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Books
- Hong, G-J, Taiwan Cinema: A Contested Nation on Screen
(March, 2011), Palgrave Macmillan .
- Hong, GJ, Taiwan cinema: A contested nation on screen, paperback edition with expanded afterword
(January, 2011),
pp. 1-229, Palgrave Macmillan US [doi] [abs].
Papers Published
- G. Hong, Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentaries,
positions: asia critique, vol. 21 no. 3
(Summer, 2013),
pp. 683-701 .
- Hong, GJ, Voices and their discursive Dis/Content in Taiwan documentary,
Frontiers of Literary Studies in China, vol. 7 no. 2
(January, 2013),
pp. 183-193 [doi] [abs].
- Hong, G, Voice and Its Dis/Content in New Taiwan Documentary,
Frontiers of Literary Studies in China
(2012) .
- Hong, G, Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries,
positions: east asia cultures critique
(2012) .
- Hong, G, Historiography of Absence: Taiwan Cinema before New Cinema 1982,
Journal of Chinese Cinemas, vol. 4 no. 1
(2010),
pp. 5-14 .
- Hong, G-J, From the Masses to the Masses,
VIsual Anthropology, vol. 22 no. 1
(2009),
pp. 75-76 .
- Hong, G-J, Limits of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries,
positions: east asia cultures critique
(2009) .
- Guo Juin Hong, , Meet Me in Shanghai: Melodrama and the Cinematic Production of Space in 1930s Shanghai Leftist Films,
Journal of Chinese Cinemas, vol. 3 no. 3
(2009),
pp. 215-230 .
- G. Hong, Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, edited by Tani Barlow,
positions: east asia cultures critique, vol. 15 no. 3
(2007),
pp. 553-580, Duke University Press .
- Hong, G, Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s Shanghai,
Cinema Journal
(2006) .
- Hong, G, Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary,
postions: east asia cultural critique
(2006) .
- Hong, G, Framing Time: _New Women_ and the Cinematic Representation of Colonial Modernity in 1930s Shanghai,
positions: east asia cultural critique
(2005) .
- Hong, G, Toying with History: Toys and Film Consumption/Criticism/ History,
Chungwai Wenxue (Chung Wai Literary Monthly)
(September, 2002), Graduate Institute of Foreign Languages, National Taiwan University, Taipei, Taiwan .
- Hong, G, Strategies of Defiance: Towards a Thesis on Anti-Realist Documentary,
Film Appreciation Journal no. 111
(Spring, 2002), National Film Archive, Taipei, Taiwian .
Papers Accepted
- G. Hong, Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in 1930s Shanghai,
Journal of Chinese Cinemas
(2008) .
Edited Volumes
- Hong, GJ, Our neighbors (1963): Historiography of home and emerging realism in post-1949 Taiwan,
in Thirty-two New Takes on Taiwan Cinema
(December, 2022),
pp. 22-35 .
- Hong, G, Theatrics of Cruising: Bath Houses and Movie Houses in Tsia Ming-Linag’s Films,
in Queer Sinophone Cultures, edited by Chiang, H; Heinrich, AL
(2013), Routledge .
- Hong, G, Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films,
in Sinophone Queer Reader
(2012) .
- Hong, G, Healthy Realism in Taiwan, 1964-1980: Film Styles, Cultural Policies, and Mandarin Cinema,
in The Chinese Cinema Book, edited by Lim, SH; Ward, J
(2011), British Film Institute .
- Hong, G, Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang’s Films,
in Sinophone Queer Cinema
(2011) .
- Hong, G-J, Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema,
in Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures, edited by Khoo, O; Metzger, S
(2009),
pp. 57-72, Intellect, the University of Chicago Press .
- Hong, G, Island of No Return: Cinematic Retrospection in Wang’s Taiwan Trilogy,
in Techologies of Temporality in Chinese Cinema
(2006) .
Other
- with Hong, G, The Chinese Film Theory
(2011), University of Amsterdam Press .
- Simmons, C, Salt Water
(August, 2002), Locus Publishing Company, Taipei, Taiwan (G. Hong, translator.) .
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