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Publications of John M. Clum    :chronological  alphabetical  combined  bibtex listing:

Books

  1. Clum, JM. Terrence McNally and Fifty Years of American Gay Drama. Cambria Press, June, 2016. 238 pages pp.
  2. John M. Clum (Editor). GAY DRAMA NOW: AN ANTHOLOGY. Cambria Press, 2013.
  3. J.M. Clum:. THE DRAMA OF MARRIAGE: GAY PLAYWRIGHTS/STRAIGHT UNIONS IN BRITISH AND AMERICAN DRAMA SINCE OSCAR WILDE. Palgrave Macmillan, 2012.
  4.  He's All Man: Learning Masculinity, Gayness, and Love from American Plays and Movies. Palgrave - St.Martin's Press, 2002.
  5. Editor and contributor. Asking and Telling: A Collection of Gay Drama for the 21st Century. New York: Stage and Screen, 2001. (Forthcoming reissue from Applause Theatre Books)
  6.  Something for the Boys: Musical Theatre and Gay Culture. New York and London: Palgrave, 2001. (Revised paperback edition)
  7.  Still Acting Gay. New York: St. Martin's Press, 2000. (Revision and expansion of Acting Gay: Male Homosexuality in Modern Drama. One hundred new pages)
  8.  Something for the Boys: Musical Theater and Gay Culture. New York: St. Martins Press, 1999.
  9.  Staging Gay Lives: An Anthology of Contemporary Gay Male Drama. Westview - Harper Collins, 1996.
  10.  Acting Gay: Male Homosexuality in Modern Drama. Columbia University Press, 1992. (Revised and expanded in 1994 with 60 pages of new material.)
  11.  Paddy Chayefsky. G.K. Hall, 1976.
  12.  Ridgeley Torrence. Twayne, 1972.

Essays/Articles/Chapters in Books

  1. J.M. Clum. "Gay Drama." Encyclopedia of Contemporary GLBTQ Literature of the United States. Ed. Emmanuel S. Nelson. 1Greenwood, 2009. 186-88.
  2. J.M. Clum. "Contemporary Gay Drama." LGBTQ AMERICA TODAY. Ed. JOHN C. HAWLEY. Greenwood, 2009. 894-899.
  3. J.M. Clum. "Batting for the Other Team: Athletics and Homophobia." Performing Difference: Representations of the Other in Theater and Film. Ed. Jonathan C. Friedman. University Press of America, 2009. 172-185.
  4. J.M. Clum. "The Sacrificial Stud and the Fugitive Female in Suddenly Last Summer, Orpheus Descending and Sweet Bird of Youth." Bloom's Studies in Literature - Tennessee Williams. Ed. Harold Bloom. Chelsea House, 2008.  Reprint of essay in Cambridge Companion to Tennessee Williams
  5. J.M. Clum. "Acting in Musical Theater: History and Theory." KEYWORDS IN MUSICAL THEATER. Ed. Stacy Wolf and Raymond Knapp. Oxford University Press, 2008.  in press
  6. J.M. Clum. ""Period of Adjustment": Marriage in Tennessee Williams and Christopher Durang." The Influence of Tennessee Williams: Essays on Fifteen American Playwrights. Ed. Philip C. Kolin. McFarland, 2008. 162-174.
  7. J.M. Clum. "Withered Age and Stale Custom: Marriage, Diminution and Sex in TINY ALICE, A DELICATE BALANCE and FINDING THE SUN." Cambridge Companion to Edward Albee. Ed. Stephen J. Bottoms. Cambridge, 2004. 
  8. "Major entry on sex and gender in Tennessee William's work." Tennessee Williams Encyclopedia. Ed. Philip C. Kolin. Greenwood Press, 2004. 72-78.
  9. J.M. Clum. "Musical Theater." Queer Encyclopedia of Music, Dance and Musical Theater. Ed. Claude J. Summers. Cleiss Press, 2004.
  10. "Entries on Edward Albee, Noel Coward, William Inge, Charles Ludlam, Terrence McNally, and Tennessee Williams." The Encylopedia of Homosexuality. Second EditionGarland, 2003. 
  11. "Essay entry on Musical Theater." glbtq, An Online Encyclopedia for Gay, Lesbian, Bisexual, Transgendered and Queer Culture.  2003. 
  12. "The Classic Western and Shepard's Family Sagas." The Cambridge Companion to Sam Shepard. Ed. Matthew Roudane. Cambridge University Press, 2002. 171-188.
  13. "British Gay/Queer and Lesbian Studies. Criticisim and Theory." Edinburgh Encyclopedia of Modern Criticism and Theory. Edinburgh University Press, 2002. 792-798.
  14. "42nd Street, a Disco, and a Raincoat Factory: Contexts for a Postmodern American Theatre." Space and the Postmodern Stage. Ed. Irene Eynat Confino and Eva Sormova. Prague: Theatre Institute, 2000. 117-126.
  15. "The Sacrifical Stud and the Fugitive Female in Suddenly Last Summer, Orpheus Descending, and Sweet Bird of Youth." The Cambridge Companion to Tennessee Williams. Ed. Matthew C. Roudane. Cambridge University Press, 1998. 128-146.
  16. "Kramer vs. Kramer: Ben and Alexander: Larry Kramer's Voices and His Audience." We Must All Love One Another or Die: The Life and Legacy of Larry Kramer. Ed. Lawrence D. Mass. London: Cassell and New York: St. Martins, 1997. 200-214.
  17. "Where We Are Now: Love! Valour! Compassion! and Contemporary Gay Drama." Terrence McNally: A Casebook. Ed. Tony Silverman Zinman. Garland, 1997. 141-160.
  18. "From Summer and Smoke to Eccentricities of a Nightingale: The Evolution of the Queer Alma." Modern Drama XXIX.1 (Spring 1996): 31-50.
  19. "Entries on Modern Drama (5,000 words), Contemporary Drama (4,000 words), Tennessee Williams (2,500 words), Edward Albee (2,000 words), and Robert Patrick (500 words)." The Lesbian and Gay Literary Heritage. Ed. Claude J. Summers. New York: Henry Holt, 1995.
  20. "Opera Without Queens: Queens Without Opera." Performing Arts Journal 47 (May 1994): 107-116.
  21. "'Myself of Course': J.R. Ackerly and Self-Dramatization." Theatre  (Summer 1993): 76-87.
  22. "'And Once I Had It All': AIDS Narratives and Memories on an American Dream." Writing AIDS. Ed. Timothy Murphy and Suzanne Poirier. Columbia, 1993. 200-224.
  23. "'Being Took Queer': Homosexuality in Simon Gray's Plays." Simon Gray: A Casebook. Katherine BurkmanNew York: Garland Press, 1992. 61-84.
  24. "Hidden Laughter and Middle-Aged Complacency." Simon Gray:A Casebook. Ed. Katherine Burkman. New York: Garland Press, 1992. 167-182.
  25. "'The Time Before the War':AIDS, Memory and Desire." American Literature 62 (1990): 648-667.
  26. "Eliot, 'Epipsychidion', and the Post-Modern Wasteland: Allusion in Simon Gray's Butley and Peter Gill's Mean Tears." Text and Performance: Papers in Comparative Drama. Ed. Karelisa Hartigan. Lanham, MD: University Presses of America, 1989. 21-34.
  27. "'Something Cloudy, Something Clear': Homophobic Discourse in Tennessee Williams." South Atlantic Quarterly  (Winter, 1989): 161-180.  Rpt. in Displacing Homophobia: Gay Male Perspectives in Literature and Culture. Durham, NC: Duke University Press (1989): 149-168. Also reprinted in CRITICAL INSIGHTS: TENNESSEE WILLIAMS, ed. Brenda Murphy. Pasadena, CA: Salem Press, 2011. pp. 226-245.
  28. "'A Culture That Isn't Just Sexual': Dramatizing Gay History." Theater Journal 41 (May 1989): 169-189.
  29. "'The Work of a Culture': Cloud 9 and Sex/Gender Theory." Caryl Churchill: A Casebook New York: Garland Press, (1989): 91-116.
  30. "Entries in BFI Companion to the Western."  London: Andre Deutsch,
  31. "Religion and Five Contemporary Plays: The Quest for God in a Godless World." South Atlantic Quarterly 77 (Autumn 1978): 418-432.
  32. "Ridgely Torrence's Negro Plays: a Noble Beginning." South Atlantic Quarterly 68 (Winter 1969): 96-108.
  33. "Entry on Paddy Chayefsky." American National Biography. New York: Oxford University Press, 1950. 

Book Reviews

  1. J.M. Clum. FINISHING THE HAT by Stephen Sondheim.  Contemporary Theatre Review (2011). (In press)
  2. J.M. Clum. Oscar Andrew Hammerstein, THE HAMMERSTEINS.  Studies in Musical Theatre (2011). (In press)
  3. J.M. Clum. Rakesh H. Solomon, ALBEE IN PERFORMANCE.  JOURNAL OF DRAMATIC THEORY AND CRITICISM (2010).  [author's comments]
  4. J.M. Clum. Carl Lavery, THE POLITICS OF JEAN GENET'S LATE THEATRE: SPACES OF REVOLUTION.  CONTMEPORARY THEATRE REVIEW (2010).  [abs]
  5. J.M. Clum. David Savran, HIGHBROW/LOWDOWN: THEATER, JAZZ, AND THE MAKING OF THE NEW MIDDLE CLASS.  STUDIES IN MUSICAL THEATER (2010).  [author's comments]
  6. J.M. Clum. Essay Review of Geoffrey Block, ENCHANTED EVENINGS: THE BROADWAY MUSICAL FROM SHOW BOAT TO SONDHEIM AND LLOYD WEBBER; Dan Dietz, OFF-BROADWAY MUSICALS, 1910-2007: CASTS, CREDITS, SONGS CRITICAL RECEPTION AND PERFORMANCE DATA OF MORE THAN 1800 SHOES; Sheldon Patinkin, 2NO LEGS, NO JOKES, NO CHANCE": A HISTORY OF THE AMERICAN MUSICAL THEATER; Steve Suskin, SHOW TUNES: THE SONGS, SHOWS AND CAREERS OF BROADWAY'S MAJOR COMPOSERS.  Theatre Journal (2010).  [author's comments]
  7. Ronald L. Davis. Mary Martin: Broadway Legend.  Great Plains Quarterly 29.2 (Spring, 2009): 164-5. (in press)
  8. Scott McMillin. The Musical as Drama.  Modern Drama L.2 (Summer, 2007): 297-8.
  9. James Fisher, ed.. Tony Kushner: New Essays on the Art and Politics of His Plays. ed. Stratos E. Constantinidis. Text and Presentation 2006.3 (2006): 223-5.
  10. Book Review. A Problem Like Maria by Stacy Wolf.  Modern Drama (Spring, 2005).
  11. Nicholas Pagan. Rethinking Literary Biography: A Postmodern Approach to Tennessee Williams.  Southern Humanities Review (2004).
  12. Susan Harris Smith. American Drama: The Bastard Art.  American Literature (1997): 867-68.
  13. Bernard F. Dick. The Star-Spangled Screen: The American World War II Film.  South Atlantic Quarterly (Fall 1986).
  14. Ruby Cohn. Anglo-American Interplay in Modern Drama.  Modern Drama. XXXIX1996
  15. Samuel L. Leiter. From Stanislavski to Barrault: Representative Directors of the European Stage.  Modern Drama XXXVIII (1995): 279-80.
  16. Amelia Howe-Kritzer. The Plays of Caryl Churchill.  Modern Drama XXXVIII (Spring 1995): 131-32.
  17. Don B. Wilmeth and Tice Miller, Eds.. Cambridge Guide to American Theatre.  American Literature (June 1994): 412-413.
  18. Nicholas de Jongh. Not in Front of the Audience: Homosexuality on Stage.  LGSN (Summer 1993).
  19. Steven Petrow. Dancing Against the Darkness.  Duke.47 (February-March 1991).
  20. Mary Lou Kohfeldt. Lady Gregory: The Woman Behind the Irish Renaisssance.  Duke Magazine LXXI.56 (July/August 1986).
  21. Robert K. Martin. The Homosexual Tradition in American Poetry.  American Literature LII (May 1980).
  22. Gary Schimidgall. Literature as Opera.  South Atlantic Quarterly LXXVII (Summer 1978): 380-82.
  23. Martin Gottfried. A Theater Divided: The Postwar American Stage.  American Literature XL (May 1968): 269-270.
  24. Malcolm Goldstein. The Political Stage: American Drama and Theater of the Great Depression.  American Literature XLVII (March 1965): 132-33.

Other

  1. J.M. Clum. "Slow Dancing with Johnny Mathis: Hearing and Queering the 50s." (2005).  [author's comments]
  2. J.M. Clum. "Monks: A Play." (2005).
  3. J.M. Clum. "Almost Lost: A Play." (2005).
  4. J.M. Clum. "Politics: A Play." (2005).
  5. "Dancing in the Mirror." Asking and Telling (2001).
  6. "Skipper's Ghost." DIALOGUS Play Service and Publishing. (1998).
  7. "Escaping Kansas." DIALOGUS Play Service and Publishing. (1995).
  8. "Mr. Scudder Finds His Muse." DIALOGUS Play Service and Publishing. (1995).
  9. "Partings." DIALOGUS Play Service and Publishing. (1995).
  10. "Randy's House." Staging Gay Lives DIALOGUS Play Service and Publishing. (1995).
  11. "While the Monks Marched." DIALOGUS Play Service and Publishing. (1995).
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