Sarcophagus fragment
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Fragment of a marble Sarcophagus
ca. 230-240 ACE
Duke Museum of Art
 
 
 
 
 
 
 
 
 
 
 
 

Papers Published

  1. Lieber, LS. "With One Voice: Elements of Acclamation in Early Jewish Liturgical Poetry." Harvard Theological Review  vol. 111 no. 3, Cambridge University Press (CUP)  401-424. [doi]

    Abstract:
    © 2018 President and Fellows of Harvard College. In this essay, the Rosh Hashanah Shofar service poems by the Jewish poet Yose ben Yose (fourth or fifth century CE, Land of Israel) are read through the lens of the Late Antique practice of acclamation. Yose's surviving body of works is limited, but he was influential within the Jewish tradition, and his poems have long been noted for their use of formal features such as fixed-word repetitions and refrains - features which align not only with poetic norms from the biblical period to Late Antiquity but also with the practice of acclamation. Jews attended (and performed in) the theater and games; they were familiar with rhetorical and oratorical training and related literary norms; and they were integrated socially, commercially, and politically into diverse and varied communities. The affinity of Jewish liturgical poetry from antiquity for other forms of poetic composition reflects Jews' general embeddedness in Late Ancient culture. Reading Yose's poetry as shaped by the conventions of acclamation highlights how Yose and his congregants were not only distinctly Jewish but also thoroughly Roman.