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 Recent Faculty Publications

Abe, Stanley

  1. "China, The Buddha, and Modern Aestheticism." Re-Imagining Asia: A Thousand Years of Separation. Edited by Shaheen Merali.  (2008): 124-133.
  2. "From Stone to Sculpture: The Alchemy of the Modern." Treasures Rediscovered: Chinese Stone Sculpture from the Sackler Collections at Columbia University  (2008): 7–16.

Bruzelius, Caroline A.

  1. C.A. Bruzelius. "“Workers and Builders in the Angevin Kingdom,”." Arnolfo’s Moment: I Tatti Sudies  (2008).
  2. C.A. Bruzelius. "“The Dead come to Town: Preaching, Burying and Building in the Mendicant Orders,”." The Year 1300. Edited by A. Gajewski and Z. Opacic.  (2007).
  3. C.A. Bruzelius. "“A rose by any other name: the “not Gothic enough” architecture of Italy,”." Reading Gothic Architecture, (Studies in Medieval Visual Culture, I)  (2007).
  4. C.A. Bruzelius. "Naples as anti-Avignon? Robert the Wise, Sancia of Mallorca, and the Convent of Sta. Chiara (Corpus Domini) in Naples,." The Cultures of Papal Avignon, University of Minnesota Press  (2007).
  5. C.A. Bruzelius. "Les palais de papes au Moyen Age." e-reviews, Art Bulletin  (2007).
  6. C.A. Bruzelius. "Merchant Culture in Medieval Amalfi, by Jill Caskey." e-reviews, Art Bulletin  (2007).
  7. Francesco Aceto and Alessandra Periccioli-Saggese. Campania Gotica. Jaca Books, Milan, (2007).

Dillon, Sheila

  1. "Portraits and Portraiture." Encyclopedia of Ancient Greece and Rome  (2010).
  2. D. Piekarski. "Anonyme griechische Porträts des 4.Jhs v.Chr. (Rahden/Westf. 2004)." forthcoming in Gnomon  (Spring, 2008).
  3. M. Papini. "Antichi Volti della Repubblica. La Ritrattistica in Italia Centrale Tra IV E II Secolo A.C. Vol. 1. Test; Vol. 2. Tavole (Bulletino della Commissione Archeologica Comunale di Roma Supplimenti 13; Rome: L’Erma di Bretschneider, 2004)." Journal of Roman Archaeology  vol. 20 (December, 2007): 428-431.
  4. J. Tanner. "The Invention of Art History in Ancient Greece: Religion, Society, and Artistic Rationalisation (Cambridge, 2006)." Sehepunkte  vol. 7 no. 12 (December, 2007). [html]
  5. O. Palagia, editor. "Greek Sculpture: Function, Materials, and Techniques in the Archaic and Classical Periods." Classical Review  vol. 57 no. 2 (October, 2007). [Classical Review 2007]
  6. "Portraits of Women in the early Hellenistic Period." Early Hellenistic Portraiture: Image, Style, Context. Edited by Ralf von den Hoff and Peter Schultz.  (October, 2007): 63-83. [catalogue.asp]
  7. A.A. Donohue. "Greek Sculpture and the Problem of Description." Art Bulletin  vol. 89 no. 1 (March, 2007): 160-163. [PDF]

Gabara, Esther L

  1. "“Fighting It Out: Visualizing the Naco in Lucha Libre”." Journal of Decorative and Propaganda Arts. Mexico Issue vol. 26 (Spring, 2009).
  2. Esther Gabara, Errant Modernism: The Ethos of Photography in Mexico and Brazil (Summer, 2008), Duke University Press .
  3. “Non-Literary Fiction: Invention and Interventions in Contemporary American Visual Culture” (2008) .
  4. "“I Swear She Is a Woman: Balmoreadas and Ethics in Drag.”." TDR: The Drama Review  (2008).
  5. "Modernist Ethics: Really Engaging Popular Culture in Mexico and Brazil." The Ethics of Latin American Literary Criticism: Reading Otherwise. Edited by Erin Graff Zivin.  (2007): 63-104.

Lasch, Pedro

  1. Jaramillo, Paola Andrea. "La Antorcha Guadalupana: Una luz que une fronteras." La Conección (Raleigh, NC)  (December, 2007).
  2. Camper, Fred. "Galleries & Museums: Critic's Choice." The Chicago Reader  (November, 2007).
  3. Camper, Fred, Galleries & Museums: Critic's Choice, The Chicago Reader (November 22, 2007) .
  4. Molina Ramírez, Tania. "Sonideros mexicanos crean comunidad transfronteriza virtual en EU: Ragland." La Jornada (México)  (October, 2007).
  5. Ambriz, Rodolfo. "El Cenart hace tocada sonidera." Excélsior (México)  (October, 2007).
  6. Molina Ramírez, Tania. "Ser mixteco o purépecha ya no puede entenderse con una lógica territorial." La Jornada (México)  (October, 2007).
  7. Muñoz Valdez, César. "Transitio_MX 02, segundo encuentro de artistas electrónicos en México." Diario La Razón (México)  (October, 2007).
  8. Stockton Moore, Cindy. "Gallerists Ready for Fall Shows & Moving Days." The New York Sun  (August, 2007).
  9. Del Moral, Christian. "Los sonideros: tradición mexicana en NY." El Diario La Prensa (New York)  (May, 2007).
  10. Nadelman, Cynthia. "Primitivism Revisited." ARTnews  (April, 2007): 133.
  11. Nadelman, Cynthia, Primitivism Revisited, ARTnews (April, 2007), pp. 133 .
  12. Melnyczenko, Laura. "Primitivism in the 21st century? Review of a Chelsea Exhibition." EXCHANGE: Journal of the Department of Anthropology,
 University of Chicago, Chicago, IL  (March, 2007).
  13. Melnyczenko, Laura, Primitivism in the 21st century? Review of a Chelsea Exhibition, EXCHANGE: Journal of the Department of Anthropology,
 University of Chicago, Chicago, IL (March, 2007) .
  14. Cotter, Holland. "PRIMITIVISM REVISITED: After the End of an Idea." The New York Times  (January, 2007).
  15. Cotter, Holland, PRIMITIVISM REVISITED: After the End of an Idea, The New York Times (January, 2007) .
  16. J. Bratich. "Popular Secrecy and Occultural Studies: A strategic crypto-analysis." Cultural Studies  vol. 21 no. 1 (January, 2007): 42-57.
  17. De Acosta, Alejandro. "Latino/a America: A Geophilosophy for Wanderers." An Atlas of Radical Cartography. Edited by Lize Mogel & Alexis Bhagat.  (2007).
  18. P. Lasch. "LATINO/A AMERICA." An Atlas of Radical Cartography. Edited by Lize Mogel & Alexis Bhagat.  (2007).
  19. Lopez, Ruth. "Charting New Territory." Time Out Chicago  no. 146 (2007).
  20. Lopez, Ruth, Charting New Territory, Time Out Chicago no. 146 (December 13, 2007 - December 26) .

Leighten, Patricia

  1. "Café Scene; Salomé; Head of a Woman; Vase, Gourd and Fruit; Scallop Shells and Piano; Still Life with Calling Card; and Ace of Clubs." Picasso and the Allure of Language. Edited by Susan Greenberg Fisher.  (2009).  [abs]
  2.  A Politics of Form: Art, Anarchism, and Audience in Avant-Guerre Paris.  forthcoming University of Chicago Press, 2009.  [abs]
  3. "Response to Ariel Dorfman’s 'Picasso’s Closet'." The Art Bulletin  (2008).
  4. with M. Antliff. A Cubism Reader: Documents and Criticism, 1906-1914.  University of Chicago Press (in press), forthcoming Spring 2008.  [abs]
  5. "Answering the Anarchist Call: The Visual Arts in Turn-of-the-Century Paris." Realizing the Impossible: Art Against Authority. Edited by E. Ruin and J. MacPhee, AK Press.  (2007).
  6. "‘A Rationale of Ugliness’: Primitivism, Cubism and Audience, 1907-1913." The Art Bulletin  (2007).

McWilliam, Neil

  1. N. McWilliam, L. Harscoët-Maire, S. Linford. Emile Bernard: Correspondance choisie. 2010.
  2. N. McWilliam. "Avant-Garde Anti-Modernism: Caricature and Cabaret Culture in Fin-de-siècle Montmartre." Caricature, Bilan et recherches. Edited by Ségolène Le Men.  (2008).
  3. N. McWilliam. "Emile Bernard's Reactionary Idealism." Academics, Pompiers, Official Artists and the Avant-Garde: Defining Modern and Traditional in France 1900-1960. Edited by Natalie Adamson & Toby Norris.  (2008).
  4. N. McWilliam. "The Culture of Nationalism." Nations and Nationalism in Global Perspective: An Encyclopedia of Origins, Developments and Contemporary Transitions. Edited by Guntram Herb.  (2008).
  5. N. McWilliam. Rêves de bonheur. L'Art social et la gauche française (1830-1850). Les Presses du réel, (2007): 494.

Noland, William

  1. William Noland. "Seeing and Seen." DOUBLETAKE/POINTS OF ENTRY. Edited by Robert Coles & Terry Lee.  vol. Spring/Summer 2007 no. Issue 3 (Summer, 2007): 30-31. [available here]  [abs]

Powell, Richard

  1. Richard J. Powell & Martin Puryear. "A Conversation with Martin Puryear".  edited by John ElderfieldMuseum of Modern Art, New York, (2007): 99-110.
  2. Richard J. Powell. "The Aaron Douglas Effect".  edited by Susan EarleYale University Press, New Haven, CT, (2007): 53-73.

Stiles, Kristine

  1.  World Art Since 1945. Co-authored with Kathy O'Dell, London: Laurence King Publishing, (2011).
  2.  Uncorrupted Joy: Art Actions, History, and Social Value. Berkeley: University of California Press, (2010).
  3.  Correspondence Course, An Epistolary History of Carolee Scheemann and Her Circle. Durham: Duke University Press, (2009).
  4.  Concerning Consequences of Trauma in Art and Society. University of Chicago Press, (2009).
  5. "Cloud with its Shadow: Marina Abramovic." Marina Abramovic  (2008).
  6.  States of Mind: Dan & Lia Perjovschi.  edited by Kristine Stiles, Durham: Nasher Museum of Art at Duke University and Duke University Press(2007).
  7. "Burden of Light." Chris Burden  (2007).
  8. "Teaching a Dead Hand to Draw, Kim Jones, War and Art." Kim Jones: A Retrospective  (2007).
  9. "States of Mind: Dan & Lia Perjovschi." States of Mind: Dan & Lia Perjovschi  (2007).
  10. Kristine Stiles, Andrei Condrescu, Marius Babius, and Roxana Marcoci. States of Mind: Lia and Dan Perjovschi.  edited by Kristine Stiles,Durham: Nasher Museum of Art at Duke University and Duke University Press, (2007).  [abs]

Van Miegroet, Hans J   (search)

  1. Hans J. Van Miegroet and Neil De Marchi. Flemish Art for Nueva España. (2009).
  2. Hans J. Van Miegroet and Neil De Marchi. "Antwerp Dealers’ Invasions of the Lille Market (17th Century)." Art Auctions and Dealers. The Dissemination of Netherlandish Paintings during the Ancien Régime. Edited by Filip Vermeylen and Hans Vlieghe.  (2008).
  3. Hans J. Van Miegroet and Neil De Marchi. "“The Rise of Dealer-Auctioneers. Information and Transparency in Markets for Netherlandish Paintings"." Art Market and connoisseurship in the Dutch Golden Age. Edited by in Koen Jonckheere and Anna Tummers.  (2008).
  4. Hans J. Van Miegroet. "Copies fantômes la culture imitative au début de l’époque moderne en Europe." L'estampe, un art multiple à la portée de tous. Edited by S. Raux.  (2008).
  5. Hans J. Van Miegroet and Neil De Marchi. "“Brueghel in Paris,”." Breughel Enterprises. Edited by Lars Henrikman.  (2008).
  6. Hans J. Van Miegroet and Neil De Marchi. ""The Antwerp-Mechelen Production and Export Complex"." Album Amicorum J. Michael Montias. Edited by Mia Misozuki.  (2007). (US: University of Chicago Press)
  7. Hans J. Van Miegroet. "“Dealing Netherlandish Painting in an Expanding Paris Art Market (1750-1815)"." Auctions, Agents, and Dealers: the Mechanisms of the European Art Market ca. 1660-1860. Edited by Jeremy Warren and Adriana Turpin.  (2007): 41-51.

Weisenfeld, Gennifer

  1.  Imaging Disaster: Japanese Art and Design in Tokyo After the Great Kanto Earthquake of 1923. 2008. (in preparation)
  2. G. Weisenfeld. "“Saigai to Shikaku: Kantō Daishinsai no Shikaku Hyōshō o Megutte” (Disaster and Vision: On the Visual Representations of the Great Kantō Earthquake)." Kioku to Rekishi: Nihon ni okeru Kako no Shikakuka o megutte (Memory and History: Visualising the Past in Japan). Edited by Tan’o Yasunori.  (2007): 42-53.
  3. G. Weisenfeld. "Publicité et propagande dans le Japon des années 1930: Le modernisme comme méthode." La société Japonaise devant la montée du militarisme: Culture populaire et contrôle social dans les années 1930. Edited by Jean-Jacques Tschudin and Claude Hamon.  (2007): 47-70.
  4. G. Weisenfeld. "Reinscribing Tradition in a Transnational Art World." Asian Art History in the Twenty-First Century (Clark Studies in the Visual Arts). Edited by Vishakha Desai.  (2007): 181-198.
  5.  The Fine Art of Persuasion: Commercial Design in Twentieth-Century Japan. 2008. (in preparation)

Wharton, Annabel J.

  1.  Architectural Agency: Abused Buildings and Their Revenge. 2009.
  2. "Remaking Jerusalem." Modernism and the Middle East. Edited by Sandy Isenstadt and Kishwar Rizvi.  (2007).
  3. "Jewish art, Jewish Art." Images  vol. 1 (2007).
 

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