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Books
- Ordinary Images. University of Chicago Press,
(2002).
- A Freer Stela Reconsidered. Freer Gallery of Art and Arthur M. Sackler Gallery Occasional Paper,
(2002).
Articles Published
- "China, The Buddha, and Modern Aestheticism." Re-Imagining Asia: A Thousand Years of Separation. Edited
by Shaheen Merali. (2008): 124-133.
- "From Stone to Sculpture: The Alchemy of the Modern." Treasures Rediscovered: Chinese Stone Sculpture from the Sackler Collections at Columbia University (2008): 7–16.
- "To Avoid the Inscrutable: Abstract Expressionism and the "Oriental Mode"." Discrepant Abstraction. Edited
by Kobena Mercer. (2006): 52-73.
- "Xu Bing de zhenshi de yishu 徐冰的真实的艺术 (The Genuine Art of Xu Bing)." Xu Bing -- Yancao jihua 徐冰 -- 烟草计划 (Xu Bing: Tobacco Project). Edited
by Wu Hong 巫鸿. (2006): 106–114.
- "Why Asia Now? Contemporary Asian Art and the Politics of Multiculturalism." Shades of Black: Assembling the 80s, A transatlantic dialogue on Afro-Asian arts in post-war Britain. Edited
by David A. Bailey, Ian Baucom, and Sonia Boyce. (2005): 109-114.
- "Provenance, Patronage, and Desire: Northern Wei Sculpture from Shaanxi Province." Ars Orientalis vol. 31 (2001): 1–30.
- "Tobacco Art: Xu Bing's Tobacco Project." Duke University Libraries vol. 14 no. 1 (Fall, 2000): 3–7.
- "Bei Liang shita yu Mogao ku zaoqi san ku de niandai wenti (Northern Liang stone pillars and the dating of the earliest Mogao caves." Dunhuang xue guoji yantaohui wenji , Shiku kaogu juan (Collected works of the 1994 International Conference on Dunhuang studies, Cave temple archaeology volume). Edited
by Dunhuang yanjiuyuan (Dunhuang research academy). (2000): 159–65. ((translated into Chinese by Tai Jianqun))
- "Nanbokucho no dokyo to zokei (Daoist sculpture of the Northern-Southern Dynasties period)." Sekai bijutsu daizenshu, Toyo hen (New History of World Art: Asia) vol. 3 (2000): 362–68. (translated into Japanese by Seriu Haruna)
- "Shaanxi sheng de Beiwei diaoke: Laiyuan, zanzhu, yuanwang (Northern Wei Sculpture from Shaanxi Province: Provenance, Patronage, Desire)." Between Han and Tang: Religious Art and Archaeology in a Transformative Period. Edited
by Wu Hung. (2000): 461–88. (translated into Chinese by Yuan Hong)
- "Reading the Sky." Cross-Cultural Readings of Chineseness. Edited
by Wen-hsin Yeh. (2000): 53–79.
- "No Questions, No Answers: China and A Book from the Sky." Modern Chinese Literature and Cultural Studies in the Age of Theory: Reimagining a Field. Edited
by Rey Chow. (2000): 227–50.
- "Chugoku o miseru (Exhibiting China)." The Present, and the Discipline of Art History in Japan. Edited
by Tokyo National Research Institute of Cultural Properties. (1999): 192–206. ((translated into Japanese by Okada Ken))
- "Inside the Wonder House: Buddhist Art and the West." Curators of the Buddha. Edited
by Donald Lopez. (1995).
Articles Submitted
- "Chinese Buddhist Sculpture in the Native Tradition." Asian History (2006).
Book Reviews
- "Review of Ning Qiang, Art, Religion, and Politics in Medieval China: The Dunhuang Cave of the Zhai Family." Journal of Asian Studies vol. 64 no. 2 (2005): 454-56.
- "Review of Marsha Weidner, ed., Cultural Intersections in Late Imperial Chinese Buddhism." Journal of Asian Studies vol. 61 no. 2 (May, 2002): 715-16.
- "Review essay of Lukas Nickel, ed., Return of the Buddha: The Qingzhou Discoveries." Aribus Asiae vol. 62 no. 2 (2002): 293–99.
- "Review of Stephen Little with Shawn Eichman, Taoism and the Arts of China." Journal of Chinese Religions vol. 29 (2001): 332-34.
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