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 Recent Faculty Publications

Books

  1. P Lasch. TAKE ME TO THE TOP: The Fine Art of Finance, A project by Pedro Lasch, with the collaboration of Stefano Harney and Sverre Spoelstra London Eye, July 5th, 2012 Produced by Hayward Gallery for the Wide Open School exhibition.  edited by M-P Boucher and J-M Dufresne and G Melgar and J-F ProstAdaptive Actions, Montreal, (December, 2013).
  2. P Lasch. Eight Ways to Look at a Map: Modular statements from the LATINO/A AMERICA Series (translation from 2006 English-Spanish text).  edited by K Quiros and A ImhoffB42, Paris, France, (December, 2013).
  3. P Lasch. HETEROPOLIS.  edited by M-P Boucher and J-M Dufresne and G Melgar and J-F ProstAdaptive Actions, Montreal, (December, 2013).
  4. P Lasch. Géoesthétique.  edited by K Quiros and A ImhoffB42, Paris, France, (December, 2013).
  5. P Lasch and T Cruz. Transnational Community-Based Production, Cooperative Art, and Informal Trade Networks.  edited by T FinkelpearlDuke University Press, (January, 2013).  [abs]
  6. P Lasch and T Cruz. What We Made: Conversations on Art and Social Cooperation.  edited by T FinkelpearlDuke University Press, (January, 2013).  [abs]
  7. P Lasch. Grand Gestures & (Im)Modest Proposals: A Project for Documenta 13 AND AND AND.  edited by P LaschXCO / Documenta 13 AND AND AND, (September, 2012).  [abs]
  8. P Lasch. Breve argumento visual por una estética descolonial. CA2M: Madrid, Spain, (2012): 273-282.
  9. P Lasch. Lecturas para un espectador inquieto. CA2M: Madrid, Spain, (2012): 273-282 pages.
  10. P Lasch and others. Un Atlas de Cartografías Radicales.  edited by L Mogel and A Bhagat(November, 2010). (First Spanish edition of the 2007 'An Atlas of Radical Cartography.' Prologue to the Spanish edition: Javier Arbona, Nick Sowers and Bryan Finoki)
  11. P. Lasch with S. Aravamudan, J. Gonzalez, A. Maillet, W. Mignolo, P. Sigal. Black Mirror/Espejo Negro by Pedro Lasch. Nasher Museum of Art and Franklin Humanities Institute. Distributed by Duke University Press, (Fall, 2010). [available here]
  12.  P. Lasch and others.  edited by Katharine HarmonPrinceton Architectural Press, (2009).  [abs]
  13. P. Lasch and others. An Atlas of Radical Cartography.  edited by Lize Mogel & Alexis BhagatLos Angeles: Journal of Aesthetics and Protest Press, (2007).

Articles Published

  1. P Lasch. "Propositions for a Decolonial Aesthetics and “Five Decolonial Days in Kassel” (Documenta 13 AND AND AND)." Periscope - Social Text, New York  (July, 2013). [available here]
  2. P Lasch. "Breve Argumento Visual por una Estética Descolonial." Causa Sur: Pensar Nuestra America / Revista de pensamiento político, Buenos Aires, Argentina  no. 5 (2013).
  3. P Lasch and others. "Pensamiento argentino y opción descolonial." El desprendimiento: pensamiento crítico y opción descolonial. Edited by W Mignolo and Z Palermo.  vol. 7 (2013): cover & p2-cover & p2.
  4. P Lasch and Lay-Trigo. "Migrarte Ciencia y arte visual, un diálogo identitario bilateral." EARI. Educación artística. Revista de investigación. Edited by IUDCII Educatives.  no. 4 (Winter, 2013).
  5. Margaret R. Greer. "Thine and Mine: The Spanish “Golden Age” and Early Modern Studies." PMLA  vol. 126 no. 1 (November, 2011): 217-224.
  6. P Lasch. "If Not Here, Then There: Will We Some Day Regret Not Having Rebuilt the Twin Towers?." Towerview: The Chronicle’s News and Culture Magazine 9/11 Anniversary Issue vol. 13 no. 2 (September, 2011): 20-20.
  7. P. Lasch and others. "Pensamiento argentino y opción descolonial." El desprendimiento: pensamiento crítico y opción descolonial. Edited by Walter Mignolo, Zulma Palermo.  vol. 7 (Spring, 2011): cover & p2.
  8. P Lasch. "Global Indianization? and LATINO/A AMERICA." manualThe Future Lasts Forever. Edited by R Lagomarsino and C Motta.  (2011): 45-49.
  9. P Lasch. "LATINO/A AMERICA." manualTrans-Americanity: Subaltern Modernities, Global Coloniality, and Cultures of Greater Mexico. Edited by JD Saldívar.  (2011): cover-cover.
  10. P Lasch. "The Indianization of Globalization." The Global South. Edited by C Levander and W Mignolo.  vol. 5 no. 1 (Spring, 2011): 12-13.
  11. 16Beaver Group and Lasch P. "Free Association/Means in Common." Rethinking Marxism, Special Issue: The Commons and the Forms of the Commune. Edited by A Curcio and C Ozselcuk.  vol. 22 no. 3 (July, 2010).
  12. P Lasch. "University, Narcochingadazo, and Hemispheric Non-Cooperation." e-misférica. Edited by J Lane and M Godoy-Anativia.  vol. 6 no. 2 (2010).
  13. P Lasch and others. "Arte y estética en la encrucijada descolonial." El desprendimiento: pensamiento crítico y opción descolonial. Edited by EW Mignolo and Z Palermo.  no. 6 (2010): cover & p2-cover & p2.
  14. P Lasch and 16Beaver. "C.A.R.T.E.L.." Art Work: A National Conversation About Art, Labor, and Economics. Edited by T Services. Special Issue Publication and Website (2009). [available here]
  15. P Lasch. "A Proposal for the 11th Istanbul Biennial, 2009." IDEA: Arts & Society  (2009): 146-148. (Special insert as artwork)
  16. P Lasch. "What Are We Before We Are Naturalized? A Journal of Non-Linear Activity." IDEA: Arts & Society  no. 33-34 (2009): 7-27.
  17. P Lasch and others. "Genero y Descolonialidad." El desprendimiento: pensamiento crítico y opción descolonial. Edited by W Mignolo and M Lugones and I jiménez-Lucena and M Tlostanova.  no. 4 (2008): cover & p2-cover & p2.
  18. P Lasch. "El color de la razón: racismo epistemológico y razón imperial." El desprendimiento: pensamiento crítico y opción descolonial. Edited by W Mignolo and EC Eze and P Henry and S Castro-Gómez.  no. 3 (Spring, 2008): cover & p2-cover & p2.
  19. P Lasch. "Tianguis Transnacional: Drifting and Indigenous Migrancy." What Keeps Mankind Alive? and Continental Drift. Edited by B Holmes and 1 Group and H What and FWWHWI Curlin and A Devic and N Ilic and S Sabolovic. WHW Newspapers no. Issue #15 (Fall, 2008): 20-21.
  20. P Lasch and 16Beaver Group. "Iraq Questionnaire Answers." October Magazine  no. No. 123 (Winter, 2008): 149-160.
  21. M Ramírez, Tania and Lasch P. "Ser mixteco o purépecha ya no puede entenderse con una lógica territorial." La Jornada (México)  (October, 2007).
  22. W. Mignolo. "Interculturalidad, descolonización del estado y del conocimiento." El desprendimiento: pensamiento crítico y opción descolonial. Edited by Eds. Walter Mignolo, Catherine Walsh, Alvaro García Linera.  no. 2 (2006).
  23. P Lasch. "Recycled Photographs: Moving Still Images of Mexico City, 1950/2000." manualPhotography and Writing in Latin America: Double Exposures. Edited by M Schwartz and MB Tierney-Tello.  (2006): 139-172. [ref=sr_1_1]
  24. P Lasch. "Justice for Three Voices: Two Real, One Imaginary." Journal BOL. Edited by K Ahn.  no. Issue #4 (2006).
  25. Lasch P. "Map of New ORDER Lines." Journal BOL. Edited by K Ahn.  no. Issue #4 (2006).
  26. P Lasch and others. "Introducción: (Des)Colonialidad del ser y el saber." El desprendimiento: pensamiento crítico y opción descolonial Eds. Mignolo, Maldonado-Torres, Schiwy no. 1 (2006): 2 & cover-2 & cover.
  27. 16Beaver Group and Lasch P. "Act Patriot Act." manual  (2005). (Special publication for the exhibition "Patriot")
  28. P Lasch. "Una Propuesta Escultorica." Saber Ver  vol. Segunda Epoca (2005): 38-39.
  29. P Lasch. "Naturalizations: Media Defacements." Rethinking Marxism  vol. 16:4 (2004): 486-487.
  30. 16Beaver Group and Lasch P. "An Open Interview and Lunch." Fuse Magazine  vol. 26:2 (2003): 12-13. (special issue "Democracies Improvised", as well as Special Addendum)
  31. P Lasch. "La Mesa de Juego de Mendeleiev." Ciencias  vol. 65 no. 76 (2002).
  32. P Lasch. "Ciencia y Circo." Ciencas  vol. 57 (2000): 68-74.
  33. P Lasch. "El Pincel Electrico y el Cuadro de Plata." Ciencias  vol. 59 (2000): 76-77.
  34. P Lasch. "Un Arte que Nace, y si no se Reproduce...Muere." Longevidad: Ciencia y Culture  no. 108-116 (2000).
  35. P Lasch. "Una Propuesta Escultorica para el Zocalo." Curare: Espacio Critico para las Artes  vol. 15 (1999): 89-95.

Book Reviews

  1. JENNIFER REYNOLDS-KAYE. "Black Mirror / Espejo Negro by Pedro Lasch and Jennifer A. González." e-misferica  vol. 9 no. 1 & 2 (Spring, 2012). [reynoldskaye]
  2. Luz Elena Ramírez Gochicoa. "Pedro Lasch: Un artista a través del espejo." Revista Dirección de Bibliotecas  (October, 2010).

Exhibition Catalogs

  1. Pedro Lasch and Miguel Rojas-Sotelo. Estéticas Decoloniales.  edited by Walter Mignolo and Pedro Pablo GomezFacultad de Artes ASAB / Museo de Arte Moderno Bogota, (April, 2012): 40-61. [est_ticasdecoloniales_gm]
  2. P. Lasch and others. Where Do We Migrate To: Issues in Critical Theory.  edited by Niels Van TommeUniversity of Maryland Baltimore: Center for Art, Design, and Visual Culture, (2011): 17 & insert.
  3. P. Lasch and others. Mapping: Memory and Motion in Contemporary Art.  edited by Sarah TanguyKatonah Museum of Art, (2011): 28-29.
  4. P. Lasch and others. Haiti: History Embedded in Amber.  edited by Edouard Duval CarrierFranklin Humanities Institute, (2011): 30-31.
  5. P Lasch. Brain Review 2002 (Part 1).  edited by CO Leary and Z BlasLos Angeles Contemporary Exhibitions Los Angeles, (2011): 36-42.
  6. P. Lasch and others. Greater New York (Exhibition Catalogue).  edited by New York: PS1 MoMA(May, 2010).
  7. P Lasch. Tanta Cerca Tan Cerquita.  edited by EG Quintanilla and M DelgadoCentro Nacional de las Artes, (Spring, 2009).
  8. J Beck. The Art of Memory and Navigation Across Asia.  edited by H-H KimGwangju Biennale Foundation, (2006): 281-295.
  9. 16 Beaver Group. Between US: Introduction.  edited by H-H KimGwangju Biennale Foundation, (2006): 281-295.
  10. P Lasch. Naturalizations.  edited by A MalagambaNotre Dame: Snite Museum, University of Notre Dame, (2006): 66-66.
  11. 16 Beaver Group. Between US: Exhibition Notes and Documentation.  edited by H-H KimGwangju Biennale Foundation, (2006): 168-169.
  12. N. Thompson & G. Sholette. The Interventionists: User’s Manual for the Creative Disruption of Everyday Life. Cambridge, MASS MoCA Publication & MIT Press, (2004): 111-112.
  13. H. Chen et al. Social Capital (Exhibition Catalogue). Whitney Museum of American Art, (2004): 19-24.
  14. L. Suan Hiang. SENI: Singapore 2004, Art & the Contemporary (Exhibition Catalogue). National Arts Council. Singapore, (2004): 36-49.

Exhibition Reviews

  1. Roberta Smith. "Pedro Lasch: Selections from ‘Phantom Limbs’ and ‘Twin Towers Go Global’." The New York Times: Museum and Gallery Listings for Oct. 7-13  (October, 2011).
  2. Roberta Smith, Pedro Lasch: Selections from ‘Phantom Limbs’ and ‘Twin Towers Go Global’, The New York Times: Museum and Gallery Listings for Oct. 7-13 (October 7, 2011) .
  3. Lasch P. "Selections from Pedro Lasch’s ’Phantom Limbs’ and ’Twin Towers Go Global’." Time Out New York  (September, 2011).
  4. Lasch P, Selections from Pedro Lasch’s ’Phantom Limbs’ and ’Twin Towers Go Global’, Time Out New York (September 6, 2011) .
  5. A Appleton and Lasch P. "Where Do We Migrate: Group exhibition asks you to consider the plight of refugees, exiles, and migrants." Baltimore City Paper  (April, 2011).
  6. A Appleton and Lasch P, Where Do We Migrate: Group exhibition asks you to consider the plight of refugees, exiles, and migrants, Baltimore City Paper (April 20, 2011) .
  7. Jessie Tsang. "LATINO/A AMERICA: The New York & North Carolina Suites." Recess  (January, 2009).
  8. Jessie Tsang, LATINO/A AMERICA: The New York & North Carolina Suites, Recess (January 22, 2009), The Duke Chronicle .
  9. Jovanovich, Alex. "An Atlas of Radical Cartography." Art Lies: A Contemporary Art Quarterly  no. Issue 57 (Spring, 2008).
  10. Jovanovich, Alex, An Atlas of Radical Cartography, Art Lies: A Contemporary Art Quarterly no. Issue 57 (Spring, 2008) .
  11. Lasch P. "Abren muestra fotográfica sobre vida de mexicanos en Nueva York." Milenio (Guadalajara)  (April, 2006).
  12. Lasch P, Abren muestra fotográfica sobre vida de mexicanos en Nueva York, Milenio (Guadalajara) (April 17, 2006) .

Other

  1. Pedro Lasch & Miguel Rojas Sotelo. "Separata Decolonial." Revista Calle 14: Arte y Decolonialidad  vol. 4 no. 5 (2010).
 

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