Guo-Juin Hong, Related Faculty of Arts of the Moving Image and Andrew W. Mellon Assistant Professor of Chinese Literature and Culture
http://fds.duke.edu/db/aas/AALL/faculty/gjhong
| Office Location: | On sabbatical |
| Office Phone: | (919) 660-4396 |
| Email Address: |   |
| Web Page: |
Teaching (Fall 2009):
- AMES 49S.01, FIRST-YEAR SEMINAR (TOP)
Synopsis
- Trent 223B, Th 04:25 PM-06:55 PM; Trent 038B, W 07:15 PM-10:15 PM
- AMES 179.01, MELODRAMA EAST AND WEST
Synopsis
- East Duke 204B, M 07:15 PM-10:15 PM; East Duke 204B, Tu 04:25 PM-06:55 PM
- AMES 279.01, MELODRAMA EAST AND WEST
Synopsis
- Languages 208, M 07:15 PM-10:15 PM; East Duke 204B, Tu 04:25 PM-06:55 PM
- AMES 177.01, COLONIAL CINEMA
Synopsis
- Trent 040, W 02:50 PM-05:20 PM; Carr 240, M 07:15 PM-09:30 PM
- AMES 188.01, MODERN CHINESE CINEMA
Synopsis
- East Duke 204B, Th 04:25 PM-06:55 PM
- AMES 188.01D, MODERN CHINESE CINEMA
Synopsis
- White 107, Tu 07:15 PM-09:30 PM
- AMES 288.01, MODERN CHINESE CINEMA
- East Duke 204B, Th 04:25 PM-06:55 PM; White 107, Tu 07:15 PM-09:30 PM
- Education:
Ph.D. in Rhetoric with a designated emphasis in Film Studies University of California, Berkeley 2004 M.A. in Cinema Studies San Francisco State University 1995 B.A. in English Fu Jen Catholic University, Taipei, Taiwan 1991
- Specialties:
- Chinese
- Research Interests:
Film historiography, film theory, postcolonial theory and theories of culture and globalization; film and other media of Taiwan, Hong Kong and China
- Recent Publications
(More Publications)
- G. Hong, Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in 1930s Shanghai, Journal of Chinese Cinemas (Accepted, 2008) .
- G. Hong, Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, edited by Tani Barlow, positions: east asia cultures critique, vol. 15 no. 3 (2007), pp. 553-580, Duke University Press .
- G. Hong, Limites of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, positions: east asia cultures critique (Accepted, 2007) .
- G. Hong, Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary, postions: east asia cultural critique (Submitted, 2006, under review) .
- G. Hong, Island of No Return: Cinematic Retrospection in Wang's Taiwan Trilogy, in Techologies of Temporality in Chinese Cinema (Accepted, 2006, book volume under review) .