivism, and Anticolonialism." The Art Bulletin  vol. LXXII (December, 1990): 609-630. (Arthur Kingsley Porter Prize, 1990; repr. in Race-ing Art History, ed. Kymberly Pinder, London and New York: Routledge, 2002) [3045764]
10. "La Propagande par le rire: Satire and Subversion in Apollinaire, Jarry and Picasso's Collages." Gazette des Beaux-Arts  vol. CXII (October, 1988): 163-172.
11. "Clarence John Laughlin: The Art and Thought of an American Surrealist." History of Photography  vol. XII (1988): 129-146. (April-June)
12. "Gary Kuehn: Metaphor and Metamorphosis." Gary Kuehn, Cologne, Germany: Galerie Jule Kewenig (1988): 4-21.
13. "Editor's Statement: Revising Cubism." Art Journal. Edited by P. Leighten. special issue vol. 47 no. 4 (1988): 269-276. [776977]
14. "The Dreams and Lies of Picasso." Arts Magazine  vol. LXII no. 2 (October, 1987): 50-55.
15. "Picasso's Collages and the Threat of War, 1912-13." Art Bulletin  vol. LXVII no. 4 (December, 1985): 653-672. (repr. in Collage: Critical Views, edited by Katherine Hoffman, UMI Research Press, 1989) [3050849]
16. "Critical Attitudes toward Overtly Manipulated Photography in the 20th Century, Part II." Art Journal  vol. 37 no. 4 (1978): 313-21. [776042]
17. "Critical Attitudes Towards Overtly Manipulated Photography in the 20th Century, Part I." Art Journal  vol. 37 no. 2 (Winter, 1977): 133-138. [776182]
18. "DeCarava at the Witkin." Photograph  vol. I (1977): 14 and 28.

Book Reviews

1. Patricia Mathews. "Passionate Discontent: Creativity, Gender, and French Symbolist Art." Modernism/modernity  vol. VIII no. 2 (April, 2001): 369-371. [html]

Books in Progress

1.  Modernism and Anarchism.  "MODERNISM AND . . ." Series Palgrave/Macmillan, forthcoming 2012. (under contract; in progress)  [abs]
2.  A Politics of Form: Art, Anarchism, and Audience in Avant-Guerre Paris.  University of Chicago Press, forthcoming 2010.  [abs]