Publications of Guo-Juin Hong    :chronological  combined  bibtex listing:

Books

  1. Guo-Juin Hong, Taiwan Cinema: A Contested Nation on Screen (March, 2011), Palgrave Macmillan

Papers Published

  1. G. Hong, Historiography of Absence: Taiwan Cinema before New Cinema 1982, Journal of Chinese Cinemas, vol. 4 no. 1 (2010), pp. 5-14
  2. Guo-Juin Hong, Meet Me in Shanghai: Melodrama and the Cinematic Production of Space in 1930s Shanghai Leftist Films, Journal of Chinese Cinemas, vol. 3 no. 3 (2009), pp. 215-230
  3. G. Hong, Framing Time: New Women and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, edited by Tani Barlow, positions: east asia cultures critique, vol. 15 no. 3 (2007), pp. 553-580, Duke University Press, ISSN 1067-9847
  4. G. Hong, Toying with History: Toys and Film Consumption/Criticism/ History, Chungwai Wenxue (Chung Wai Literary Monthly) (September 2002), Graduate Institute of Foreign Languages, National Taiwan University, Taipei, Taiwan
  5. G. Hong, Strategies of Defiance: Towards a Thesis on Anti-Realist Documentary, Film Appreciation Journal no. 111 (April - June 2002), National Film Archive, Taipei, Taiwian

Papers Accepted

  1. Guo-Juin Hong, Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentaries, positions: east asia cultures critique (2009)
  2. G. Hong, Meet Me in Shanghai: Urban Melodrama as Refugee Cinema in 1930s Shanghai, Journal of Chinese Cinemas (2008)
  3. G. Hong, Island of No Return: Cinematic Retrospection in Wang's Taiwan Trilogy, in Techologies of Temporality in Chinese Cinema (2006, book volume under review)
  4. G. Hong, Framing Time: _New Women_ and the Cinematic Representation of Colonial Modernity in 1930s Shanghai, positions: east asia cultural critique (forthcoming, Nov. 2007)

Papers Submitted

  1. G. Hong, Memorandum on Happiness or the Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentary, postions: east asia cultural critique (2006, under review)
  2. G. Hong, Meet Me in Shanghai: Urban Cinema as Refugee Cinema in 1930s Shanghai, Cinema Journal (2006, under review)

Edited Volumes

  1. G. Hong, Healthy Realism in Taiwan, 1964-1980: Film Styles, Cultural Policies, and Mandarin Cinema, in The Chinese Cinema Book, edited by Song Hwee Lim and Julian Ward (2011), British Film Institute
  2. G. Hong, Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang's Films, in Sinophone Queer Cinema (Submitted for Contract)
  3. with G. Hong, The Chinese Film Theory (Contract Pending), University of Amsterdam Press
  4. Guo-Juin Hong, Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema, in Futures of Chinese Cinema: Technologies and Temporalities in Chinese Screen Cultures, edited by Olivia Khoo and Sean Metzger (2009), pp. 57-72, Intellect, the University of Chicago Press, Chicago

Other

  1. Charles Simmons, Salt Water (August 2002), Locus Publishing Company, Taipei, Taiwan (G. Hong, translator.)

Film Reviews

  1. Guo-Juin Hong, From the Masses to the Masses, VIsual Anthropology, vol. 22 no. 1 (2009), pp. 75-76