Title:	Andrew W. Mellon Assistant Professor of Chinese Literature and Culture
Office Location:	210 Trent Hall
Office Phone:	(919) 660-4396
Office Fax:	919-681-7871
Email Address:	gjhong@duke.edu
Web Page:

Office Hours:

Tues 2:30 - 3:30 and by appt.

Education

• Ph.D. in Rhetoric with a designated emphasis in Film Studies, University of California, Berkeley, 2004
• M.A. in Cinema Studies, San Francisco State University, 1995
• B.A. in English, Fu Jen Catholic University, Taipei, Taiwan, 1991

Research Interests

Film historiography, film theory, postcolonial theory and theories of culture and globalization; film and other media of Taiwan, Hong Kong and China

• Ames 49s.01, First-year seminar (top) Synopsis

  Trent 223b, Th 04:25 PM-06:55 PM; Trent 038b, W 07:15 PM-10:15 PM

• Ames 179.01, Melodrama east and west Synopsis

  East duke 204b, M 07:15 PM-10:15 PM; East duke 204b, Tu 04:25 PM-06:55 PM

• Ames 279.01, Melodrama east and west Synopsis

  Languages 208, M 07:15 PM-10:15 PM; East duke 204b, Tu 04:25 PM-06:55 PM

1. G. Hong. "Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in 1930s Shanghai." Journal of Chinese Cinemas  (Accepted, 2008).
2. G. Hong. "Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai." positions: east asia cultures critique 15:3 (2007): 553-580.
3. G. Hong. "Limites of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries." positions: east asia cultures critique  (Accepted, 2007).
4. G. Hong. "Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary." postions: east asia cultural critique  (Submitted, 2006, under review).
5. G. Hong. "Island of No Return: Cinematic Retrospection in Wang's Taiwan Trilogy." Techologies of Temporality in Chinese Cinema  (Accepted, 2006, book volume under review).