Specialization:
Sculpture, Photography and Video
Research Interests:
William Noland has pursued independent careers in
sculpture, photography and video. He has had numerous
solo sculpture exhibitions nationally and internationally, has exhibited and published his photography widely, and in recent years has screened experimental documentary video work at a variety of Film Festivals. He was the recipient of a National Endowment for the Arts Fellowship in sculpture in 1987, a Fulbright Scholar Award in photography in 1995, and served as a contributing
photographer and as an editorial advisor for the journalistic/literary
quarterly
DoubleTake. Contact Info:
Teaching (Fall 2009):
- Artsvis 110.01, Sculpture
Synopsis
- Sculpture 001, TuTh 10:05 AM-12:05 PM
- Visualst 196s.01, The photobook
Synopsis
- Smith 228, Th 04:25 PM-07:05 PM
Representative Publications
(More Publications)
- William Noland. "Seeing and Seen." DOUBLETAKE/POINTS OF ENTRY. Edited
by Robert Coles & Terry Lee. vol. Spring/Summer 2007 no. Issue 3 (Summer, 2007): 30-31. [available here] [abs]
- Entrevistas Cubanas: Historias de una Nación Dividida, William Noland & Felipe Arocena. McFarland and Company, Inc,
(Winter, 2004). [book-2.php] [abs]
- "Cuban Stories." THE SOUTH ATLANTIC QUARTERLY vol. 103.1 (Winter, 2003): 61-80. (essay, photo-essay) [61] [abs]
- "The Image World of Mao II." THE SOUTH ATLANTIC QUARTERLY vol. 103.1 (Winter, 2003): 6-20. (photo-essay and cover) [gca] [abs]
- Karen Wilkin. "An Inadvertent Vanguard." The Hudson Review vol. LV no. 1 (Spring, 2002): 105-113. [abs]
- "My House." DWELL Magazine vol. Vol. 3 no. 4 (March, 2003): 33-36.
- William Noland. "Nice Modernist: As Good As Gold." DWELL Magazine vol. 4 no. 2 (November, 2003): 62. [available here]
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