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Rob MitchellRob Mitchell  
Professor of English and Faculty in the Institute of Genome Sciences and Policy; Affiliated Faculty in Women's Studies

Office Location: 322 Allen Building
Office Phone: (919) 668-2547
Email Address: rmitch@duke.edu

Office Hours:

Spring 2014
On Leave

Education:

Ph.D., University of Washington

M.A., University of California-Irvine

B.A., University of Washington
Specialties:

British Literature
Romanticism
Eighteenth Century Literature
Science and Literature
Critical Theory
Robert Mitchell's research focuses on relationships between literature and the sciences in the Romantic era, as well as contemporary intersections among information technologies, genetics, and commerce, especially as these have been played out in the legal, literary, and artistic spheres. His most recent work has focused on the theory and practices of experimentation in both the arts and sciences, the history of vitalism, and the relationship between aesthetics and biological concepts of population. He has published two monographs--Sympathy and the State in the Romantic Era: Systems, State Finance, and the Shadows of Futurity (Routledge, 2007) and Bioart and the Vitality of Media (University of Washington Press, 2010)--and is co-author of the monograph Tissue Economies: Blood, Organs and Cell Lines in Late Capitalism (Duke UP, 2006) and the DVD-ROM Biofutures: Owning Body Parts and Information (U of Pennsylvania P, 2008). He is also co-editor of several collections of essays, including Data Made Flesh: Embodying Information (Routledge, 2003), Romanticism and Modernity (Routledge, 2011), and Releasing the Image: From Literature to New Media (Stanford UP, 2011), and co-editor of the book series "In Vivo: The Cultural Mediations of Biomedical Science" (University of Washington Press). His most recent monograph, Experimental Life: Vitalism in Romantic Science and Literature, is forthcoming in 2013.

Representative Publications   (More Publications)

  1. R. Mitchell. Experimental Life: Vitalism in Romantic Science and Literature. The Johns Hopkins University Press, 2013. (2013 British Society for Literature and Science Annual Book Prize Winner) [ref=sr_1_1]
  2. R. Mitchell. Bioart and the Vitality of Media. University of Washington Press, 2010. [ref=sr_1_1]
  3. with Helen Burgess, Phillip Thurtle. Biofutures: Owning Body Parts and Information. University of Pennsylvania Press, 2008. (DVD-ROM) [available here]
  4. R. Mitchell. Sympathy and the State in the Romantic Era: Systems, State Finance, and the Shadows of Futurity. Routledge, 2007. [102-8880685-5627335]
  5. with C. Waldby. Tissue Economies: Blood, Organs, and Cell Lines in Late Capitalism. Duke University Press, 2006. [102-8880685-5627335]
  6. with T. Pfau. Romanticism and Modernity.  Routledge, 2011.
  7. with J. Khalip. Releasing the Image: From Literature to New Media.  Stanford University Press, 2011. [ref=sr_1_1]
  8. Mitchell. "Bioart e biotechnologie dal punto di vista filosofico di Simondon." Il Divenire della Conoscenza: Estetica e contingenza del reale. Ed. Anna Long and Roberto Masiero. Mimesis Edizioni, 2013. 
  9. with John M. Conley, Arlene M. Davis, R. Jean Cadigan, Allison W. Dobson, Ryan Q. Gladden. "A Trade Secret Model for Genomic Biobanking." Journal of Medicine, Law and Ethics 40.3 (September, 2012): 612–629.
  10. R. Mitchell. "U.S. Biobanking Strategies and Biomedical Immaterial Labor." Biosocieties 7.3 (2012): 224–244.
  11. R. Mitchell. "Simondon, Bioart, and the Milieux of Biotechnology." Inflexions 5 (2012) [html]
  12. R. Mitchell. "Cryptogamia." Romanticism and Modernity. Routledge, 2011. 199-219. (reprint of essay)
  13. R. Mitchell. "Suspended Animation, Slow Time, and the Poetics of Trance." PMLA 126.1 (2011): 107-122.
  14. with P. Thurtle. Data Made Flesh: Embodying Information.  Routledge, 2003 [104-7461896-1670304]
More Information:

Director, Center for Interdiscipinary Studies in Science and Cultural Theory

Faculty: Duke Institute for Genome Sciences & Policy

Affiliated Faculty: Women's Studies


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