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 Recent Faculty Publications

Antliff, Robert M.

  1.  Sculpture Against the State: Anarchism and the Cosmopolitan Avant-Garde. 2017.
  2. "Pacifism, Violence and Aesthetics: George Woodcock's Anarchist Sojourn, 1940-1950." Anarchist Studies  vol. 23 no. 1 (May, 2015): 15-44.
  3. "Labor, Leisure, and Dissident Socialism: Robert L. Herbert’s Social History of Art." Histoire sociale de l’art: une anthologie critique. Edited by Philippe Bordes.  (2015).
  4. Antliff, M; Leighten, P. Le cubisme devant ses contemporains – Documents et critiques (1906-1914). Les presses du réel, (2015). (Forthcoming)  [abs]

Antonaccio, Carla M

  1.  The Cambridge Companion to the Greek Iron Age.   (2016).
  2.  Classical Archaeology in Context Theory and Practice in Excavation in the Greek World.   (May, 2015): 426 pages.  [abs]

Dillon, Sheila

  1. Dillon, S. "Review of 'The Oxford Handbook of Roman Sculpture', E.A. Friedland, M. Grunow Sobocinski, and E.K. Gazda, eds. (Oxford University Press, 2015)." Bryn Mawr Classical Review  (2015). [html]

Gabara, Esther L.

  1. Gabara, EL, “El laberinto de la hermandad: Me-Xicano Photography and Protest.”, LA RAZA (January, 2017), Autry National Center/ Chicano Studies Research Center .
  2. Gabara, EL, “Missing Body Art: Absent Identity in the Work of Tatiana Parcero.”, Revolution and Ritual: The Photographs of Sara Catrejón, Graciela Iturbide, and Tatiana Parcero. (January, 2017) .
  3. Gabara, EL, “Crossing the Border: Whether Real or Imagined.”, What It Means to Be American (May, 2015), Smithsonian Institute/ Zócalo Public Square [#esther-gabara] .
  4. Gabara, EL. "Photography, Avant-Garde and Modernity." A Companion to Modern and Contemporary Latin American & Latino Art. Edited by Anreus, A; Greeley, R; Sullivan, M. Blackwell Companions to Art History Series (2015).

Galletti, Sara

  1. Galletti, S. "Architecture and Ceremonial at the Courts of Henri IV and Maria de' Medici, 1600-1631." Court Residences as Places of Exchange in Late Mediaeval and Early Modern Europe, 1400-1700. Edited by De Jonge, K; Hoppe, S.  (2016). [BrowseBySeries.aspx]
  2. Galletti, S. "Il Palazzo del Lussemburgo di Maria de’ Medici, Parigi, 1611–1631." Mujeres promotoras de arquitectura. Matronazgo cívico y religioso de la antigüedad a la edad moderna. Edited by Martínez López, C; Serrano Estrella, F.  (2016).
  3. Galletti, S. "The Royal Gallery at the Time of Henri IV: Architecture and Ceremonial." Henri IV: Art et Pouvoir. Edited by Nativel, C.  vol. Autour d’Henri IV: figures du pouvoir, é (2016): 327-340.
  4. Galletti, S. "It's a man's world." Pictura et Architectura celebris: Plautilla Bricci protagonista femminile del Barocco romano  (2016).
  5. S. Galletti. "Frédérique Lemerle and Yves Pauwels, Architectures de papier: la France et l’Europe, XVIe–XVIIe siècles (Turnhout : Brepols, 2013)." Renaissance Quarterly  vol. 68 no. 1 (Spring, 2015).
  6. Galletti, S. "Review of Sabine Frommel and Juliette Dumas, eds., Bâtir au féminin? Traditions et stratégies en Europe et dans l’Empire ottoman (Paris: Éditions Picard, 2013)." Centro Internazionale di Studi di Architettura Andrea Palladio: Annali di Architettura  vol. 27 (2015): 188-189.
  7. Galletti, S. "Review of Frédérique Lemerle and Yves Pauwels, Architectures de papier: La France et l’Europe (XVIe–XVIIe siècles), Collection "Études Renaissantes” (Turnhout: Brepols, 2013)." Renaissance Quarterly  vol. 68 no. 1 (2015): 256-258. [doi]

Hansen, Mark B.

  1. Szabo, V, Introduction, in Critical Terms for New Media, edited by M. Hansen and W.J.T. Mitchell (January, 2010), pp. 328-329, University of Chicago Press .
  2. Griffin, SM; Jameson, F; James, H, Introduction, vol. 36 (January, 2015), pp. 197-198 .
  3. Hansen, MBN, Performance as Media Affect: The Phenomenology of Human Implication in Jordan Crandall’s "Gatherings", in Phenomenology and Performance, edited by Bleeker, M; Nedelkopoulou, E; Sherman, JF (2015), Routledge .
  4. Hansen, MBN, Ecologies of Imitation and Experience, in General Ecology of Media, edited by Hoerl, E (2015), Diaphanes .
  5. Hansen, MBN, Algorithmic Sensibility, in Post-Cinema: Theorizing 21st-Century Film, edited by Denson, S; Leyda, S (2015), Routledge .
  6. Hansen, MBN, The Topology of Sensibility, in Ubiquitous Computing, Complexity, and Culture, edited by Ekman, U; Diaz-Kommonen, L; Engberg, M; Sondergaard, M (2015), Routledge .
  7. Hansen, MBN, Our Predictive Condition, or, Prediction in the Wild, in The Non-Human Turn (2015), University of Minnesota .

Leighten, Patricia

  1. "Anarchist Satire in Pre-World War I Paris: The Case of František Kupka." SubStance: A Review of Theory and Literary Criticism  (2017). (Special issue: "Rebel Lines: Comics and the Anarchist Imagination")
  2. "America, with Burk Uzzle." All About America: Photographs by Burk Uzzle, Ackland Museum of Art  (2016).
  3. "Cubist Critiques: Picasso, Rivera and World War I." Picasso and Rivera: Modernism and Ancient Art, Los Angeles County Museum of Art  (2016).
  4. "The White Peril: Colonialism, L’art nègre, and Picasso’s Les Demoiselles d’Avignon." European Ghosts: The Representation of Art from Africa in the Twentieth Century, Mu.ZEE Ostende, Belgium  (2015). [european-ghosts-the-representation-of-art-from-africa-in-the-twentieth-century]
  5. Antliff, M; Leighten, P. Le cubisme devant ses contemporains – Documents et critiques (1906-1914). Les presses du réel, (2015). (in press) [ouvrage.php]  [abs]

McWilliam, Neil F

  1.  Histoires sociales de l'art. Une anthologie critique.  edited by McWilliam, NF; Moréteau, C; Lamoureux, JLes presses du réel, (June, 2016): 415 pages.
  2. Dunlap, C. "Preface."   vol. 39 no. 1 (2016): XI+XII+XIII+.
  3. McWilliam, NF. "Michel Melot et l’historiographie d’Honoré Daumier." L’Histoire sociale de l’art. Edited by Froissart, R; McWilliam, N; Porterfield, T.  (2015).

Morgan, David A

  1. Morgan, D, The Material Culture of Divination, Material Religion: the journal of objects, art and belief, vol. 12 no. 4 (October, 2016), pp. 505-506 [doi] .
  2. Morgan, D, Divination, Material Culture, and Chance, Material Religion: the journal of objects, art and belief, vol. 12 no. 4 (October, 2016), pp. 502-504 [doi] .
  3. Morgan, D, Materializing the study of religion, Religion, vol. 46 no. 4 (October, 2016), pp. 640-643 [doi] .
  4. Morgan, D, On the nature of collecting, Material Religion: the journal of objects, art and belief, vol. 12 no. 3 (July, 2016), pp. 375-377 [doi] .
  5. Morgan, DL; Eliot, S; Lowe, RA; Gorman, P, Dyadic Interviews as a Tool for Qualitative Evaluation, American Journal of Evaluation (Elsevier), vol. 37 no. 1 (March, 2016), pp. 109-117 [doi] .
  6. Morgan, D, The Materiality of Sacred Economies, Material Religion: the journal of objects, art and belief, vol. 11 no. 3 (July, 2015), pp. 387-391 [doi] .
  7. Morgan, DL, From Themes to Hypotheses: Following Up With Quantitative Methods, Qualitative Health Research, vol. 25 no. 6 (June, 2015), pp. 789-793 [doi] .
  8. Morgan, D, Temples for a Modern God: Religious Architecture in Postwar America., History of Religions, vol. 54 no. 3 (February, 2015), pp. 380-382 [Gateway.cgi], [doi] .
  9. Morgan, D; Astolfi, R, Financial impact of the GFC: health care spending across the OECD., Health Economics, Policy and Law, vol. 10 no. 1 (January, 2015), pp. 7-19 [doi]  [abs].
  10. Morgan, D. The Forge of Vision: A Visual History of Modern Christianity. University of California Press, (2015).

Olson, Mark

  1. Olson, M; Szabo, V; Lanzoni, K. "Wired! and Visualizing Venice: Scaling up Digital Art History." Artl@s Bulletin  vol. 4 no. 1 (2015): 20-39. [available here]  [abs]

Powell, Richard J.

  1. Powell, RJ. "Probability Theory: David Hammons's Money Tree." Open This End: Contemporary Art from the Collection of Blake Byrne. Edited by Wolin, Joseph R.,.  (2015): 42-49.
  2. Powell, RJ. ""Dem Shoes": Thomas Hart Benton's Romance." American Epics: Thomas Hart Benton and Hollywood. Edited by Bailly, A.  (2015): 83-87.

Seaman, William   (search)

  1. Seaman, W. "Neosentient Architecture Generator – n_Arch.gen."   (October, 2015).

Stiles, Kristine

  1. Stiles, K. Concerning Consequences Studies in Art, Destruction, and Trauma. University of Chicago Press, (March, 2016): 490 pages.  [abs]
  2. Collier, JH. "Introduction." Uri Katzenstein’s Families  vol. 30 (January, 2016): 1-2. [doi]

Szabo, Victoria

  1. Szabo, V. "Introduction."   vol. 48 (August, 2015): 328-329. [doi]
  2. Szabo, V. "ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art Introduction." Leonardo  vol. 48 no. 4 (August, 2015): 328-329. [Gateway.cgi], [doi]
  3. Szabo, V. "Introduction."   (July, 2015): 328-329.
  4. Szabo, V. "Macroanalysis: Digital Methods and Literary History." American Literature  vol. 87 no. 2 (June, 2015): 418-420. [Gateway.cgi]
  5. Szabo, V. "From Literature to Biterature: Lem, Turing, Darwin, and Explorations in Computer Literature, Philosophy of Mind, and Cultural Evolution." American Literature  vol. 87 no. 2 (June, 2015): 418-420. [Gateway.cgi]
  6. Olson, M; Szabo, V; Lanzoni, K. "Wired! and Visualizing Venice: Scaling up Digital Art History." Artl@s Bulletin  vol. 4 no. 1 (2015): 20-39. [available here]  [abs]

Van Miegroet, Hans J   (search)

  1. Miegroet, HV. "New data visualizations on the Mechelen export industry and artist migration patterns." Zeventiende Eeuw  vol. 31 no. 1 (December, 2015): 179-179. [doi]

Weisenfeld, Gennifer S.

  1. Weisenfeld, GS. The Fine Art of Persuasion: Corporate Advertising Design, Nation, and Empire in Modern Japan. 2016. (in preparation)
  2. Weisenfeld, GS. "Industrial Poisoning Minamata, 1972." Getting the Picture: The Visual Culture of the News. Edited by Hill, J; Schwartz, VR.  (2015): 94-96.

Wharton, Annabel J.

  1. Wharton, AJ. Models as Manipulators. 2016. (new project)
  2. Wharton, AJ. "The Istanbul Hilton, 1951-2014: Modernity and Its Demise." Mid-Twentieth Century Architecture in Turkey. Edited by Gürel, M.  (2015).

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