Guo-Juin Hong, Related Faculty of Arts of the Moving Image and Andrew W. Mellon Assistant Professor of Chinese Literature and Culture

Guo-Juin Hong

http://fds.duke.edu/db/aas/AALL/faculty/gjhong

Contact Info:
Office Location:  On sabbatical
Office Phone:  (919) 660-4396
Email Address:   send me a message
Web Page:  

Teaching (Fall 2009):

  • AMES 49S.01, FIRST-YEAR SEMINAR (TOP) Synopsis
    Trent 223B, Th 04:25 PM-06:55 PM; Trent 038B, W 07:15 PM-10:15 PM
  • AMES 179.01, MELODRAMA EAST AND WEST Synopsis
    East Duke 204B, M 07:15 PM-10:15 PM; East Duke 204B, Tu 04:25 PM-06:55 PM
  • AMES 279.01, MELODRAMA EAST AND WEST Synopsis
    Languages 208, M 07:15 PM-10:15 PM; East Duke 204B, Tu 04:25 PM-06:55 PM
Teaching (Spring 2010):

  • AMES 177.01, COLONIAL CINEMA Synopsis
    Trent 040, W 02:50 PM-05:20 PM; Carr 240, M 07:15 PM-09:30 PM
  • AMES 188.01, MODERN CHINESE CINEMA Synopsis
    East Duke 204B, Th 04:25 PM-06:55 PM
  • AMES 188.01D, MODERN CHINESE CINEMA Synopsis
    White 107, Tu 07:15 PM-09:30 PM
  • AMES 288.01, MODERN CHINESE CINEMA
    East Duke 204B, Th 04:25 PM-06:55 PM; White 107, Tu 07:15 PM-09:30 PM
Education:

Ph.D. in Rhetoric with a designated emphasis in Film StudiesUniversity of California, Berkeley2004
M.A. in Cinema StudiesSan Francisco State University1995
B.A. in EnglishFu Jen Catholic University, Taipei, Taiwan1991
Specialties:

Chinese
Research Interests:

Film historiography, film theory, postcolonial theory and theories of culture and globalization; film and other media of Taiwan, Hong Kong and China

Recent Publications   (More Publications)

  1. G. Hong, Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in 1930s Shanghai, Journal of Chinese Cinemas (Accepted, 2008) .
  2. G. Hong, Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, edited by Tani Barlow, positions: east asia cultures critique, vol. 15 no. 3 (2007), pp. 553-580, Duke University Press .
  3. G. Hong, Limites of Visibility: Taiwan’s Tongzhi Movement in Mickey Chen’s Documentaries, positions: east asia cultures critique (Accepted, 2007) .
  4. G. Hong, Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary, postions: east asia cultural critique (Submitted, 2006, under review) .
  5. G. Hong, Island of No Return: Cinematic Retrospection in Wang's Taiwan Trilogy, in Techologies of Temporality in Chinese Cinema (Accepted, 2006, book volume under review) .