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Faculty Database Asian & Middle Eastern Studies Arts & Sciences Duke University |
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| Carlos Rojas, Associate Professor of Chinese Cultural Studies, Women's Studies, and Arts of the Moving ImageCarlos Rojas is Associate Professor of Chinese Cultural Studies, Women’s Studies, and Arts of the Moving Image, and his research focuses on issues of gender and visuality, corporeality and infection, and nationalism and diaspora studies. He is the author of The Naked Gaze: Reflections on Chinese Modernity (Harvard University Asia Center, 2008), and The Great Wall: A Cultural History (Harvard University Press, 2010), and is completing a book manuscript “The Sick Man of Asia: Diagnosing the Chinese Body Politic” (under advance contract with Harvard University Press), which looks at Chinese discourses of corporeality and infection over the long twentieth century. He the co-editor, with David Der-wei Wang, of Writing Taiwan: A New Literary History (Duke University Press, 2007), and, with Eileen Cheng-yin Chow, of both Rethinking Chinese Popular Culture: Cannibalizations of the Canon (Routledge: 2009) and the forthcoming the Oxford Handbook of Chinese Cinemas (Oxford University Press, 2013). He is also the guest editor of a special issue on “Discourses of Disease,” of Modern Chinese Literature and Culture (Spring, 2011). Finally, he is the co-translator, again with Eileen Chow, of Yu Hua’s two-volume novel, Brothers (Pantheon, 2009) (the translation was short-listed for the Man Asia Prize), and is the translator of Yan Lianke’s novel Shouhuo: The Livening of Lenin (Grove/Atlantic Press, 2012). He teaches on a variety of topics ranging from prostitutes and vampires to cities, migration, and disease.
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