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Publications of Jane M. Gaines    :chronological  alphabetical  combined  bibtex listing:

Books

  1. Jane M. Gaines. Contested Culture: The Image, the Voice, and the Law. forthcoming. Second edition, forthcoming; Spanish translation, Marcial Pons Ediciones, Madrid, forthcoming.
  2. Jane M. Gaines. Fire and Desire: Mixed Race Movies in the Silent Era.  University of Chicago Press, 2001.

Minor Books

  1. Jane M. Gaines. The Documentary Destiny of Cinema. 2009.  [author's comments]
  2. Jane M. Gaines. Fictioning Histories: Women Film Pioneers.  University of Illinois Press, 2009.

Edited Volumes

  1. Jane M. Gaines and Radha Vatsal. Women Film Pioneers: An International Sourcebook (U.S. and Latin America).  vol. I, 2008 ().  [author's comments]
  2. with Jane M. Gaines and Monica Dall' Asta. Women Film Pioneers: An International Sourcebook (Europe, Canada, Asia). University of Illinois Press vol. II, forthcoming ().  [author's comments]
  3. with Pearl Bowser and Charles Musser, eds.. Oscar Micheaux and His Circle: African American Filmmaking and Race Cinema of the Silent Era. Indiana University Press, 2001 ().
  4. Jane M. Gaines and Michael Renov, eds.. Collecting Visible Evidence. University of Minnesota Press, 1999 ().
  5. Jane M. Gaines, editor. Classical Hollywood Narrative: The Paradigm Wars. Duke University Press, 1992 ().
  6.  Fabrications: Costume and the Female Body. Routledge/AFI, 1990 (). (Introduction: "Fabricating the Female Body" and "Costume and Narrative." Reprinted in German trans. in Dressed to Film -- Mode und Film, eds. Sabine Berthold et.al. Wein, Austria, 1998)

Articles in a Journal

  1. J.M. Gaines. "In-and-Out-of-Race: The Story of Noble Johnson." Women and Performance  (Winter, 2004).  [author's comments]
  2. J.M. Gaines. "First Fictions." Signs 30.1 (Fall, 2004): 1293 - 1317.  [author's comments]
  3. J.M. Gaines. "Sexual Semiosis." Duke Journal of Gender Law and Policy 11 (Spring, 2004): 55 - 67.  [author's comments]
  4. J.M. Gaines. "Everyday Estrangement." New Literary History 33.4 (Autumn 2002): 781-801.
  5. J.M. Gaines. "Radical Attractions." Wide Angle 21 .2 (2002). Special issue on George Stoney. Reprinted in German translation in Strategies of Liberal Hegemony--Critical Renewal of Ideas of Emancipation--Papers from the Conference Honoring Frigga Haug, Hamburg, Germany (2002)
  6. J.M. Gaines. "Machines That Make the Body Do Things." Polygraph .13 (2001). Reprinted in More Dirty Looks: Gender, Power, Pornography. Ed. Pamela Church- Gibson. British Film Institute, 2004
  7. J.M. Gaines. "Lonely Boy and the Vérité of Sexuality." Canadian Journal of Film Studies 8.1 (Fall, 1999).
  8. J.M. Gaines. "The Absurdity of Property in the Person." Yae Journal of Law & the Humanities 10.2 (Summer, 1998).
  9. J.M. Gaines. "Queering Feminist Film Theory." Jump Cut .41 (Spring, 1997). Essay review of Chris Straayer, Deviant Eyes, Deviant Bodies
  10. J.M. Gaines. "Feminist Heterosexuality and its Politically Incorrect Pleasures." Critical Inquiry 21.1 (Winter, 1995). Reprinted in German translation in Texte Zur Kunst (September 1995); Reprinted in abridged form in Wide Angle (Winter 2001), Special issue on Women Make Movies
  11. J.M. Gaines. "Revolutionary Theory, Pre-Revolutionary Melodrama." Discourse 17.3 (Spring, 1995).
  12. J.M. Gaines. "Acting for Machines." Semiotica 96.1-2 (August 1993). Essay Review of James Naremore, Acting in the Cinema
  13. J.M. Gaines. "Competing Glances: Who Is Reading Robert Mapplethorpe's Black Book?." New Formations .16 (Summer, 1992).
  14. J.M. Gaines. "Dorothy Arzner's Trousers." Jump Cut .37 (Spring, 1992): 88-98.
  15. J.M. Gaines. "From Elephants to LUX Soap: Early Motion Picture Exploitation." The Velvet Light Trap .25 (Spring, 1990). Reprinted in German trans. in Eds. Vince Hediger and Christine Noll Brinckmann, Demnächst in ihrem Kino (Coming Soon to a Theatre Near You
  16. J.M. Gaines. "Dead Ringer: Jacqueline Onassis and the Look-Alike." South Atlantic Quarterly XXCVII.3 (Winter, 1989). Reprinted in Classical Narrative Cinema: The Paradigm Wars. Ed. Jane Gaines. Duke University Press; International Library of Essays in Law and Legal Theory. Ed. Tom D. Campbell. Darthmouth Publishing, 1995
  17. J.M. Gaines. "Documentary Film and the 'Invention' of Appalachian Folk Culture." Jump Cut .34 (March, 1989).
  18. J.M. Gaines. "The QUEEN CHRISTINA Tie-Ups: Convergence of Show Window and Screen." Quarterly Review of Film and Video XI .4 (1989). Reprinted in Feminist Cultural Studies. Ed. Terry Lovell (Edward Elgar Publishing, Ltd., 1996
  19. J.M. Gaines. "Scar of Shame: Skin Color and Caste in Black Silent Melodrama." Cinema Journal XXVI.4 (Summer, 1987). Reprinted in Imitations of Life: A Reader on Film and Television Melodrama. Ed. Marcia Landy. Wayne State University Press, 1991; Black Issues in Film and Visual Media. Ed. Charlene Regester, The Black Experience in the Western Hemisphere (ProQuest and the Schomburg Center for Research in Black Culture, forthcoming
  20. J.M. Gaines. "Do Dogs Dance?: Cultural Codes in the Cinema." Jump Cut .31 (Winter, 1986).
  21. J.M. Gaines. "War, Women and Lipstick: Fan Mags in the 40's." Heresies .19 (January, 1986).
  22. J.M. Gaines. "White Privilege and Looking Relations: Race and Gender in Feminist Film Theory." Cultural Critique .4 (1986). Revised and reprinted in Screen 29, no. 4 (Autumn 1988); Reprinted also in Sexual Strategems: Issues in Feminist Film Criticism. Ed. Patricia Erens. Indiana University Press, 1990; Multiple Voices: Issues in Feminist Film Criticism. Eds. Diane Carson, Linda Dittmar, and Janice Welsch, University of Minnesota, 1993. Feminist Film Theory: A Reader, Ed. Sue Thornton. New York University Press, 1999. Oxford Readings in Feminism: Feminism and Film. Ed. E. Ann Kaplan. Oxford University PRess, 1999. The Film Studies Reader. Eds. Joanne Hollows, Mark Janovich, and Peter Hutchings, Arnold, 1999. Visual Culture: The Reader. Eds. Jessica Evans and Stuart Hall. Sage, 1999. Hollywood: Critical Concepts. Ed. Thomas Schatz. Routledge, 2004
  23. J.M. Gaines with Charlotte Herzog. "'Puffed Sleeves Before Tea-Time': Joan Crawford, Adrian, and Women Audiences." Wide Angle 6.4 (Spring, 1985). Reprinted in Stardom: Industries of Desire. Ed. Christine Gledhill Routledge/British Film Institute, 1991
  24. J.M. Gaines. "Women and Representation: Can We Enjoy Alternative Pleasure?." Jump Cut .29 (Spring, 1984). Reprinted in American Media and Mass Culture: Left Perspectives. Ed. Don Lazere., University of California Press, 1987; Sexual Strategms: Issues in Feminist Film Criticism. Ed. Patricia Erens (Indiana University Press, 1990)
  25. J.M. Gaines. "In the Service of Ideology: How Betty Grable's Legs Won the War." Film Reader 5 (Winter 1981-1982).
  26. J.M. Gaines with Charlotte Herzog. "The Comedy of Inequality: Hildy Johnson and the 'Man-Tailored' Suit." Film Reader 5 (Winter 1981-1982).
  27. J.M. Gaines. "The Showgirl and the Wolf." Cinema Journal XX .1 (Fall, 1980). Reprinted in Cinema Examined. Ed. Richard Dyer McCann and Jack C. Ellis. E.P. Dutton, 1982

Articles Accepted in Journal

  1. Jane M. Gaines. "My Body: Me, Myself, and Us." Z  (December, 2007). Norwegian Language journal  [author's comments]
  2. Jane M. Gaines. "Sad Songs of Nitrate." Camera Obscura 22.3 66 (October, 2007): 171 - 178. [171]
  3. Jane M. Gaines. "The Production of Outrage: The Anti-War Film and the Radical Documentary Tradition." Framework 42.2 (October, 2007).
  4. Jane M. Gaines. "Documentary Radicality." Canadian Journal of Film Studies 16.1 (Spring, 2007): 5 - 24.
  5. J.M. Gaines. "Early Cinema's Heyday of Copying." Cultural Studies 20.2 - 3 (June, 2006): 227 - 244.
  6. J.M. Gaines. "In and Out of Race." Women and Performance 29 (December, 2005).  [author's comments]
  7. J.M. Gaines. "Film History and the Two Presents of Feminist Film Theory." Cinema Journal 44.1 (Summer, 2005).

Articles in a Collection

  1. J.M. Gaines. ""Domestic Melodrama" and "Star System" essays." International Encyclopedia of Early Cinema Ed. Richard Abel. Routledge, 2005.
  2. J.M. Gaines. "Identification." Historisch-kritisches Wörterbuch des Marxisms. 2005.
  3. J.M. Gaines. "Machines that Make the Body Do Things." More Dirty Looks: Gender, Power, Pornography Ed. Pamela Church-Gibson. British Film Institute, 2004. Reprint of article originally in Polygraph, no. 13 (2001).
  4. J.M. Gaines. "White Privilege and Looking Relations: Race and Gender in Feminist Film Theory." Hollywood: Critical Concepts Ed. Thomas Schatz. Routledge, 2004. Reprint of article originally appearing in Cultural Critique no. 4 (1986). Also appearing, revised and reprinted, in Screen 29 no. 4 (Autumn 1988); Sexual Stratagems: Issues in Feminist Film Criticism Ed. Patricia Erens, Indiana University Press, 1990; Multiple Voices: Issues in Feminist Film Criticism Eds. Diane Carson, Linda Dittmar, and Janice Welsch, University of Minnesota (1993); Feminist Film Theory: A Reader Ed. Sue Thornton, New York University Press (1999); Oxford Readings in Feminism: Feminism and Film Ed. E. Ann Kaplan, Oxford University Press (1999); Visual Culture: The Reader Eds. Jessica Evans and Stuart Hall, Sage (1999).
  5. Jane M. Gaines. "Machines That Make the Body Do Things." More Dirty Looks Ed. Pamela Church-Gibson. British Film Institute, Fall, 2003.
  6. J.M. Gaines. "Of Cabbages and Authorship." A Feminist Reader in Early Cinema Ed. Jennifer Bean and Diane Negri. Duke University Press, 2002.
  7. J.M. Gaines with Neil Lerner. "The Orchestration of Affect." The Sounds of Early Cinema Ed. Richard Abel and Rick Altman. Indiana University Press, 2001.
  8. J.M. Gaines. "Within Our Gates: From Race Melodrama to Opportunity Narrative." Oscar Micheaux and His Circle Ed. Pearl Bowser, Jane Gaines, and Charles Musser. Pordenone, Italy: Giornate del Cinema Muto, 2001.
  9. J.M. Gaines. "Birthing Nations." Cinema and Nation Ed. Mette Hjort and John MacKenzie. Routledge, 2000.
  10. J.M. Gaines. "Dream/Factory." Rethinking Film Studies Ed. Christine Gledhill and Linda Williams. Arnold, 2000.
  11. J.M. Gaines. "Green Like Me." Hollywood Spectatorship: Changing Perceptions of Cinema Audiences Ed. Melvyn Stokes and Richard Maltby. British Film Institute, 2000.
  12. J.M. Gaines. "On Wearing the Film." Fashion Culture Ed. Stella Bruzzi and Pamela Church-Gibson. Routledge, 2000.
  13. J.M. Gaines with Charlotte Herzog. "The Fantasy of Authenticity in Western Costume." Back in the Saddle Again Ed. Ed Buscombe and Roberta Pearson. British Film Institute, 1998.
  14. J.M. Gaines. "Oscar Micheaux." Encyclopedia of African American Culture and History. Columbia University Press, 1996.
  15. J.M. Gaines. "The 'Melos' in Marxist Theory." Hidden Foundation: Film and the Question of Class Ed. David James and Rick Berg. University of Minnesota Press, 1995. (reprinted in German translation in Das Argument (1998))
  16. J.M. Gaines. "Birth of a Nation and Within Our Gates: Two Tales of the American South." Dixie Debates: Perspectives in Southern Culture Ed. Richard H. King and Helen Taylor. Pluto Press, 1995.
  17. J.M. Gaines. "Reincarnation as the Ring on Liz Taylor's Finger: Andy Warhol and the Right of Publicity." The Paradoxes of Rights Ed. Thomas R. Kearns and Austin Sarat. University of Michigan, 1995.
  18. J.M. Gaines. "Fire and Desire: Race, Melodrama, and Oscar Micheaux." Black Cinema: History, Theory and Criticism Ed. Manthia Diawara. Routledge and Chapman, Hall/American Film Institute, 1993. (Reprinted in Melodrama: Stage/Picture/Screen. Ed. Christine Gledhill. British Film Institute, 1994; Ed. Charlene Regester, The Black Experience in the Western Hemisphere (ProQuest and the Schonburg Center for Research in Black Culture)
  19. J.M. Gaines. "Bette Midler and the Piracy of Identity." Music and Copyright Ed. Simon Frith. University of Edinburgh Press, 1993.
  20. J.M. Gaines. "Guilty Copiers: The Subject and the Machine in Anglo-American Copyright Law." Entertainment, Publishing, and the Arts Handbook Ed. Robert Thorne and John David Viera. Clark Boardman, 1992.
  21. J.M. Gaines. "Photography 'Surprises' the Law: The Portrait of Oscar Wilde." Entertainment, Publishing, and the Arts Handbook Ed. Robert Thorne and John David Viera. Clark Boardman, 1991.
  22. J.M. Gaines. "Superman and the Protective Strength of the Trademark." Logics of Television: Essays in Cultural Criticism Ed. Patricia Mellencamp. Indiana University Press, 1990.
  23. J.M. Gaines. "Costume in the Western." Companion to the Western Ed. Edward Buscombe. British Film Institute/ Andre Deutsch, 1987.

Articles Accepted in Collection

  1. Jane M. Gaines. ""The Ingenuity of Women and Genre"." Gender and Genre. Ed. Christine Gledhill. University of Illinois Press, 2008.
  2. Jane M. Gaines. "Cinema/Ideology/Society: The Cold War in Film Theory." Handbook of Film Studies. Ed. James Donald, Patrick Fuery, and Michael Renov. Sage, 2007.
  3. Jane M. Gaines. ""The Genius of Genre"." Con/texts of Invention. Ed. Mario Bagioli, Peter Jaszi, Martha Woodmansee. forthcoming.

Book Reviews

  1. Linda Williams, Playing the Race Card. Film Quarterly 58:7 (2005).
  2.  Mark Rose, Authors and Owners: The Invention of Copyright. Business History Review 68:1 (1994).
  3.  Tom Gunning, D.W. Griffith and the Origins of American Film: The Early Years at Biograph and Miriam Hansen, Babel and Babylon: Spectatorship in American Silent Film. Discourse 15:3 (1993).
  4.  Laura Mulvey, Visual and Other Pleasures; Lucy Fischer, Shot/Countershot: Film Tradition and Women's Cinema, and Constance Penley, The Future of an Illusion: Film, Feminism, and Psychoanalysis. Screen 32:1 (Winter, 1991).
  5.  Jane Radway, Reading the Romance: Women, Patriarchy, and Popular Literature. The Minnesota Review :26 (Spring, 1986).

Translation of a Book

  1. Trans., J.M. Gaines, Contested Culture: The Image, the Voice, and the Law.  Marcial Pons Ediciones, Madrid, forthcoming. Spanish translation with new introduction

Translation in a Collection

  1. Trans., Jane M. Gaines, Documentary Radicality. Nouveaux indices du monte--aspects du documentaire contemporain.  Ed. Jean-Luc Lioult. forthcoming, 2008. French translation
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