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Thomas J. FerraroThomas J. Ferraro  
Frances Hill Fox Professor

Office Location: 323 Allen Bldg, Durham, NC 27708
Email Address: ferraro@duke.edu

Teaching (Fall, 2015):

  • English 184s.04, Readings in genre Synopsis
    Allen 317, TuTh 01:25 PM-02:40 PM
  • English 371s.02, Studies in amer lit, wwi-wwii Synopsis
    Allen 318, TuTh 10:05 AM-11:20 AM

Office Hours:

M, 3-5 pm
W, 3-5 pm
Th, 3-4 pm
and by appt.


Ph.D., Yale University

M. Phil., Yale University (with distinction)

M.A., Yale University

B.A., Amherst College

American Literature
Modern to Contemporary
Professor Ferraro is an aficionado of the great American stuff--Emily Dickinson, Edward Hopper, the Marx Brothers, and Nina Simone--who writes on literature, film, and the performing arts. He is the author of Ethnic Passages: Literary Immigrants in 20th-Century America (U Chicago, 1993), the editor of Catholic Lives, Contemporary America (Duke, 1997), and a contributor to The Columbia History of the American Novel, Scribner's Encyclopedia of American Cultural and Intellectual History, and The Oxford Encyclopedia of American Literature .  Of his essays: "Lorenzo's Chrism," concerns the sacred import of (the battle against) a very rare but fatal disease--adrenoleukodystrophy--given its genetic etiology, mysterious biochemistry, and metabolic havoc; "Of 'Lascivious Mysticism' and other Hibernian Matters" looks at the Protestant temptation to fin-de-siecle Catholic decadence in Harold Frederic.  And a recent essay, "Boys to Men," examines the street Catholicism of Irish-American charisma, including the untoward and unsuspected sexual chemistries, in the 1938 Cagney gangster flick, Angels with Dirty Faces.
    Prof. Ferraro's new book, Feeling Italian: the Art of Ethnicity in America (NYU, 2005), explores the Italian aesthetic seduction of the United States--from the sensational trials of murderess Maria Barbella and the eerily prescient city paintings of Joseph Stella to latter-day icons including Sinatra, Madonna, and the Corleones--yielding not the familiar tale of racial assimilation, How the Guineas Got White, but a revelatory counter-drama of ongoing ethnic enculturation, How America Gets (To Feel) Italian.  Feeling Italian is a winner of a 2006 American Book Award from the Before Columbus Foundation, for making "an outstanding contribution to American literature."

Curriculum Vitae
Representative Publications   (More Publications)

  1.  Feeling Italian: the Art of Ethnicity in America. New York UP, May, 2005. (Winner, 2006 American Book Award. Choice, Recommended Book.)  [abs]
  2.  Ethnic Passages: Literary Immigrants in Twentieth-Century America. U of Chicago P, 1993. (Chapter I, "Blood in the Marketplace," was originally invited for Werner Sollors, ed., The Invention of Ethnicity [Oxford UP, 1986], and has been reprinted in reference works on Twentieth-Century Literary Criticism. The introduction is to be similarly reprinted in August 2008.)
  3.  Catholic Lives, Contemporary America.  Duke UP, 1997.  [abs]
  4. "Boys to Men (Salvific Masculinity in /Angels with Dirty Faces/)." Catholics in the Movies. Ed. Colleen McDannell. Oxford University Press, 2008. 59-82.  [abs] [author's comments]
  5. "'At Long Last Love'; or, Literary History in the Key of Difference." ALH [American Literary History] 15.1 (2003): 78-86.
  6. "Lorenzo's Chrism." SAQ 103.1 (Winter, 2004): 235-63.
  7. "Of 'Lascivious Mysticism' and Other Hibernian Matters." U.S. Catholic Historian 23.3 (Summer, 2005): 1-17.
  8. "Whole Families Shopping at Night!." New Essays on White Noise. Ed. Frank Lentricchia. Cambridge UP, 1991.  15-38  [author's comments]

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