Anthony M Kelley, Associate Professor of the Practice of Music and Arts of the Moving Image

Anthony M Kelley
Contact Info:
Office Location:  078 Biddle Music Building
Office Phone:  (919) 660-3328
Email Address:   send me a message
Web Page:   http://www.duke.edu/~antk/ant_music_folder/ant_music_guide.htm

Teaching (Fall 2009):

  • THEATRST 183B.01, MUSICAL THEATER: CREATION Synopsis
    East Duke 209, TuTh 02:50 PM-04:05 PM
Teaching (Spring 2010):

  • MUSIC 70.01, MUSIC, SOUND, AND STYLE Synopsis
    Biddle 101, TuTh 02:50 PM-04:05 PM
  • MUSIC 114.001, THEOR/PRAC TONAL MUS II Synopsis
    Biddle 104, WF 11:40 AM-12:55 PM
  • MUSIC 114.01L, THEOR/PRAC TONAL MUS II Synopsis
    Biddle 104, TuTh 11:40 AM-12:55 PM
Education:

PhDUniversity of California, Berkeley2001
Specialties:

Composition
Music Theory
Research Interests: Post-19th Century Composition, African-American Music Making, Performance, New Blues, and Improvisation

Current projects: Incidental Music for Wedekind's SPRING AWAKENING [stage play];, Documentary on THE ALFALFA CLUB

B.A. and A.M., Duke University, 1991. Ph.D., UC Berkeley. Anthony Kelley joined the Duke University music faculty in 2000 after serving as Composer-in-Residence with the Richmond Symphony for three years under a grant from Meet the Composer. He received his B.A. and A.M. from Duke University in 1991. In 1999, Richmond Symphony premiered his piano concerto, "Africamerica," with soloist Donal Fox. In 1998, The American Composers Orchestra gave the premier performance of a commissioned work, "The Breaks," under the direction of Gerard Schwartz. The Baltimore, Detroit, Atlanta, North Carolina, Oakland East Bay, Marin (CA) and San Antonio symphony orchestras have also performed Kelley’s music. Among his awards and honors are the Charles Ives Scholarship from the American Institute and Academy of Arts and Letters, and composition fellowships from the North Carolina Arts Council, the Virginia Commission for the Arts and the Mid-Atlantic Arts Foundation. His recent work, such as his soundtracks to the H. Lee Waters/Tom Whiteside film "Conjuring Bearden" [2006] and Dante James's film, "The Doll" [2007], explores music as linked with other media, arts, and sociological phenomena. He is a performer in and co-director of the improvisational Postmodern New-Blues musical collective called the BLAK Ensemble.

Areas of Interest:

African-American music making
New Blues
Improvisation
Documentary Film
Multimedia

Recent Publications   (search)

  1. A.M. Kelley, Incidental Music to the stage production, SPRING AWAKENING (Spring, 2008)  [abs].
  2. A.M. Kelley, Soundtrack to "The Doll" (October 18, 2007), Myrmecoid Music [watch]  [abs].
  3. Anthony M. Kelley, Coleridge-Taylor Perkinson: Composer with colossal imagination, The News and Observer (February 11, 2007) [html]  [abs].
  4. A.M. Kelley, Conjure Bearden [Musical Suite for Film] (Spring, 2006), Myrmecoid Music [mov]  [abs].
  5. A.M. Kelley, Point of Reference (2003), Myrmecoid Music  [abs].