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Publications of Sean Metzger     :chronological  combined  bibtex listing:

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Edited

  1. with Gina Masequesmay. Embodying Asian/ American Sexualities.  under review

Essays/Articles/Chapters in Books

  1. S. Metzger. "The Little (Chinese) Mermaid: Importing "Western" Femininity in Lou Ye's Suzhou he (Suzhou River)." How East Asian Films Are Reshaping National Identities: Essays on the Cinemas of China, Japan, South Korea, and Hong Kong. Ed. Andrew David Jackson, Michael Gibb, and Dave White. The Edwin Mellen Press, 2007. 135-154.
  2. "Patterns of Resistance?: Anna May Wong and the Fabrication of China in American Cinema of the late 30s." Quarterly Review of Film and Video 23.1 (2006): 1-11.
  3. "Charles Parsloe's Chinese Fetish: An Example of Yellowface Performance in Nineteenth-Century American Melodrama." Theatre Journal 56 (December, 2004): 627-651.
  4. with Cathy Irwin. "Keeping Up Appearances: Ethnic Alien-Nation in Female Solo Performance." Mixing It Up: Multiracial Subjects Ed. Sansan Kwan and Kenneth Speirs. University of Texas, (2004): 163-180.
  5. "Ice Queens, Rice Queens and Intercultural Investments in Zhang Yimou's Turandot." Asian Theatre Journal 20.2 (Fall, 2003): 209-217.
  6. "Filmic Revisions of Vietnam and the MIAs (Male Indochinese Asexuals)." Quarterly Review of Film and Video 19.2 (2002): 107-121.
  7. "Eugenie Chan." Asian American Playwrights: A Bio-Bibliographical Critical Sourcebook. Ed. Miles X. Liu. Greenwood Publishing, 2002. 18-23.
  8. "Mulan, verkleedpartijen in China." Zorro & Co. : Populaire personages en het koloniale verleden. Ed. Nadia Lie & Theo D'haen. Nijmegen:Vantilt, (2002): 117-126.
  9. "Farewell My Fantasy." Journal of Homosexuality 39.3-4 (2000): 213-232.  also published in Queer Asian Cinema, ed. Andrew Grossman (NY: Haworth Press, 2000). Revised version in Chinese translation published as "Ba Wang Bie Ji Kua Xingbie yu Wenhua de Huanmie." Ed. and Trans. Ya-Chen Chen. Ba Wang Bie Ji: Tongxinglian Yuedu yu Kua Wenhua Duehua. Taiwan: Nanhua University Press, 2004: 121-157.

Book Reviews

  1. S. Metzger. The Provincetown Players and the Culture of Modernity; Avant-Garde Performance and the Limits of Criticism: Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement; Performance in America: Contemporary U.S. Culture and the Performing Arts.  American Literature 79.4 (December, 2007).
  2. S. Metzger. Double Agency: Acts of Impersonation in Asian American Literature and Culture and Americans First: Chinese Americans and the Second World War.  American Literature 79.1 (March, 2007): 201-203.
  3.  Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920s and From Inner Worlds to Outer Space: The Multimedia Performances of Dan Kwong.  TDR 50.192 (Winter, 2006).
  4.  The Protestant Ethnic and the Spirit of Capitalism by Rey Chow.  Modern Chinese Literature and Culture and MCLC Resource Center Publication (February, 2005). [http://mclc.osu.edu/rc/pubs/reviews/metzger.htm]
  5. with Hope Medina. Performing America: Cultural Nationalism in American Theater.  Theatre Journal 53 (May, 2001): 358-360.

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