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Home :: Faculty :: Anne L Schroder

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 Recent Faculty Publications

Anne L Schroder, Adjunct Assistant Professor of Art History, Curator and and Academic Programs Coordinator, Nasher Museum of Art

Anne L SchroderSpecialization:

    18th and early 19th Century Art


Research Interests:

Anne Schroder received her B.A. from Smith College and her Ph.D. from the University of North Carolina at Chapel Hill. Her research specialty is eighteenth-century European art. She has published on J.H. Fragonard, Francois Gerard, J.L.David, gender issues, 18th-c. prints and print market, and the debate over theories of copying, originality and artistic property following the French Revolution. At the Nasher she works with faculty integrating the museum's collections and exhibitions into their teaching. She teaches the internship course and the 18th-century art course.
Contact Info:

Office Location:  Nasher Museum of Art
Email Address:   schroder@duke.edu
Web Page:   https://fds.duke.edu/db/aas/AAH/faculty/schroder


Representative Publications   (More Publications)

  1. "The Age of Watteau, Chardin, and Fragonard: Masterpieces of French Genre Painting. "Also" Colorful Impressions: The Printmaking Revolution in Eighteenth-Century France." Eighteenth-Century Studies  vol. 37:3 (Spring, 2004): 455-468. (National Gallery of Art (Electronic link through Duke Libraries:http://muse.jhu.edu/journals/eighteenth-century_studies/v037/37.3schroder.html)
  2. "Illustrators and Illustrations." Encyclopedia of the Enlightenment  vol. 2 (2002): 251-257.
  3. "Reassessing Fragonard's Later Years: the Artist's Nineteenth-Century Biographers, the Rococo and the French Revolution." Art and Culture in the Eighteenth Century: New Dimensions and Multiple Perspectives. Edited by Elise Goodman.  (2001): 39-58.
  4. Sarah R. Cohen. "Art, Dance, and the Body in French Culture of the Ancien Regime." CAA Online Reviews  (2001).
  5. "Entries on Fragonard, Greuze, Boilly, Robert, Lancret, Boucher, and Oudry." Masters of the Medium: European Drawings from the Ackland Art Museum. Edited by Carolyn Wood and Carol Gillham.  (2001). (Exhibition traveled to Hood Museum, Dartmouth College)
  6. "Reversals of Power: Artistic Property, Counterfeiture and the 1793 French Copyright Act." Visual Resources  vol. XVI (2000): 143-154. (special issue devoted to "Plagiarism" based on 1999 CAA session)
  7. "Going Public Against the Academy in 1784: Mme. de Genlis Speaks Out on Gender Bias and Elisabeth Vigee-Lebrun." Eighteenth Century Studies  vol. 32:3 (Spring, 1999): 376-382. (Electronic link through Duke Libraries:http://muse.jhu.edu/journals/eighteenth-century _studies/v032/32.3schroder.html)
  8. "Entry on Fragonard for Mastery and Elegance: Seventeenth-and-Eighteenth-Century French Drawings from the Collection of Jeffrey E. Horvitz." exh. cat., Fogg Art Museum. Edited by Alvin L. Clark, Jr., Margaret Morgan Grasselli, and Jean-Francois Mejanes.  (1998). (Exhibition traveled to Paris, Edinburgh, Los Angeles, Chicago, New York)
  9. "Genre Prints in Eighteenth-Century France: Production, Market, and Audience." Intimate Encounters: Love and Domesticity in Eighteenth-Century France  (1997): 69-86. (Exhibition seen at the Hood Museum, Toledo Art Museum and Houston Museum of Fine Arts.)
  10. "Fragonard et le dessin francais au XVIII siecle dans les collections du Petit Palais." Master Drawings  vol. 34:4 (Winter, 1996): 430-435.

 

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