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MFA in Experimental and Documentary Arts : Publications since January 2012

List all publications in the database.    :chronological  combined  bibtex listing:

Abe, Stanley

  1. The Modern Moment of Chinese Sculpture, Misul Charyo 美術資料 (Fine Art Materials), vol. 82 (December, 2012), pp. 63-82  [author's comments]
  2. Review of Wu Hung, The Art of the Yellow Springs: Understanding Chinese Tombs and Sonya Lee, Surviving Nirvana: Death of the Buddha in Chinese Visual Culture, History of Religions, vol. 52 no. 2 (November, 2012), pp. 173–80
  3. General Munthe's Sculpture Collection, in Gifts, edited by Jorunn Haakestad (2012), pp. 42-47, Vestlandske Kunstindustrimuseum, Bergen

Gibson, Josh

  1. J. Gibson, Nile Perch (December, 2012)
  2. J. Gibson, Light Plate (April, 2012)

Hansen, Mark

  1. Mark B. N. Hansen, Feed Forward: On the "Future" of 21st Century Media (2013), University of Chicago Press (Manuscript has been submitted and Chicago has agreed to publish this and subsequent books. I hope for publication in 2013..)
  2. Mark B. N. Hansen, The Operational Present of Sensibility, Nordic Journal of Aesthetics (2013)
  3. Mark B. N. Hansen, Bernard Stiegler's General Ontology, Boundary 2 (2013) (invited article-length review article on Stiegler's work and its potential contribution to contemporary debates on media, technology, political economy, and culture..)
  4. Mark B. N. Hansen, Technical Repetition and Digital Art, or Why the ‘Digital’ in Digital Cinema is not the ‘Digital’ in Digital Technics, in Technology and Desire: the Transgressive Art of Moving Images, edited by Rania Gaafar and Martin Schulz (2013), Intellekt (Corrected proof submitted summer 2012, book to appear February 2013.)
  5. M. Hansen, Symbolizing Time: Kittler and 21st Century Media, in Kittler Mediated: New Essays on Culture and Technology, edited by S. Sale and L. Salisbury (2013), Stanford University Press (Corrected proof submitted fall 2012..)  [author's comments]
  6. Mark B. N. Hansen, The Primacy of Sensation, in Theory Aside, edited by Daniel Stout and Jason Potts (2013), Duke
  7. Mark B. N. Hansen, Against Clairvoyance, in The Non-Human Turn (2013), University of Minnesota
  8. Mark B. N. Hansen, Engineering Preindividual Potentiality: Technics, Transindividuation, and 21st Century Media, SubStance (Summer, 2012)
  9. Mark B. N. Hansen, Foucault and Media: A Missed Encounter?, SAQ (2012)
  10. Mark B. N. Hansen, Digital Technics Beyond the “Last Machine”: Thinking Digital Media with Hollis Frampton, in Between Stillness and Motion, edited by Eivind Rossaak (2012), Amsterdam University Press
  11. M. Hansen, Ubiquitous Sensation or the Autonomy of the Peripheral: Towards an Atmospheric, Impersonal and Microtemporal Media, in Throughout: Art and Culture Emerging With Ubiquitous Computing, edited by U. Ekman (2012), MIT  [author's comments]

Harris, Alex

  1. Dick Gordon, The Story (December 11, 2012) [mp3]  [author's comments]
  2. Dwight Garner, Heavyweights for the Holidays, The New York Times (November 23, 2012) [a-roundup-of-holiday-coffee-table-books.html]  [abs] [author's comments]
  3. A. Harris, Documentary Fieldwork Influences (Fall, 2012) [available here]  [abs] [author's comments]
  4. A. Harris and E.O. Wilson, Why We Are Here: Mobile and The Spirit of A Southern City (October, 2012), pp. 229, Liveright/Norton, ISBN 978-0-87140-470-1 [available here]  [abs]
  5. Atlantic Monthly staff, Cover to Cover, The Atlantic Magazine (September, 2012) [available here]  [abs]
  6. with A. Harris and E.O. Wilson, Why We Are Here: Mobile and the Spirit of a Southern City, Harvard Magazine (September, 2012) [off-the-shelf]  [abs]
  7. John Sledge, Southern Spirit, The Mobile Bay Monthly (2012) [available here]  [abs]
  8. A. Harris, Permanent Collection Harwood Museum of Art, Taos, New Mexico (2012)  [author's comments]
  9. A. Harris, Why We Are Here: Mobile and the Spirit of A Southern City, NPR Picture Show (2012) [available here]  [abs]
  10. with A. Harris and Elena Rue, The Lookout Blog for the Hine Fellows Program (2012) [available here]  [abs]
  11. with Publisher's weekly staff, Why We Are Here: Mobile and the Spirit of A Southern City, Publisher's Weekly [978-0-87140-470-1]  [abs]

Hong, Guo-Juin

  1. G. Hong, Limits of Visibility: Taiwan's Tongzhi Movement in Mickey Chen's Documentaries, positions: east asia cultures critique (Forthcoming 2013)
  2. G. Hong, Voice and Its Dis/Content in New Taiwan Documentary, Frontiers of Literary Studies in China (Forthcoming 2013)
  3. G. Hong, Theatrics of Cruising: Bathhouses and Movie Houses in Tsai Ming-Liang's Films, in Sinophone Queer Reader (Forthcoming 2013)

Lasch, Pedro

  1. Pedro Lasch and Teddy Cruz, Transnational Community-Based Production, Cooperative Art, and Informal Trade Networks, in What We Made: Conversations on Art and Social Cooperation, edited by Tom Finkelpearl (January, 2013), Duke University Press  [abs]
  2. P. Lasch, Grand Gestures & (Im)Modest Proposals: A Project for Documenta 13 AND AND AND, edited by Pedro Lasch (September 11, 2012), XCO / Documenta 13 AND AND AND, Kassel, Germany  [abs]
  3. TOM PATTERSON, Artists explore the border relationship for U.S., Mexico, Relish (August 26, 2012)
  4. Eric Ginsburg, ZONES OF CONTENTION HIGHLIGHTS BORDER, Yes! Weekly (June 27, 2012)
  5. Correspondent, Zone of Contention: The U.S./Mexico Border examined in exhibition at the Weatherspoon Art Museum, Art Daily (June 18, 2012)
  6. Pedro Lasch and Miguel Rojas-Sotelo, Estéticas Decoloniales, edited by Walter Mignolo and Pedro Pablo Gomez (April, 2012), pp. 40-61, Facultad de Artes ASAB / Museo de Arte Moderno Bogota, Bogota, Columbia [est_ticasdecoloniales_gm]
  7. JENNIFER REYNOLDS-KAYE, Black Mirror / Espejo Negro by Pedro Lasch and Jennifer A. González, e-misferica, vol. 9 no. 1 & 2 (Spring, 2012), Hemispheric Institute for Performance & Politics, New York [reynoldskaye]
  8. P. Lasch, Breve argumento visual por una estética descolonial, in Lecturas para un espectador inquieto (2012), pp. 273-282, CA2M: Madrid, Spain, Madrid, Spain
  9. Walter Mignolo, Dekoloniale Ästhetik. Das Museum verlernen und wiedererlernen durch Pedro Laschs Black Mirror/Espejo Negro, in Kunst, Krise, Subversion Zur Politik der Ästhetik, Kultur- und Medientheorie, edited by Nina Bandi, Michael G. Kraft, Sebastian Lasinger (2012), pp. 121-140, [transcript] [pdf]  [abs]

Powell, Richard J

  1. Richard J. Powell, "Herein Lie Buried Many Things: Screens, Entryways and Cabinets in Twentieth-Century Black Visual Discourse", in African American Art: Harlem Renaissance, Civil Rights Era and Beyond (2012), pp. 12-33, Washington, DC: Smithsonian American Art Museum
  2. Richard J. Powell, "Tanner and Transcendence", in Henry Ossawa Tanner: Modern Spirit, edited by Anna O. Marley (2012), pp. 56-65, Berkeley: University of California Press

Rankin, Thomas S

  1. Tom Rankin, A Place of Tender Images: Paul Kwilecki's Four Decades of Photography of Decatur County, GA (Forthcoming, Fall 2012)
  2. Tom Rankin, Truths of the Matter: Traditions in Documentary Studies (Forthcoming 2012)
  3. Colors of Confinement: Color Photographs of Japanese AmericanIncarceration in World War II, edited by Tom Rankin with Iris Tillman Hill (2012)  [author's comments]

Seaman, William

  1. W. Seaman, The Engine of Engines - Toward A Computational Ecology, in Integral Biomathics: Tracing the Road to Reality - Proceedings of ACIB’11 Conference in Stirling, Scotland, August 29-31, 2011 and iBioMath’2011 Workshop at ECAL’11, Paris., edited by Edited by P. L. Simeonov, L. S. Smith, A. C. Ehresmann (Eds.).. (Winter, 2011) (July 13, 2012), ISBN 3642281109  [abs]
  2. with Plamen L. Simeonov, Edwin H. Brezina, Ron Cottam, Andreé C. Ehresmann, Arran Gare, Ted Goranson, Jaime Gomez-Ramirez, Brian D. Josephson, Bruno Marchal, Koichiro Matsuno, Robert S. Root-Bernstein, Otto E. Rössler, Stanley N. Salthe, Marcin Schroeder, Bill Seaman, Pridi Siregar, Leslie S. Smith, White Paper, in Integral Biomathics: Tracing the Road to Reality Subtitle: Proceedings of ACIB’11 Conference in Stirling, Scotland, August 29-31, 2011 and iBioMath’2011 Workshop at ECAL’11, Paris, edited by P. L. Simeonov, L. S. Smith, A. C. Ehresmann (Eds.) (July, 2012), Springer-Verlag, Berlin-Heidelberg  [abs]
  3. W. Seaman, Four Transcultural Case Studies: Transmedial Walks, Drives and Observations, edited by editor Roy Ascott, guest editor Xiaoying Juliette YUAN, Technoetic Arts (forthcoming) (Spring 2013), Intellect Press (Paper – for the proceedings of the Transcultural Tendencies | Transmedial Transactions, to be in special issue of the Technoetic Arts Journal of Intellect Ltd.,.)  [abs]

Stiles, Kristine

  1. K. Stiles, Comments on my first interview with Gustav Metzger, in Gustav Metzger, Years without Art (2012), pp. 39
  2. K. Stiles and Peter Selz, eds.,, Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings (2012), University of California Press (2nd, revised, expanded edition edited by Kristine Stiles.)
  3. K. Stiles, Conversation with William Pope.L, in The Voice of Images (2012), pp. 181-193, Palazzo Grassi, Venice, Italy
  4. K. Stiles, Peter d’Agostino’s World-Wide-Walks / between earth & sky, in Peter d’Agostino: World-Wide-Walks [Paseos a Nivel Planetario] / between earth & sky [entre la tierra y el cielo] / 1973 – 2012 (2012), pp. 22-34, Bizkaia de la UPV/EHU (Bilbao, Spain:.)

Szabo, Victoria E

  1. V.E. Szabo, Transforming Art History Research with Database Analytics: Visualizing Art Markets, Art Documentation: Journal of the Art Libraries Society of North America, vol. 31 no. 2 (Fall, 2012), pp. 158-75  [abs]
  2. V.E. Szabo and Joyce Rudinsky, Psychasthenia 2 (February, 2012) [html]  [abs] [author's comments]
  3. MLA Committee for Information Technology, Guidelines for Evaluating Work in Digital Humanities and Digital Media (January, 2012) (Modern Language Association Committee for Information Technology Advisory Guide.) [guidelines_evaluation_digital]  [abs]
  4. V.E. Szabo, Augmented Reality Gallery Guide, CHAT Festival 2012 (2012) [chatnasher]  [abs]

Van Miegroet, Hans J

  1. Hans J. Van Miegroet and Neil De Marchi, Mapping Markets for European Paintings, vol. II (2014)
  2. Hans J. Van Miegroet and Neil De Marchi, Reducing Risk: a late eighteenth-century dealer pool to raise prices and facilitate riskless arbitrage (2013)
  3. Hans J. Van Miegroet & Neil De Marchi, Supply-Demand Imbalance in the Antwerp Paintings Market, 1630-1680 (2013)
  4. Hans J. Van Miegroet and Neil De Marchi, Uncertainty, Family Ties and Derivative Painting in Seventeenth-Century Antwerp, in Family Ties. On Art Production, Kinship Patterns and Connections 1600-1800, edited by Katlijne Van der Stighelen & Leen Kelchtermans (2012), pp. 55-76, Brepols Publishers, Turnhout, ISBN 978-2-503-54227-0
  5. Hans .J. Van Miegroet & Neil De Marchi, Comment les tableaux des anciens Pays-Bas ont envahi le marché Parisien - How Netherlandish Paintings came to Paris, in Exhibition Catalogue (2012), pp. 28-47, Musée Marmottan, Paris
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