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Compositions
- S.A. Lindroth, Alarm Calls
(2013) [abs]
- S.A. Lindroth, String Quintet
(2013) [abs]
- S.A. Lindroth, Twitter Music
(2011) [abs] [author's comments]
- S.A. Lindroth (music), Anya Belkina (video), Crowded With Voices
(2007)
- S.A. Lindroth, Azaan
(2007)
- S.A. Lindroth, Awaken
(2007) [abs]
- S.A. LIndroth (music), Anya Belkina (video), Poetry Garden
(April, 2006) (for Video and Digital Audio.)
- S.A. Lindroth, MIX TAPEStry
(2006) [mixtapestry] [author's comments]
- S.A. Lindroth and John E. Bower, soundSense
(November 19, 2004) (multimedia installation.) [abs]
- S.A. Lindroth, Nasuh
(December, 2003), Ajir Music (for soprano and string quartet; text by Rumi.)
- S.A. Lindroth, Bell Plates
(2002), Ajir Music (for percussion solo and electronic sound;
commissioned by the NC Music Teachers Association.)
- S.A. Lindroth, American Landscape
(2002), Ajir Music (electronic soundscape.)
- S.A. Lindroth, Spin Cycle
(2001), Ajir Music (for wind ensemble;
commissioned by H. Robert Reynolds for the University of Michigan Wind
Ensemble.)
- S.A. Lindroth, Incidental Music for "Mao II"
(2001) (electronic soundscape.)
- S.A. Lindroth, Midde of the Road
(2000), Ajir Music (recorded instruments, voices, and electronic sound.)
- S.A. Lindroth, Small Change
(1997), Ajir Music (for two marimbas.)
- S.A. Lindroth, String Quartet
(1997), Ajir Music
- S.A. Lindroth, Glide
(1996), Ajir Music (for nine instruments.)
- S.A. Lindroth, Terza Rima
(1995), Ajir Music (for oboe and live electronics.)
- S.A. Lindroth, The Dolphins
(1995), Ajir Music (for soprano and piano; text by Richard Harteis.)
- S.A. Lindroth, Quartet
(1994), Ajir Music (for alto sax, piano, and two percussion.)
- S.A. Lindroth, Big Band
(1994), Ajir Music (for orchestra; commissioned by the Chicago Symphony Orchestra.)
- S.A. Lindroth, January Music
(1993), Ajir Music (for orchestra; premiered by the Philadelphia Orchestra.)
- S.A. Lindroth, Fantasy for Two Pianos
(1992), Ajir Music
- S.A. Lindroth, Light
(1991, rev. 1993), Ajir Music (for mezzo-soprano and five instruments; text by Hildegard von Bingen.)
- S.A. Lindroth, Duo for Violins
(1990), Ajir Music (commissioned by the Koussevitzky Foundation for the Library of Congress.)
- S.A. Lindroth, Whistle Stop
(1990), Ajir Music (for oboe solo.)
- S.A. Lindroth, Treatise on Tailor's Dummies
(1989), Ajir Music (for mezzo-soprano, flute, tenor sax, bassoon, piano, percussion, and
accordion; text by Bruno Schulz.)
- S.A. Lindroth, In the Middle of the Road
(1989), Ajir Music (for alto voice, alto flute, and piano; text by Carlos Drummond de Andrade.)
- S.A. Lindroth, Clash and Glitter
(1989), Ajir Music (for orchestra; commissioned by ASCAP for the Brooklyn Philharmonic.)
- S.A. Lindroth, Stomp
(1988), Ajir Music (for ten instruments.)
- S.A. Lindroth, Relations to Rigor II
(1987), Ajir Music (for six instruments and electronic sound.)
- S.A. Lindroth, A Fire's Bright Song
(1981, revised 1987), Ajir Music (for orchestra; premiered by the New York Philharmonic.)
- S.A. Lindroth, Relations to Rigor I
(1986), Ajir Music (for fifteen instruments.)
- S.A. Lindroth, Two Part Invention
(1986), Ajir Music (for orchestra; commissioned by the New York Youth Symphony.)
- S.A. Lindroth, Syntax
(1985), Ajir Music (for Synclavier solo.)
- S.A. Lindroth, In the Red Mountains
(1984), Ajir Music (for chorus, piano, and chimes; text by W.S. Merwin.)
- S.A. Lindroth, Pieces of Piano
(1982), Ajir Music (for piano solo.)
- S.A. Lindroth, Chasing the Trane Out of Darmstadt
(1980), Dorn Publications (for tenor saxophone and piano.)
- S.A. Lindroth, Two Pieces for Alto Saxophone and Chamber Ensemble
(1977), Dorn Publications (for alto sax, violin, viola, cello, and piano.)
Articles
- Lindroth, SA, Teaching Composition: Artistic Growth Through Confrontation, Tact, Sympathy, and Honest, edited by Applebaum, M,
Contemporary Music Review, vol. 31 no. 4
(2012),
pp. 297-304, Taylor & Francis (Routledge) [doi] [abs]
- Ren, L; Dunson, D; Lindroth, S; Carin, L, Dynamic nonparametric bayesian models for analysis of music,
Journal of the American Statistical Association, vol. 105 no. 490
(June, 2010),
pp. 458-472, Informa UK Limited, ISSN 0162-1459 [repository], [doi] [abs]
Recordings
- S.A. Lindroth, Passage
(2011) [author's comments]
- S.A. Lindroth, Spin Cycle (Youngstown State University Symphonic Wind Ensemble; Steven Gage, conductor),
Youngstown State University Symphonic Wind Ensemble; Steven Gage, conductor
(2004)
- S.A. Lindroth, Chasing The Trane Out of Darmstadt,
Noah Getz, tenor saxophone (scheduled for release in 2007)
(2007)
- S.A. Lindroth, The Dolphins
(2005), Bridge Recordings (forthcoming.)
- S.A. Lindroth, Spin Cycle
(2005) (United States Marine Band conducted by Michael J. Colburn.)
- S.A. Lindroth, Small Change
(Fall, 2004), Steve Weiss Music (Performed by Nancy Zeltsmand and Jack Van Geem.)
- S.A. Lindroth, The Dolphins
(Summer, 2004), Americus Records (Performed by Susan Narucki and Alan Feinberg.)
- S.A. Lindroth, Spin Cycle
(2003) (University of North Texas Wind Ensemble, Eugene
Corporon, cond..)
- S.A. Lindroth, The Dolphins
(2003) (performed by Susan Narucki and Alan Feinberg;
forthcoming on Americus.)
- S.A. Lindroth, Spin Cycle
(December, 2002) (University of Michigan Wind Ensemble, Michael Haithcock, cond..)
- S.A. Lindroth, Human Gestures
(1999), CRI (includes Light, String Quartet, Terza Rima, and
Duo for Violins.)
- S.A. Lindroth, Bang On A Can, vol. 1
(1991), CRI (includes Relations to Rigor II.)
- S.A. Lindroth, CDCM Computer Music Series
(1985), Centaur Records (includes Syntax for Synclavier solo.)
Others
- with Todd Berreth (visual media), soundSpace
(2/2013 - present) [abs]
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