Publications of Louise Meintjes    :chronological  combined  bibtex listing:

Books

1. L. Meintjes. Dust of the Zulu: Ngoma Song, Dance and Masculinity in the Post Apartheid Struggle. in progress.
2. L. Meintjes. Sound of Africa!: Making Music Zulu in a South African Studio. Duke University Press, January, 2003.

Published Articles

1. Samuels, D; L. Meintjes, A Ochoa, T Porcello. "Soundscapes: Toward a Sounded Anthropology." Annual Review of Anthropology  vol. 39 no. 329-345 ( 2010.).
2. Porcello, Thomas, Louise Meintjes, Ana Maria Ochoa, and David Samuels. "The Reorganization of the Sensory World." Annual Review of Anthropology  vol. 39 ( 2010.): 51-66.
3. T. Porcello, L. Meintjes, A-M Ochoa, D Samuels. "The Reorganization of the Sensory World." Annual Review of Anthropology  (2010.).
4. D Samuels, L. Meintjes, A-M Ochoa, T. Porcello. "Soundscapes: Towards a Sounded Anthropology." Annual Review of Anthropology  (2010.).
5. L. Meintjes. "O sentimento da política: produzindo ‘zuluidade’ em um estúdio de gravação sul-africano. [The Feeling of Politics: Producing Zuluness in a South African Studio.]." Debates  vol. 8 ( 2005.): 78-92. (Translated by Cláudia Souza Nunes Azevedo.)
6. L. Meintjes. "Shoot the Sergeant, Shatter the Mountain: The production of masculinity in Zulu Ngoma Song and Dance in post Apartheid South Africa." Ethnomusicology Forum  vol. 13 no. 2 (2004.): 173-201. (Also appears as ”Maten al soldado: música y negociación de conflicto en Sudáfrica” translated by Ana Maria Ochoa Gautier in Revista Transcultural de Música/Transcultural Music Review 10 (2006).)
7. L. Meintjes. ""Heritage and Politics: An Ethnomusicological Perspective on Nation Building and Construction of the Past"."   (May, 2003.). (Unpublished position paper prepared for the Wenner-Gren Foundation for Anthropological Research)
8. L. Meintjes. "Entries on DownTown Studios and EMI(South Africa)." Encyclopedia of Popular Music of the World, Volume One: Media, Culture and the Industry. Edited by Shepherd and Laing.  ( 2002.).
9. L. Meintjes. ""Hugh Masekela", and "Abdullah Ibrahim"." The New Groves Dictionary of Music and Musicians  ( 2001.).
10. L. Meintjes. ""John Lindemann" and "West Nkosi"." The Rough Guide to World Music. Edited by Broughton, Ellingham et al.. 1st edition (1994.).
11. L. Meintjes. ""Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning"." Ethnomusicology  vol. 34 no. 1 (Winter 1990.): 37-73. (Reprinted in Popular Music: Critical Concepts in Media and Cultural Studies, Simon Frith (ed), London: Routledge, (2004). Translated for reprint in Korean Journal of Musicology (forthcoming).)

Articles in Books

Book Reviews

1. L. Meintjes. "The World of South African Music: A Reader edited by C. Lucia (Newcastle, Cambridge Scholars Press, 2005)." Journal of Southern African Studies  vol. 34 no. 1 ( 2008.): 234-236.
2. L. Meintjes. "Representing African Music: Postcolonial Notes, Queries, Positions by Kofi Agawu (Routledge, 2003)." Journal of the American Musicological Society  vol. 59 no. 3 ( 2007.): 769-777.
3. L. Meintjes. "In the Time of Cannibals:The word music of South Africa’s Basotho migrants by David Copland (U Chicago Press, 1994)." American Ethnologist  vol. 23 no. 3 (August, 1996.): 648.
4. L. Meintjes. "Marabi Nights: Early South African Jazz and Vaudeville by C. Ballantine (Ravan Press, 1993)." Popular Music  vol. 15 no. 2 (1996.): 245-247.
5. L. Meintjes. "African Stars: Studies in Black South African Performance by V. Erlmann (U Chicago Press, 1991)." Popular Music  vol. 11 no. 3 (1992.): 378-380.

Other

1. L. Meintjes. ""Oswenka: Zulu swankers' dress competition"."   (March, 2004.). (a collaborative sound-sight exhibition with TJ Lemon (photography), John Bower (soundscape compilation), and Louise Meintjes (field recording and collaboration co-ordinator). Exhibited at the John Hope Franklin Center for International and Interdisciplinary Studies, Duke University)