Publications of Susan Willis :chronological combined bibtex listing:
Books
- Inside the Mouse: Work and Play at Disney World. Durham, Duke UP, 1995. (Co-authored with Karen Klugman, Jane Kuenz, and Shelton Waldrep)
- A Primer for Daily Life. London, Routledge. Chapter reprinted in Das Argument, 189 and Ways of Reading (St. Martins Press), 1991.
- Specifying: Black Women Writing the American Experience. Madison, U of Wisconsin P. Chapter reprinted in Feminisms, Robyn R. Warhol and Diane Price Herndl (Rutgers, 1991), 1986.
Articles in a Journal
- S. Willis. ""Playing the Penny Slots"." Situations 2.2 (Winter, 2008).
- S. Willis. ""Foresnics of Spinach"." South Atlantic Quarterly 107.2 (Fall, 2007).
- S. Willis. "What Goes Around Comes Around." Social Text 77 (Winter, 2003). The Washington D.C. Snipers
- S. Willis. "Bunker Society." New Left Review 22 (July/August 2003). The shadow government in post 9/11 America
- S. Willis. "Anthrax R Us." Social Text 73 (Winter, 2002). anthrax hoaxes as social metaphor
- S. Willis. ""Old Glory" flag waving in post 9/11 America"." South Atlantic Quarterly (Spring, 2002).
- S. Willis. "Anansi History: George Elliott Clarke's Whylah Falls." Journal of Commonwealth and Post-Colonial Studies 9.1 (2002).
- S. Willis. "Looking at the Zoo." South Atlantic Quarterly (Winter, 2000). Landscape Design and the status of animals
- S. Willis. "Deportacion: el Jucio Contra Margaret Randall." Casa de las Americas 212 (Julio-Septembre 1998).
- "Hardcore: Subculture American Style." Critical Inquiry (Winter 1993). A political analysis of conflicting style meanings in contemporary Punk and Skinhead subcultures
- "Disney World: Public Use/Private Space." South Atlantic Quarterly (Winter 1993). An examination of cultural practices at Disney World with an eye to engaging the distinction between public and private sectors
- "Earthquake Kits: The Politics of the Trivial." South Atlantic Quarterly (Fall 1990).
- "Work(ing) Out." Cultural Studies (Fall 1989). Aerobics as a commodified form of labor
- "Learning from the Banana." American Quarterly 39.4 (Winter 1987). An examination of the logo as a sign of consumer society
- "Fantasia: Walt Disney's Los Angeles Suite." Diacritics (Fall 1987). Towards a theory of American popular culture
- "Gender As Commodity." South Atlantic Quarterly (Fall 1987). The influence of the commodity form on gender in children's toys
- "Alice Walker's Women." New Orleans Review (Fall 1984). History and community in Walker's novels
- "Nobody's Mulata." Ideologies and Literature IV.17 (1984). Transcoding metaphors of sex and race into history
- "Caliban as Poet: Reversing the Maps of Dependency." Massachusetts Review (Winter 1982). The de-abstracting nature of Caribbean poetry [Aime Cesaire and Nicolas Guillen]
- "A Literary Lesson in Historical Thinking." Social Text 3 (Fall 1980). An analysis of Harriette Arnow's The Dollmaker
Articles in a Collection
- S. Willis. "Photos: shadowing an enigma." Jean Baudrillard Ed. Francois L'Yvonnet. Paris, Cahier de l'Herne, 2005.
- S. Willis. "Disney's Besitary." Rethinking Disney: Private Control, Public Dimensions Ed. Mike Budd. Middletown, Wesleyan University Press, 2005.
- S. Willis. "Imagining Dinosaurs." Girls, Boys, Toys, Gender: An Anthology of Children's Culture Ed. Beverly Clark and Margaret Higonnet. Baltimore, Johns Hopkins University Press, 1999.
- S. Willis. "Teens at Work: Negotiating the Jobless Future." Generations of Youth Ed. Joe Austin and Mike Willard. New York, NYU Press, 1998.
- S. Willis. "Play for Profit." Feminisms and Pedagogies of Everyday Life Ed. Carmen Luke. New York, SUNY Press, 1995.
- "Memory in Mass Culture." History and Memory in African American Culture Ed. Genevieve Fabre and Robert O'Meally. New York, Oxford, 1994.
- "I Shop Therefore I Am." Changing Our Own Words Ed. Cheryl A. Wall. New Brunswick: Rutgers UP, 1988. (The influence of commodity culture on Afro- American cultural integrity)
- "Black Women Writers: Taking a Critical Perspective." Feminist Theory and Criticism Ed. Gayle Green and Coppelia Kahn. London and New York, Metheun), 1985.
- "Crushed Geraniums: Juan Francisco Manzano and the Language of Slavery." The Slave's Narrative: Texts and Contexts Ed. eds. Charles T. Davis and H.L. Gates. New York: Oxford UP, 1984.
- "Eruptions of Funk: Historicizing Toni Morrison." . Spring 1982. (The historical content of Morrison's metaphors. Reprinted in Black Literature and Literary Theory, ed. Henry Gates [London and New York, Methuen, 1984])
- "The Aesthetics of the Rural Slum: Contradictions and Dependency in 'The Bear'." . Spring 1979. (Reprinted in Faulkner, New Perspectives, ed. Richard H. Brodhead [Englewood Cliffs: Prentice-Hall, 1983])

