Articles/Essays/Chapters in Books

  1. Gellen, K. "Stimmung, sound, and space in Robert Musil's "die versuchung der stillen Veronika"." Seminar a Journal of Germanic Studies 54.3 (September, 2018): 328-349.  [abs]
  2. Gellen, K. "“One Should Have Two Homelands”: Discord and Hope in Soma Morgenstern’s Sparks in the Abyss." Religions 8.2 (February, 2017): 26-26. [doi]  [abs]
  3. Gellen, K. "Kafka, Pro and Contra: Günther Anders' Holocaust Book." Kafka and the Universal. Ed. Cools, A; Liska, V. de Gruyter, 2016. 283-306.
  4. Gellen, K. "Noises Off: Cinematic Sound in Kafka's "The Burrow"." Mediamorphosis: Kafka and the Moving Image. Wallflower Press, 2016. 111-129.
  5. Gellen, K. "Indexing identity: Fritz Lang's M." Modernism/Modernity 22.3Johns Hopkins University Press, (January, 2015): 425-448.
  6. Gellen, K. ""Ein spanischer Dichter in deutscher Sprache": Monolanguage and mame-loshn in Elias Canetti and Frank Kafka." Sprache, Erkenntnis und Bedeutung: Deutsch in der jüdischen Wissenskultur. Ed. Engelhardt, A; Zepp, S.  2015. 
  7. Gellen, K. "Works Recited: Franz Kafka and the Art of Literary Recitation." The Germanic Review 86 (February, 2014): 93-113.
  8. Gellen, K. "Real Estate, Residency, and Mobility: Finding a Home in Nosferatu." The Place of Politics in German Film. Ed. Martin Blumenthal-Barby. Aisthesis, 2014. 53-76.
  9. Gellen, K. "Special Issue on German Film Studies: Introduction." German Quarterly 85.1 (January, 2012): vii-xii. [doi]
  10. Gellen, K. "Special Issue on German Film Studies." The German Quarterly Ed. Gellen, K. 85.1 (2012): vii-xii.
  11. Gellen, K. "The Media Myth of America: Joseph Roth’s Hiob and Tarabas." Journal of Austrian Studies 45.3-4 (2012): 1-28.
  12. Gellen, K; Norberg, J. "The Unconscionable Critic: Thomas Bernhard's Holzfällen." Modern Austrian Literature 44.1-2 (2011): 57-75. [repository]  [abs]
  13. Gellen, K. "Be/Ruf: Sound control and vocal training in Der blaue Engel." Colloquia Germanica: internationale Zeitschrift fuer Germanistik Ed. Theodore Rippey and John Davidson. 44.3 (2011 [actually 2014]): 259-281.
  14. Rolleston, J; Gellen, K. "From the Editors." The German Quarterly 83.2 (March, 2010): vii-viii. [doi]
  15. Gellen, K. "Hearing Spaces: Architecture and Acoustic Experience in Modernist German Literature." Modernism/Modernity 17.4 (2010): 799-818.
  16. Gellen, K. "The Mass-Produced Word: Kafka’s Scandals." Journal of the Kafka Society of America 29.1-2 (2005 [actually 2008]): 29-36.
  17. Geimer, P. "Image as Trace: Speculations about an Undead Paradigm." Differences 18.1 (January, 2007): 7-28. [doi]
  18. Gellen, K. "The Opaque Voice: Canetti’s Foreign Tongues." The Worlds of Elias Canetti: Centenary Essays. Ed. Donahue, WC; Preece, J. Cambridge Scholars, 2007. 23-46.

Book Reviews

  1. Gellen, K. Kafka und Prag. Literatur-, kultur-, sozial- und sprachhistorische Kontexte, edited by Peter Becher, Steffen Höhne and Marek Nekula.  Monatshefte: fuer deutschsprachige literatur und kultur 106.1 (2014): 151-153.
  2. Gellen, K. Kafka's Jewish Languages: The Hidden Openness of Tradition, by David Suchoff.  MLN (Modern Language Notes) 128 (2013): 8-11.
  3. Gellen, K. Der Überlebende und sein Doppel. Kulturwissenschaftliche Analysen zum Werk Elias Canettis, by Susanne Lüdemann.  Monatshefte: fuer deutschsprachige literatur und kultur 101.4 (2009): 597-99.
  4. Gellen, K. Die zweite Stimme. Vortragskunst von Goethe bis Kafka, by Lothar Müller.  Monatshefte: fuer deutschsprachige literatur und kultur 101.1 (2009): 126-128.

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