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 Recent Faculty Publications


  1. Antliff, M. Sculptors Against the State: Anarchism, and the Cosmopolitan Avant-Garde (London-Milan-Paris). (2021).
  2. Antliff, M; Leighten, P. Le cubisme devant ses contemporains – Documents et critiques (1906-1914). Les presses du réel, (2019). (Forthcoming)  [abs]
  3. Antliff, M; Klein, S. Vorticism: New Perspectives. Oxford University Press, (2013).
  4. Antliff, M; Greene, V. The Vorticists: Rebel Artists in London and New York, 1914-1918.. (2010).
  5. Mark Antliff and Patricia Leighten. A Cubism Reader: Documents and Criticism 1906-1914, University of Chicago Press. (2008).  [abs]
  6. Antliff, M; Leighten, P. A Cubism Reader: Documents and Criticism 1906-1914. University of Chicago Press, (2008).  [abs]
  7.  Avant-Garde Fascism: The Mobilization of Myth, Art and Culture in France, 1909-1939, Duke University Press. (2007).
  8. Antliff, M. Avant-Garde Fascism: The Mobilization of Myth, Art and Culture in France, 1909-1939,. Duke University Press, (2007).
  9. Antliff, M; Leighten, P. Cubisme et culture. Thames and Hudson, (2002). (translated by Diebold, C-M)  [abs]
  10. Antliff, M; Leighten, P. Cubism and Culture. London and New York: Thames and Hudson, (2001). (French Edition, 2002, Cubisme et culture)
  11. Antliff, M. Fascist Visions: Art and Ideology in France and Italy.  edited by Affron, M; Antliff, MPrinceton University Press, (1997). (Contributors: Walter Adamson (History, Emory University); Matthew Affron (Art History, University of Virginia); Emily Braun (Art History, Hunter College, City University of New York); Michele Cone (Art History, New School for Social Research); Emilio Gentile (Political Science, Universita di Roma); Nancy Locke (Art History, Wayne State University); Marla Stone (History, Occidental University))
  12. Antliff, M. Inventing Bergson: Cultural Politics and the Parisian Avant-Garde. Princeton University Press, (1993).

Articles Published

  1. Antliff, M. "Henri Matisse's Portrait of a Standing Riffian: Islam, Byzantium, and 'Aristocratic Barbarism'." Image, Object, and Text: Canadian Contributions to the Study of Islamic Art and Archaeology. Edited by Milwright, M; Baboula, E.  (2021).
  2. Antliff, M; Leighten, P. "Anarchist Modernism after Signac: Fauvism, Futurism, Cubism." Paris 1900 and Post-Impressionism: Signac and the Indépendants. Edited by Desmarais, M-D; Genty, G; Bondil, N.  (2020).
  3. Antliff, M. "Pacifism, Realism and Pathology: Alex Comfort's Neo-Romantic Anti-Fascism." Modernism/Modernity  (2020).
  4. Antliff, M. "Pacifism, Realism and Pathology: Alex Comfort's Neo-Romantic Anti-Fascism." Modernism/Modernity  (2020).
  5. Antliff, M. "Contagious Joy: Jacob Epstein, The Tomb of Oscar Wilde, and Action d’art." Anarchism and the Avant-Garde: Radical Arts and Politics in Perspective. Edited by Kosuch, C.  vol. 4 no. 2 (2019): 195-225. [doi]  [abs]
  6. Antliff, M. "Into the Vortex: Ezra Pound, Anarchism, and the Ideological Project of Art Criticism." The Companion to Ezra Pound and the Visual Arts. Edited by Coyle, M; Preda, R.  (2019): 193-213.
  7. "Pacifism, Violence and Aesthetics: George Woodcock's Anarchist Sojourn, 1940-1950." Anarchist Studies  vol. 23 no. 1 (May, 2015): 15-44.
  8. Antliff, M. "Bergson, Politics and Religion." Symplokē  (2014).
  9. Antliff, M. "From Class War to Creative Revolution: Bergson’s Communist Legacy in Britain." Annales Bergsoniennes  (2014).
  10. Thompson, WF; Antliff, M. "Bridging two worlds that care about art: psychological and historical approaches to art appreciation.." Behavioral and Brain Sciences  vol. 36 no. 2 (April, 2013): 159-160. [doi]  [abs]
  11. Antliff, M. "Contagious joy: Anarchism, censorship and the reception of Jacob Epstein's Tomb of Oscar Wilde, c. 1913." The Journal of Modern Periodical Studies  vol. 4 no. 2 (January, 2013): 195-225. [doi]  [abs]
  12. Antliff, M. "Introduction: Vorticisms." Vorticism: New Perspectives. Edited by Klein, S; Antliff, M.  (2013): 1-11.
  13. Antliff, M. "Politicizing the New Sculpture." Vorticism: New Perspectives. Edited by Antliff, M; Klein, S.  (2013): 102-118.
  14. Antliff, M. "Revolutionary Immanence: Bergson among the Anarchists." Bergson and the Art of Immanence. Edited by Mullarkey, J; Mille, CD.  (2013): 94-111.
  15. Antliff, M. "Fascism and Art History: A Paradigm Shift." Fascism  vol. 1 no. 1 (January, 2012): 53-54. [doi]
  16. Antliff, M. "La sculpture contre l’État. Gaudier Brzeska, Dora Marsden, Ezra Pound." Artistes et partis – Esthétique et politique (1900-1945). Edited by eds, MS; Carli, M.  (2012).
  17. Antliff, M. "Nasjonens kroppslighet: kubisme og keltisk nasjonalisme." Paginert Utgave I Teori & Praksis  vol. 1 (2012): 1-19.
  18. Antliff, M. "Bad Anarchism; Aestheticized Mythmaking and the Legacy of Georges Sorel among the European Left." Anarchist Developments in Cultural Studies  no. 2 (2012): 155-187.
  19. Antliff, M. "Shaping duration: Bergson and modern sculpture." The European Legacy  vol. 16 no. 7 (December, 2011): 899-918. [Gateway.cgi], [doi]  [abs]
  20. Antliff, M. "Drawing the Vortex." Tate, Etc.  (June, 2011): 36-41.
  21. Antliff, M. "Mitos de revolución: fascismo de vanguardia en Francia." Afinidades. Revista De Literatura Y Pensamiento  (May, 2011): 23-35.
  22. Antliff, M. "Labor, Leisure, and Dissident Socialism: Robert L. Herbert’s Social History of Art." Histoire sociale de l’art: une anthologie critique. Edited by Bordes, P.  (2011).
  23. Antliff, M. "Organicism among the Cubists: The Case of Raymond Duchamp-Villon." Biocentrism and Modernism. Edited by eds, OB; Wünsche, I.  (2011): 161-181.
  24. Antliff, M. "Henri Gaudier-Brzeska's guerre sociale: Art, Anarchism and Anti-Militarism in Paris and London, 1910-1915." Modernism Modernity  vol. 17 no. 1 (January, 2010): 135-169. [Gateway.cgi], [doi]
  25. Antliff, M. "The Jew As Anti-Artist: Georges Sorel, Antisemitism, and the Aesthetics of Class-Consciousness." Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation. Edited by Baigel, M; Heyd, M; Washton-Long, RC.  (2010): 19-50.
  26. Antliff, M. "Classicism Neither Right nor Left: the Combat Group and the Cultural Politics of French Fascism during the 1930’s." Academics, Pompiers, Official Artists and the Arrière-garde: Defining Tradition in France, 1900-1960. Edited by Adamson, N; Norris, T.  (2010): 169-189.
  27. Antliff, M. "Sculptural Nominalism/Anarchist Vortex: Henri Gaudier-Brzeska, Dora Marsden, Ezra Pound." The Vorticists: Rebel Artists in London and New York, 1914-1918  (2010): 47-57.
  28. Mark Antliff,. "Alvin Langdon Coburn Among the Vorticists: Studio Photographs and Lost Works by Jacob Epstein, Wyndham Lewis and Edward Wadsworth." Burlington Magazine  vol. CLII no. 1290 (2010): 580-589.
  29. Antliff, M. "Sculpture against the State." Memoria E Ricerca  vol. 33 (2010): 49-62.
  30. Antliff, M. "Classical violence: Thierry Maulnier, French fascist aesthetics and the 1937 Paris world's fair." Modernism Modernity  vol. 15 no. 1 (January, 2008): 45-62. [Gateway.cgi], [doi]
  31. Antliff, M. "’Their Country’: Henri Gaudier, Anarchism, and Anti-Militarism, 1910-1914." ‘We the Moderns’: Gaudier Brzeska and his European Contemporaries. Edited by Barassi, S.  (2007): 75-87.
  32. Antliff, M; Antliff, A. "Correspondence: Kenneth Roxroth to Hebert Read and George Woodcock." Chicago Review: Special Issue on Kenneth Rexroth  (Fall, 2006).
  33. Antliff, M. "Giorgio Morandi: The art of silence." Journal of Modern Italian Studies  vol. 11 no. 1 (March, 2006): 97-99.
  34. Antliff, M. "Cubism." Encyclopedia of Europe, 1789-1914. Edited by Merriman, J; Winter, J.  (2006).
  35. Antliff, M. "Bergson." Encyclopedia of Europe, 1789-1914. Edited by Merriman, J; Winter, J.  (2006).
  36. Antliff, M. "Modernism." Historical Encyclopedia of World Fascism, edited by Cyprian Blamires  (2006).
  37. Antliff, M. "Georges Sorel and the Anti-Enlightenment: Art, Politics, Ideology." Nationalism and French Visual Culture, 1870-1914: A Symposium. Edited by Hargrove, J; McWilliam, N.  (2005): 307-332. (Studies in the History of Art, National Gallery of Art, Washington)
  38. Antliff, M; Leighten, P. "Primitive." Critical Terms for Art History. Edited by Nelson, RS; Shiff, R.  (2003).
  39. Roberts, DD; De Grand, A; Antliff, M; Linehan, T. "Comments on Roger Griffin, the primacy of culture: The current growth (or manufacture) of consensus within fascist studies." Journal of Contemporary History  vol. 37 no. 2 (December, 2002): 259-274. [doi]
  40. Antliff, M. "Fascism, modernism, and modernity." Art Bulletin  vol. 84 no. 1 (March, 2002): 148-169. (reprinted in Critical Concepts in Political Science: Fascism, eds. Matthew Feldman and Roger Griffin, Routledge (2003)) [Gateway.cgi], [doi]
  41. Antliff, M. "Emily Braun, Mario Sironi and Italian Modernism: Art and Politics under Facism (2000)."   (November, 2001). (in the on-line journal CAA: REVIEWS)
  42. Antliff, M. "Machine Primitives: Philippe Lamour, Germaine Krull, and the Fascist Cult of Youth." Qui Parle  (2001): 57-102.
  43. Antliff, M. "The Fourth Dimension and Futurism: A Politicized Space." Art Bulletin  vol. 82 no. 4 (December, 2000): 720-720. [Gateway.cgi], [doi]
  44. Antliff, M. "Creative Time: Bergson and European Modernism." Tempus Fugit. Edited by Schall, J.  (2000): 35-65.
  45. Antliff, M. "Modernism and Facism: French Fascist Aesthetics Between the Wars." Re-thinking Images Between the Wars: New Perspectives in Art History. Edited by Hjort, O.  (2000): 13-45.
  46. Antliff, M. "The Rhythms of Duration: Bergson and the Art of Matisse." The New Bergson. Edited by Mullarkey, J.  (1999): 184-208.
  47. Antliff, M. "Cubism, futurism, anarchism: The 'aestheticism' of the action d'art group, 1906-1920." Oxford Art Journal  vol. 21 no. 2 (January, 1998): 99-120. [Gateway.cgi], [doi]  [abs]
  48. Antliff, M. ""Bergson," and "Politics and Aesthetics: Aestheticized Politics"." The Encyclopedia of Aesthetics. Edited by Kelly, M. Vols. 1-4 (1998). (Vol. 1, pgs. 266-268, Vol. IV, pgs. 26-29)
  49. Antliff, M. "Modernity and nostalgia: Art and politics between the wars - Golan,R." Art History  vol. 20 no. 3 (September, 1997): 505-507.
  50. Antliff, M. "The Jew as anti-artist: Georges Sorel, anti-semitism, and the aesthetics of class consciousness." Oxford Art Journal  vol. 20 no. 1 (January, 1997): 50-67. [Gateway.cgi], [doi]
  51. Antliff, M; Affron, M. "Art and Fascist Ideology in France and Italy: An Introduction." Fascist Visions: Art and Ideology in France and Italy. Edited by Atliff, M; Affron, M.  (1997).
  52. Antliff, M. "La Cite francaise: George Valois, Le Corbusier, and Fascist Theories of Urbanism." Fascist Visions: Art and Ideology in France and Italy. Edited by Antliff, M; Affron, M.  (1997).
  53. Mark Antliff,. "Organicism Against Itself: Cubism, Duchamp-Villon and the Contradictions of Modernism." Word & Image  vol. 12 no. 4 (1996): 366-388. [Gateway.cgi], [doi]  [abs]
  54. Antliff, M. "Cubism, Celtism, and the Body Politic." Art Bulletin  vol. 74 no. 4 (December, 1992): 655-668. [Gateway.cgi], [doi]
  55. Antlfif, M. "Bergson and Cubism: A reassessment." Art Journal  (Winter, 1988): 341-349. (translated into Japanese in Gendai shiso: revue de la Pensee d'aujourd 'hui, Tokyo, vol. 23, 1995)

Articles Accepted

  1. "Labor, Leisure, and Dissident Socialism: Robert L. Herbert’s Social History of Art." Histoire sociale de l’art: une anthologie critique. Edited by Philippe Bordes.  (2015).

Exhibition Catalogs

  1.  Drawings by Henri-Gaudier Brzeska. Yale Center for British Art, New Haven, Ct., (1987).

Books in Progress

  1.  Sculpture Against the State: Anarchism and the Cosmopolitan Avant-Garde. 2017.

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