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 Recent Faculty Publications

Abe, Stanley

  1. "The Landscape of Words: Stone Inscriptions from Early and Medieval China." Journal of Asian Studies  vol. 70 no. 1 (February, 2011): 196–198.
  2. "The Modern Moment of Chinese Sculpture." Exhibiting Asian Art: Issues and Perspectives  (2011): 27–45.
  3. "Rockefeller Home Decorating and Objects from China." Collecting China: The World, China, and a Short History of Collecting. Edited by Vimalin Rujivacharakul.  (2011): 107–23.
  4. "Locating World Art." The Migrant’s Time: Rethinking Art History and Diaspora. Edited by Saloni Mathur.  (2011): 130-45.

Antliff, Mark

  1. M. Antliff. "Politicizing the New Sculpture." Vorticism: New Perspectives. Edited by Mark Antliff and Scott Klein.  (2013). (Forthcoming)
  2. M. Antliff. "Bad Anarchism; Aestheticized Mythmaking and the Legacy of Georges Sorel among the European Left." Anarchist Developments in Cultural Studies  (2013).
  3. Mark Antliff and Scott Klein editors. Vorticism: New Perspectives. 2013. (Forthcoming from Oxford University Press)
  4. "Sculpture Against the State." Artistes et partis – Esthétique et politique (1900-1945), eds, Maria Stavrinaki and Maddalena Carli  (2012).
  5. M. Antliff. "Shaping Duration: Bergson and Modern Sculpture." The European Legacy  (December, 2011): 899-918.
  6. M. Antliff. "Drawing the Vortex." Tate, etc.  (June, 2011): 36-41.
  7. M. Antliff. "Mitos de revolución: fascismo de vanguardia en Francia." Afinidades. Revista de Literatura y Pensamiento  (May, 2011): 23-35.
  8. M. Antliff. "Organicism among the Cubists: The Case of Raymond Duchamp-Villon." Biocentrism and Modernism. Edited by eds., Olivar Botar and Isabelle Wünsche.  (2011): 161-181.
  9. "Labor, Leisure, and Dissident Socialism: Robert L. Herbert’s Social History of Art." Histoire sociale de l’art: une anthologie critique. Edited by Philippe Bordes.  (2011).

Brady, Rachael B

  1. McMahan RP, Bowman DA, Zielinski DJ, Brady RB, Evaluating Display Fidelity and Interaction Fidelity in a Virtual Reality Game, Proceedings of IEEE Virtual Reality (March, 2012)  [abs].
  2. Zielinski, DJ, McMahan RP, Brady R, Shadow Walking: an unencumbered locomotion technique for systems with under-floor projection, IEEE Virtual Reality Conference (March, 2011) .
  3. Huff NC, Hernandez JA, Fecteau ME, Zielinski DJ, Brady R, Labar KS, Revealing context-specific conditioned fear memories with full immersion virtual reality, Frontiers in Behavioral Neuroscience, vol. 5 no. 75 (2011) .

Bruzelius, Caroline A.   (search)

  1. C.A. Bruzelius. "Italian Architecture in the High Middle Ages." ,Cambridge World History of Religious Architecture  (2012). (forthcoming)
  2. C.A. Bruzelius. "“Project and Process in Medieval Architecture”." Mélanges d'Eliane Vergnolle, ed. Yves Gallet  (2011). (forthcoming)
  3. C.A. Bruzelius. "I morti arrivano in città : predicare, seppellire e costruire. Le chiese dei frati nel Due-Trecento." Colloqui d’Architettura  (2011). (forthcoming)
  4. C.A. Bruzelius. "Marbles of the South: the Alife Arch and an Acanthus Capital from Southern Italy in the Nasher Museum of Art at Duke University,”." Studi in onore di Pina Belli D’Elia  (2011).
  5. C.A. Bruzelius. "Brevi appunti sull’architettura degli ordini mendicanti nel contest sociale ed economica del Regno di Napoli." Il francescanesimo in Calabria  (2011): 170=186.
  6. C.A. Bruzelius. "From Empire to Commune to Kingdom: Notes on the Revival of Mnumental Sculpture in Italy." Gothic Art and Architecture, ed. C. Hourihane  (2011): 134-155.

Dillon, Sheila

  1. "Female Portraiture in the Hellenistic World." Blackwell Companion to Women in the Ancient World. Edited by S.L. James & S. Dillon.  (January, 2012): 263-277.
  2. "Hellenistic Tanagra Figurines." Blackwell Companion to Women in the Ancient World. Edited by S.L. James & S. Dillon.  (January, 2012): 231-234.
  3. S. Dillon and S. James, co-editors. The Blackwell Companion to Women in the Ancient World.   (January, 2012).
  4. "Terracotta Figurines." The Monuments of the Eastern Hill Samothrace: Excavations conducted by the Institute of Fine Art, New York University vol. 9 (2012).
  5. R. Neer. "The Emergence of the Classical Style in Greek Sculpture." Art Bulletin  (2012).
  6. J. Fejfer. "Roman Portraits in Context." CAA on-line reviews  (December, 2011).
  7. A. Cohen. "Art in the Era of Alexander the Great." AJA on-line reviews  (November, 2011).
  8. S. Dillon and C. Antonaccio. The Past is Present: The Kempner Collection of Classical Antiquities at the Nasher Museum of Art.   (November, 2011).
  9. S. Bell and I.S. Hansen. "Role Models in Roman Art." Journal of Roman Archaeology  vol. 23 (October, 2011): 583-86.
  10. "Marble Votive Statuettes of Women from the Sanctuary of the Great Gods on Samothrace." Samothracian Connections: Essays in Honor of James R. McCredie. Edited by B. Wescoat & O. Palagia.  (May, 2011): 165-172.
  11. O. Jaeggi. "Die griechischen Portraets." Bonner Jahrbuecher  (2011).
  12. "Portraiture, Greece and Rome." Blackwell Encyclopedia of Ancient History. Edited by Roger Bagnall, Kai Brodersen, Craige Champion, Andrew Erskine, Sabine Hübner.  (2011).

Gabara, Esther

  1. "‘Juro que es mujer’: el archivo fotográfico de Conchita Jurado y Don Carlos Balmori. Las sexualidades performáticas en el México posrevolucionarios." Cultura visual e innovaciones tecnológicas en América Latina (desde 1840 a las vanguardias). Edited by González-Stephan, Beatriz.  (2012). (forthcoming (submitted))
  2. Gallo, Rubén, Mexican Photography: From the Daguerrotype to Digital Images, Hispanic Review, vol. 39 no. 1 (Winter, 2011), pp. 135-141 .
  3. Edwards, Elizabeth, Relocating Photographies, Histories and Modernisms, Art History, vol. 34 no. 1 (January, 2011), pp. 211-213 [pdf] .
  4. "Orientalism Unmoored." Orit Raff: Shangri-La  (January, 2011): n.p..
  5. Herlinghaus, Hermann, Review of Errant Modernism, MLN, vol. 26 no. 2 (2011), pp. 418-420 .
  6. Sánchez Prado, Ignacio M., Estrategias para mirar la nación. El giro visual de los estudios culturales mexicanos en lengua inglesa, Mexican Studies/ Estudios Mexicanos, vol. 27 no. 2 (2011), pp. 449–469 .
  7. Rawson, Kristy, Review of Errant Modernism, Aztlán. A Journal of Chicano Studies, vol. 36 no. 1 (2011), pp. 223-228 .
  8. Gallo, Rubén, Review of Errant Modernism, Modernism/Modernity, vol. 18 no. 1 (2011), pp. 201-203 .
  9. Segre, Erica, Review of Errant Modernism, etc., History of Photography, vol. 35 no. 1 (2011), pp. 85-88 .

Galletti, Sara

  1. S. Galletti. Marie de Médicis et le Palais du Luxembourg, 1611-1642.  Picard, Fall, Fall, 2012.
  2. S. Galletti. "Female Agency and Early Modern Urbanism: the Paris of Marie de Medici." Journal of the Society of Architectural Historians  (March, 2012).
  3. S. Galletti. "The Royal Gallery at the Time of Henri IV: Architecture and Ceremonial." Autour d’Henri IV : figures du pouvoir, échanges artistiques. Edited by Laura Capodieci, Colette Nativel.  (2012).
  4. S. Galletti. "Contesting the Renaissance." Journal of Modern History  (Fall, 2011).
  5. S. Galletti. "Jacques Androuet du Cerceau: les nouveaux contours d’une œuvre." Perspective  vol. 2010/2011 no. 3 (2011): 482-488.

Hansen, Mark

  1. Mark B. N. Hansen, Engineering Preindividual Potentiality: Technics, Transindividuation, and 21st Century Media, SubStance (Summer, 2012) .
  2. Mark B. N. Hansen, Foucault and Media: A Missed Encounter?, SAQ (2012) (Final, much revised version of essay submitted, awaiting proofs..) .
  3. M. Hansen, Ubiquitous Sensation or the Autonomy of the Peripheral: Towards an Atmospheric, Impersonal and Microtemporal Media, in Throughout: Art and Culture Emerging With Ubiquitous Computing, edited by U. Ekman (2012), MIT  [author's comments].
  4. Mark B. N. Hansen, Technical Repetition and Digital Art, or Why the ‘Digital’ in Digital Cinema is not the ‘Digital’ in Digital Technics, in Technology and Desire, edited by Rania Gafaar (2012), Intellekt .
  5. M. Hansen, Symbolizing Time: Kittler and 21st Century Media, in Kittler Mediated: New Essays on Culture and Technology, edited by S. Sale and L. Salisbury (2012), Stanford University Press  [author's comments].
  6. Mark B. N. Hansen, Digital Technics Beyond the “Last Machine”: Thinking Digital Media with Hollis Frampton, in Between Stillness and Motion, edited by Eivind Rossaak (2012), Amsterdam University Press .
  7. M. Hansen, Print Interface to Time: Only Revolutions at the Crossroads of Narrative and History, in Mark Z. Danielewski., edited by J. Bray and A. Gibbon (Winter, 2011), Manchester University Press .
  8. Mark B. N. Hansen, Medien des 21. Jahrhunderts, technisches Empfinden und unsere originaere Umweltbedingung, in Die technologische Bedingung: Beitraege zur Beschreibung der technischen Welt., Suhrkamp Taschenbuch Wissenschaft,, edited by Erich Hoerl (Fall, 2011), Suhrkamp  [author's comments].
  9. Mark B. N. Hansen, Microsensation and Materiality, in Communication Matters: Materialist Approaches to Media, Networks, and Mobility, edited by Jeremy Packer and Steve Wiley (Fall, 2011), Routledge .
  10. M. Hansen, Sensing Images or Imaging Sensation: Microsensibility between Neural Synchronization and Computational Mediation, in The Philosophy of the Image, edited by J. Khalip and R. Mitchell (Spring, 2011), Stanford University Press  [author's comments].
  11. Mark B. N. Hansen, Technics Beyond the Temporal Object, edited by B. Roberts, New Formations (February, 2012) (special issue, forthcoming.)  [author's comments].

Lasch, Pedro

  1. Yates McKee. "The Arts of Occupation." The Nation  (December, 2011). (on 16 Beaver Group)
  2. Margaret R. Greer. "Thine and Mine: The Spanish “Golden Age” and Early Modern Studies." PMLA  vol. 126 no. 1 (November, 2011): 217-224.
  3. P. Lasch and others. "Tiempo de Homenajes/tiempos descoloniales: Frantz Fanon." El desprendimiento: pensamiento crítico y opción descolonial. Edited by Walter Mignolo, María Eugenia Borsani, María Marta Quintana, Zulma Palerm.  no. 8 (Fall, 2011): cover & p2.
  4. Roberta Smith. "Pedro Lasch: Selections from ‘Phantom Limbs’ and ‘Twin Towers Go Global’." The New York Times: Museum and Gallery Listings for Oct. 7-13  (October, 2011).
  5. Roberta Smith, Pedro Lasch: Selections from ‘Phantom Limbs’ and ‘Twin Towers Go Global’, The New York Times: Museum and Gallery Listings for Oct. 7-13 (October 7, 2011) .
  6. Roberta Smith. "Pedro Lasch: Selections from ‘Phantom Limbs’ and ‘Twin Towers Go Global’." The New York Times: Museum and Gallery Listings for Sept. 23- 29  (September, 2011).
  7. Roberta Smith, Pedro Lasch: Selections from ‘Phantom Limbs’ and ‘Twin Towers Go Global’, The New York Times: Museum and Gallery Listings for Sept. 23- 29 (September 23, 2011) .
  8. P. Lasch. "If Not Here, Then There: Will We Some Day Regret Not Having Rebuilt the Twin Towers?." Towerview: The Chronicle's News and Culture Magazine 9/11 Anniversary Issue vol. 13 no. 2 (September, 2011): 20.
  9. Marianna Jordan. "MFA program debuts at Duke." The Chronicle  (September, 2011). (Lasch quoted)
  10. Correspondent. "Duke eyes 10th anniversary of 9/11." Herald Sun  (September, 2011).
  11. Brian Boucher. "This Weekend Will See Innumerable 9/11 Memorials." Art in America  (September, 2011).
  12. Brian Boucher, This Weekend Will See Innumerable 9/11 Memorials, Art in America (September 9, 2011) .
  13. Howard Halle. "9/11 Exhibitions: A select guide of what's on." Time Out New York  (September, 2011).
  14. Howard Halle, 9/11 Exhibitions: A select guide of what's on, Time Out New York (September 9, 2011) .
  15. Chris Vitiello. "9/11 artistic events seek reflection and reconciliation amid the media hype." Independent Weekly  (September, 2011).
  16. Chris Vitiello, 9/11 artistic events seek reflection and reconciliation amid the media hype, Independent Weekly (September 7, 2011) .
  17. Katya Prosvirkina. "Flesh and Metal” looks at responses to 9/11." Recess  (September, 2011).
  18. Correspondent. "Selections from Pedro Lasch's 'Phantom Limbs' and 'Twin Towers Go Global'." Time Out New York  (September, 2011).
  19. Correspondent, Selections from Pedro Lasch's 'Phantom Limbs' and 'Twin Towers Go Global', Time Out New York (September 6, 2011) .
  20. Jay Jay. "Twin Towers." Fake News Junkies  (September, 2011). (Article on Lasch's 'Twin Towers Go Global')
  21. Megan Malandro. "World Trade Center Towers...in Williamsburg?." New York Near Say  (August, 2011). (Article on Lasch's 'Twin Towers Go Global')
  22. Matt Chaban. "Why Not Rebuild the Twin Towers in Williamsburg? Or ‘Atop of Obama’s Head?’." New York Observer  (August, 2011). (Article on Lasch's 'Twin Towers Go Global')
  23. Eric Ferreri. "Sept. 11 Grief Relief by Ink: A 9/11 art exhibit at Perkins Library shows how some dealt with grief." Duke Today  (August, 2011).
  24. Matt Chaban. "No, Really, Let’s Rebuild the Twin Towers, Even If Not at Ground Zero." New York Observer  (August, 2011). (Article on Lasch's 'Twin Towers Go Global')
  25. Andrea Appleton. "Where Do We Migrate: Group exhibition asks you to consider the plight of refugees, exiles, and migrants." Baltimore City Paper  (April, 2011).
  26. Andrea Appleton, Where Do We Migrate: Group exhibition asks you to consider the plight of refugees, exiles, and migrants, Baltimore City Paper (April 20, 2011) .
  27. P. Lasch. "The Indianization of Globalization." The Global South. Edited by Caroline Levander and Walter Mignolo.  vol. 5 no. 1 (Spring, 2011): 12-13.
  28. P. Lasch and others. "Pensamiento argentino y opción descolonial." El desprendimiento: pensamiento crítico y opción descolonial. Edited by Walter Mignolo, Zulma Palermo.  vol. 7 (Spring, 2011): cover & p2.
  29. P. Lasch. "LATINO/A AMERICA." Trans-Americanity: Subaltern Modernities, Global Coloniality, and Cultures of Greater Mexico. Edited by Saldívar, José David.  (2011): cover.
  30. P. Lasch. "Global Indianization? and LATINO/A AMERICA." The Future Lasts Forever. Edited by Runo Lagomarsino and Carlos Motta.  (2011): 45-46, 49.
  31. P. Lasch and others. Where Do We Migrate To: Issues in Critical Theory.  edited by Niels Van TommeUniversity of Maryland Baltimore: Center for Art, Design, and Visual Culture, (2011): 17 & insert.
  32. P. Lasch and others. Mapping: Memory and Motion in Contemporary Art.  edited by Sarah TanguyKatonah Museum of Art, (2011): 28-29.
  33. P. Lasch and others. Brain Review 2002 (Part 1).  edited by Christopher O'Leary and Zach BlasLos Angeles Contemporary Exhibitions Los Angeles, (2011): 36-42.
  34. P. Lasch and others. Haiti: History Embedded in Amber.  edited by Edouard Duval CarrierFranklin Humanities Institute, (2011): 30-31.

Leighten, Patricia

  1. P. Leighten. "“Modernist Abstraction, Anarchist Antimilitarism, and War”." Anarchist Developments in Cultural Studies  (January, 2012).
  2.  The Liberation of Painting: Modernism and Anarchism in Avant-Guerre Paris. University of Chicago Press, (2012).  [abs]
  3. P. Leighten. "“The White Peril and L'Art nègre: Picasso, Primitivism, and Anticolonialism”." Cenntenntial Anthology of The Art Bulletin  (Fall, 2011). (online)
  4.  The Natural Anarchist: Animal Rights and Visual Culture in Pre-World War I France and Britain. 2011.  [abs]
  5.  Modernism and Anarchism.  "MODERNISM AND . . ." Series Palgrave/Macmillan, forthcoming 2014. (under contract; in progress)  [abs]

McWilliam, Neil F

  1. N.F. McWilliam, Laurence Bertrand-Dorléac, Eric Michaud, Yves Michaud,Michael Orwicz. ""Art et pouvoir: une table ronde"." Perspective  (June, 2012).
  2. N.F. McWilliam. ""How to change the world: Claude-Henri de Rouvroy, comte de Saint-Simon"." Utopian Moments: Reading Utopian Texts. Edited by J. C. Davis & Miguel Angel Ramiro Avilés.  (April, 2012).
  3. N.F. McWilliam. ""Au-delà de Pont-Aven: A la poursuite d'Emile Bernard"." Emile Bernard: Au-delà de Pont-Aven. Edited by Neil McWilliam.  (January, 2012): 5-23. (Exhibition catalogue)
  4. N.F. McWilliam. ""'Ténébreux compagnons de toute solitude': Emile Bernard et la littérature." Emile Bernard: Au-delà de Pont-Aven. Edited by Neil McWilliam.  (January, 2012): 27-53. (Exhibition catalogue essay)
  5. N. McWilliam, L. Harscoët-Maire, Bogomila Welsh-Ovcharov. Emile Bernard: Correspondance choisie.  edited by Neil McWilliam Les Presses du réel, January, January, 2012: c. 950. (2 volumes)  [abs]
  6. N.F. McWilliam. Emile Bernard: Au-delà de Pont-Aven.  edited by Neil McWilliam Institut national d'histoire de l'art, January, January, 2012: c. 120. (Exhibition catalogue)
  7. N.F. McWilliam. ""A la recherche de l'Amérique profonde: l'art patriotique contemporain et l'idée de communauté nationale"." Histoire de l'art  no. 68 (2012).
  8. N.F. McWilliam. ""David d'Angers et la socialisation de l'exemplarité"." L'Art social en France de la Révolution à la Grande Guerre. Edited by Neil McWilliam, Cathérine Meneux, Julie Ramos.  (2012).
  9. N.F. McWilliam, Cathérine Meneux, Julie Ramos. L'art social en France de la Révolution à la Grande Guerre. 2012. (Edited volume based upon conference organized at the INHA, Paris, in June 2011)
  10. N.F. McWilliam. "Avant-garde Anti-Modernism: Caricature and Cabaret Culture in Fin-de-siècle Montmartre." L'art de la caricature. Edited by Ségolène Le Men. Les arts en correspondance (November, 2011): 275-295.
  11. N.F. McWilliam. "Sanat/Utopya. Mutluluk Hayalleri: Sosyal Sanat ve Fransiz solu (1830-1850)."   (November, 2011): 570 pp..
  12. N.F. McWilliam. "Emile Bernard, Vincent van Gogh et Octave Mirbeau: Critique de la critique." Cahiers Octave Mirbeau  no. 18 (Spring, 2011): 169-177.

Morgan, David

  1. David Morgan. Visual Worlds: A History of Christian Visual Culture from the Reformation to the Present. 2013.
  2. David Morgan. The Embodied Eye: Religious Visual Culture and the Social Life of Feeling. University of California Press, (2012). [book.php]
  3. David Morgan, "The Emotional Technology of Evangelicalism", American Art, vol. 25 no. 3 (Fall, 2011), pp. 13-15 .
  4. David Morgan, “Mediation or mediatisation: The history of media in the study of religion", Culture and Religion, vol. 12 no. 2 (June, 2011), pp. 137-152 .
  5. David Morgan, "Thomas Kinkade and the History of Protestant Visual Culture in America", in Thomas Kinkade: The Artist in the Mall (2011), pp. 29-53, Duke University Press .
  6. David Morgan, "Finding Fabiola", in Media and Culture: A Reader, edited by Gordon Lynch and Jolyon Mitchell (2011), pp. 171-181, Routledge (reprinted.) .

Powell, Richard J

  1. Richard J. Powell. "Trembling Vistas, Primal Youth: William H. Johnson's Painterly Expressionism, 1927-1935" & "Devotion and Disrepute: William H. Johnson's Florence, South Carolina Paintings, circa 1944". University of Washington Press, (2011): 22-39, 88-101.
  2. Richard J. Powell. "The Woodshed". Romare Bearden: American Modernist  (2011): 200-2006.
  3. Richard J. Powell. "From Diaspora to Exile: Black Women Artists in 1960s and 1970s Europe". The Migrant's Time: Rethinking Art History and Diaspora  (2011): 78-90.

Seaman, William   (search)

  1. Plamen L. Simeonov, Edwin H. Brezina, Ron Cottam, Andreé C. Ehresmann, Arran Gare, Ted Goranson, Jaime Gomez-Ramirez, Brian D. Josephson, Bruno Marchal, Koichiro Matsuno, Robert S. Root-Bernstein, Otto E. Rössler, Stanley N. Salthe, Marcin Schroeder, Bill Seaman, Pridi Siregar, Leslie S. Smith. "White Paper." Integral Biomathics: Tracing the Road to Reality Subtitle: Proceedings of ACIB’11 Conference in Stirling, Scotland, August 29-31, 2011 and iBioMath’2011 Workshop at ECAL’11, Paris. Edited by P. L. Simeonov, L. S. Smith, A. C. Ehresmann (Eds.).  (March, 2012).  [abs]
  2. W. Seaman. "The Engine of Engines - Toward A Computational Ecology." Integral Biomathics: Tracing the Road to Reality - Proceedings of ACIB’11 Conference in Stirling, Scotland, August 29-31, 2011 and iBioMath’2011 Workshop at ECAL’11, Paris. Edited by P. L. Simeonov, L. S. Smith, A. C. Ehresmann (Eds.)..  (Winter, 2011).  [abs]
  3. W. Seaman and O. E. Rössler. "Neosentience | The Benevolence Engine."   (2011).
  4. O. Perriquet and W. Seaman. "Art ↔ Science Relationalities." International Symposium on Electronic Art Proceedings (forthcoming)  (2011).

Stiles, Kristine

  1. K. Stiles. "Negative Affirmative: San Francisco Bay Area Art, 1974-1981." Under the Big Black Sun: California Art 1974-1981. Edited by Paul Schimmel.  (2011): 27-43.
  2. K. Stiles. "7.47 a.m. (The Traumatic Visual Vocabulary of Maurice Benayoun’s So.So.So. Somebody Somewhere Some time)." Maurice Benayoun / OPEN ART 1980-2010  (2011): 83-87.
  3. K. Stiles. "Peggy Phelan and Kristine Stiles In Conversation." Millennium Film Journal  no. 54 (2011): 30-34.
  4. K. Stiles. "Home Alone: ‘Reversal of Positions of Presentation’ and the Visual Semantics of Domesticity." The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1990. Edited by Nancy Princenthal and Helaine Posner.  (2011): 50-67.

Szabo, Victoria E

  1. Deborah Jenson , Victoria Szabo, and the Duke FHI Haiti Humanities Laboratory Student Research Team. "Cholera IN Haiti." Emerging Infectious Diseases. Edited by Center for Disease Control and Prevention.  vol. 17 no. 11 (November, 2011). (http://dx.doi.org/10.3201/eid1711.110958)  [abs]
  2. V.E. Szabo. "Assistant Editor, Special Issue." Leonardo  vol. 44 no. 4 (August, 2011). (special issue) [html]
  3. V.E. Szabo. "Augmented SIGGRAPH/Vancouver."   (August, 2011). (Augmented Reality experience juxtaposing Art Gallery work with local Vancouver sights via an augmented reality browser.)
  4. V.E. Szabo. "Kenan Institute for Ethics "Good Question" Brochure."   (Spring, 2011). [available here]  [abs]

Van Miegroet, Hans J   (search)

  1. Hans J. Van Miegroet and Neil De Marchi. Mapping Markets for European Paintings, vol. II. (2011).

Weisenfeld, Gennifer

  1.  The Fine Art of Persuasion: Commercial Design in Twentieth-Century Japan. 2013. (in preparation)
  2.  Imaging Disaster: Tokyo and the Visual Culture of Japan's Great Earthquake of 1923. University of California Press, (September, 2012). (in press) [Imaging Disaster Flyer]
  3. "Shiseido Chic: The Cosmopolitan Aesthetics of Japanese Cosmetics." Friends at the Brushwood Gate. Edited by Gregory Levine, Andrew Watsky, Gennifer Weisenfeld.  (2012).
  4. "Japanese Typographic Design and the Art of Letterforms." Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong. Edited by Jerome Silbergeld and Dora C.Y. Ching.  (2011): 827-848. [Japanese Typographic Design and the Art of Letterforms]
  5. "The Expanding Arts of the Interwar Period." Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000. Edited by J. Thomas Rimer.  (2011): 66-98.

Wharton, Annabel J

  1. A.J. Wharton and A. Amiri. "“Home in Jerusalem: the American Colony in Jerusalem"." Post Medieval Archaeology  vol. 45 no. 1 (2011).
  2. A.J. Wharton. "John Ruskin: Ethics in Economics." History of Political Economy  vol. 43 no. 2 (2011).
  3. A.J. Wharton. "Jerusalem's Zions." Material Religion  (2011).
  4. A.J. Wharton. "The Tribune Tower: Spolia as Despoliation." Reuse, Value, Erasure: Critical Views on Spolia and Appropriation. Edited by Richard Brilliant and Dale Kinney.  (2011).
  5.  Architectural Pathologies: Jerusalem and Elsewhere. 2012.
 

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