Publications of Bryan Gilliam
Books
- Gilliam, B. Rounding Wagner's mountain: Richard Strauss and modern German opera. Cambridge University Press, Spring, 2014 (1-340 pp.).
- al, BGE. Music, Image, Gesture.
edited by Gilliam, B Duke University Press, 2005 (1-176 pages pp.).
- Gilliam, B. The Life of Richard Strauss, Cambridge Musical Lives. Cambridge University Press, 1999 . (Chinese edition, 2001; Spanish edition, 2003; German edition, 2014)
- al, BGE. Music and Performance during the Weimar Republic.
edited by Gilliam, B Cambridge University Press, 1994 . (Paperback edition, 2005)
- Gilliam, B. Richard Strauss: New Perspectives on the Composer and His Work.
edited by Gilliam, B Duke University Press, 1992 . (Paperback edition, 1997)
- al, BGE. Richard Strauss and His World.
edited by Gilliam, B Princeton University Press, 1992 .
- Gilliam, B. Richard Strauss’s Elektra. Oxford University Press, 1991 . (Paperback edition, 1996)
- Gilliam, B. Richard Strauss’s ’Daphne’: Opera and Symphonic Continuity. Harvard Ph.D. Dissertation, 1984 .
Articles
- B. Gilliam. "The Great War and Its Aftermath: Strauss's and Hofmannsthal's Third-Way Modernism." Modernism and Opera (2016): In production.
- B. Gilliam. "Essay on Der Rosenkavalier, Ariadne auf Naxos, and Die Frau ohne Schatten." Richard Strauss Handbuch (2014): pp. 183-213.
- Gilliam, B. "Strauss’s Der Rosenkavalier, Ariadne auf Naxos, und Die Frau ohne Schatten." Richard Strauss Handbuch (2014): 75 Completed pagesand in press-75 Comple.
- Gilliam, B. "Dans l’ombre de Bach : Lyonel Feininger musicien." (December, 2011).
- Gilliam, B. "In the Shadow of Bach: Lyonel Feininger as a Musician." Lyonel Feininger: At the Edge of the World (July, 2011).
- Gilliam, B. ""Strauss and the Sexual Body: The Aesthetics Humor, Philosophy, and Ego-Assertion"." Richard Strauss Companion (December, 2010): 269-79.
- Gilliam, B. ""The Hofmannsthal Operas"." Richard Strauss Companion (December, 2010): 119-35.
- Gilliam, B. "The Strauss-Hofmannsthal operas." The Cambridge Companion to Richard Strauss (January, 2010): 119-135.
- Gilliam, B. ""In the Shadow of Bach: Lyonel Feininger as Musician"." Lyonel Feininger: On the Edge of the World (2010).
- Gilliam, B. ""Between Resignation and Hope: The Late Strauss"." Late Thoughts (2006): pp. 167-80.
- Gilliam, B. "" ’Ich bin ein anderer als ich war’: Ariadne auf Naxos - das Konzept der Verwandlung und die Ablehnung der griechischen Tragödie"." Richard Strauss: Der griechischer Germane Edition Text+Kritik (2005): 69-80.
- Gilliam, B. ""Die Rezeption der von Einem Opern in Amerika und die Ideologien des Stils"." Gottfried von Einem Kongress (2003): 303-13.
- Gilliam, B. ""From Hollywood to Berlin: The Influence of American Film on Weimar Music Theater." Americanism/Amerikanismus/Weill: Die Suche nach kultureller Indentität in der ersten Hälfte des 20. Jahrhunderts (2003): 147-59.
- Gilliam, B. "Introductory Essay." The Richard Strauss Companion (2003).
- Gilliam, B. "" ’Friede im Innern’: Aussenwelt und Innenwelt von Richard Strauss um 1935"." Richard Strauss und die Moderne (2001): 93-111. Published conference paper
- Gilliam, B. ""Biography for Stephen Jaffe"." New Grove (2001).
- Gilliam, B. ""Biography (19,000 words) on Richard Strauss"." Revised New Grove Dictionary of Music and Musicians 24 (2001).
- B. Gilliam. ""Elektras Tanz and Auflösung"." Festschrift Reinhold Schlotterer (1999).
- Gilliam, B. ""A Viennese Opera Composer in Hollywood: Erich Wolfgang Korngold’s Double Exile in America"." Driven from Paradise: The Musical Migration from Nazi Germany to the United States (1999): 334-57.
- Gilliam, B. "Prefatory essay in honor of Günter Brosche." Fetstschrift Günter Brosche (1999).
- Gilliam, B. ""Elektras Tanz and Auflösung"." Festschrift Reinhold Schlotterer (1999).
- Gilliam, B. ""The Tone Poems of Richard Strauss"." The 19th-Century Symphony (1997): 345-68.
- Gilliam, B. ""Stage and Screen: Kurt Weill and Operatic Reform in the 1920s"." Music and Performance during the Weimar Republic (1994).
- Gilliam, B. ""Richard Strauss’s Intermezzo: Innovation and Tradition"." Richard Strauss: New Perspectives (1992): 259-83.
- Gilliam, B. ""Daphne’s Transformation"." Richard Strauss and His World (1992): 33-66.
Papers
- Gilliam, B. Zoë Alexis Lang. The Legacy of Johann Strauss: Political Influence and Twentieth-Century Identity. Cambridge: Cambridge University Press, 2014. Pp. 248.. Cambridge University Press (CUP), April, 2015 (434-436 pp.).
- B. Gilliam. Richard Strauss und das Problem der Ehe. 2014 . (Leipzig Gewandhaus Conference on Richard Strauss)
- B. Gilliam. Zur Strauss Rezeption in Amerika nach 1945. 2014 .
- Gilliam, B. Rhetoric and the Human Condition in Mozart’s Last Three Symphonies. August, 2013 . (Lincoln Center Mostly Mozart Festival)
- Gilliam, B. The Problem of Trauma and Memory in Elektra, Ariadne auf Naxos, and Die Aegytische Helena. 2013 . (Stanford Conference on Freud after Wagner January 2013)
- B. Gilliam. Erinnerung und Trauma in Ariadne auf Naxos. 2012 . (100 Jahre Ariadne auf Naxos in Stuttgart October 2012)
- Gilliam, B. A House Divided. 2010 (16-21 pp.).
- Gilliam, B. "A House Divided: The Tragic History of Dresden's Semper Opera House". 2010 .
- Gilliam, B. " ’Ich bin ein anderer als ich war’: Ariadne auf Naxos and the Rejection of Greek Tragedy. 2006 . (Stanford University Alexander Lecture (2006))
- B. Gilliam. "Music during the Holocaust: Viktor Ullmann’s Der Kaiser von Atlantis". July 2005 . (Temple Shalom, panel presentation with James
Conlon and Wels Kaufman, Chicago)
- Gilliam, B. "Don Quixote and the Cinematic Strauss". June, 2005 . (Ravinia Music Festival, Chicago)
- Gilliam, B. Introduction.
edited by B. Gilliam Duke University Press, January, 2005 (1-5 pp.). (Essays on ballet, film music, melodrama,
modern dance, and opera)
- Gilliam, B. " 'Friede im Innern': Strauss's Inner and Outer Worlds in the mid-1930s". 2005 (563-595 pp.).
- Gilliam, B. "Richard Strauss and the National Socialist Regime". November, 2004 . (American Philosophical Society, Philadelphia)
- Gilliam, B. "Body and Spirit in the Slow Movement of Beethoven’s Op. 130". March, 2004 . (Lincoln Center Chamber Players, New York)
- Gilliam, B. Visual voice (Strauss's 'Salome'). 2004 (23-+ pp.).
- Gilliam, B. "Ariadne, Daphne, and the Problem of Transformation". 2003 (67-81 pp.).
- Gilliam, B. "Ariadne, Daphne, und das Problem der Verwandlung". October, 2002 . (University of Würzburg)
- Gilliam, B. "Between Resignation and Hope: The Late Strauss". May, 2002 . (Ojai Music Festival Symposium of the Concept
of the "Late Style")
- Gilliam, B. "Strauss’s ’Crazy Jewish Girl’: Salome and fin-de-siècle Modernism". January, 2002 . (University of Toronto Symposium on Salome)
- Gilliam, B. Shadowland (The complex and symbolic world of Strauss's most challenging work, Die 'Frau ohne Schatten'). 2002 (14-17 pp.).
- Mingo, B; Gilliam, B. The endangered list (Nominees for the most unjustly neglected opera). 2001 (50-+ pp.).
- Gilliam, B. Utopia und Katastrophe: Richard Strauss während des dritten Reiches. November, 2000 . (Katastrophen und Utopien: Exil und innere
Emigration, 1933-45, Berlin, Freie Universität)
- Gilliam, B. "The String Quartet and Its Changing Audiences in the 19th Century". October, 2000 . ("Rediscovering the String Quartet," Johns
Hopkins University)
- Gilliam, B. Politics and the Spirit: Richard Strauss and the 1930s. October, 2000 . (Eastman Distinguished Lecture Series)
- Gilliam, B. Sound, Image, Music: Hollywood Film Music. May, 2000 . (Lecture to the Board of Trustees, Duke
University graduation weekend)
- Gilliam, B. From Hollywood to Berlin: The Influence of American Film on Weimar Music Theater. February, 2000 . (Berlin, Humboldt Universität)
- Gilliam, B. ’Friede im Innern’: Strauss’s Inner and Outer Worlds in the 1930s. October, 1999 . (York University International Symposium on
Music and Nazism)
- Gilliam, B. ’Friede im Innern’: Die innere und äußere Persönlichkeit des Richard Strauss um die Mitte der dreißiger Jahre. July, 1999 . (University of Munich Symposium: "Richard
Strauss und die Moderne")
- B. Gilliam. Elektras Tanz und Auflösung. April 1999 . (Österreichische Gesellschaft für Musik
Symposium on Strauss, Vienna)
- Gilliam, B. Elektras Tanz und Auflösung. April, 1999 .
- Gilliam, B. Variations on an Enigma: Richard Strauss Fifty Years after his Death. January, 1999 . (Inaugural Erich Leinsdorf Memorial Lecture,
New York Philharmonic, Avery Fisher Hall)
- Gilliam, B. Strauss' "Friedenstag" und die Politik: Antwort an Gerhard Splitt. JSTOR, 1999 (347-347 pp.).
- Gilliam, B. Modern times - Richard Strauss' later operas reflect the disunity of contemporary life. 1999 (26-31 pp.).
- Gilliam, B. Die Rezeption der von Einem Opern in Amerika und die Ideologien des Stils. June, 1998 . (Gottfried von Einem-Congress, Vienna)
- Gilliam, B. Kurt Weill, Weimar Theater, and Operatic Reform. April, 1998 . (University of North Carolina Symposium on
Brecht, Weimar Germany, and Cabaret Culture)
- Gilliam, B. Tragedy and Epic in Siegfried’s Funeral Music. March, 1998 . (Duke University Symposium in Honor of Peter
Williams)
- Gilliam, B. Sibelius and Modernism. December, 1997 . (Northern Lights Sibelius Festival and
Symposium, Lincoln Center, New York City)
- Gilliam, B. Five colloquia on the theme: ’Music, Image, Gesture’. May, 1996 . (European Mozart Academy Krakow)
- Gilliam, B. Bruckner’s 8th Symphony. April, 1996 . (British International Bruckner Conference,
University of Manchester. Panel participant.
John Deathridge, chair)
- Gilliam, B. Bruckner's Annexation Revisited: A Response to Manfred Wagner. Oxford University Press (OUP), January, 1996 (124-131 pp.).
- Gilliam, B. A Viennese Opera Composer in Hollywood: Erich Wolfgang Korngold’s Double Exile in America. 1996 . (Conference on "The Musical Migration:
Germany-Austria, ca. 1930-1950" Harvard
University, May 1994; Yale, 1995; Dartmouth,
1996)
- Gilliam, B. The authorship of the text of Strauss's 'friedenstag'. Oxford University Press (OUP), February, 1995 (142-143 pp.).
- Gilliam, B. "The Annexation of Anton Bruckner: Nazi Revisionism and the Politics of Appropriation". Fall, 1994 (558-583 pp.).
- B. Gilliam. The Annexation of Anton Bruckner: Nazi Revisionism and Misappropriation. 1994 . (International Bruckner Symposium, Connecticut
College; AMS)
- Gilliam, B. The Annexation of Anton Bruckner: Nazi Revisionism and the Politics of Appropriation. Oxford University Press (OUP), 1994 (584-604 pp.).
- GILLIAM, B. 'SALOME' + IN RESPONSE TO SHOWALTER,ELAINE. 1994 (17-17 pp.).
- Gilliam, B. "The Two Versions of Bruckner’s Symphony no. 8" ("Rehearings"). Summer, 1992 (59-69 pp.).
- GILLIAM, B. THE 2 VERSIONS OF BRUCKNER 8TH SYMPHONY. 1992 (59-69 pp.).
- Gilliam, B. The Influence of Film on German Opera of the 1920s. November, 1991 . (American Musicological Society, Chicago)
- Gilliam, B. Richard Strauss’s Intermezzo: Innovation and Tradition. April, 1990 . (International Conference on Richard Strauss ,
Duke University)
- Gilliam, B. Intermezzo und die Zeitoper in den Zwanziger Jahren. October, 1989 . (Leipzig Gewandhaus Conference on Richard
Strauss, Leipzig, former GDR)
- Gilliam, B. Die Elektra Premiere: Hintergründe und Rezeption. June, 1989 . (International Conference: "Höhepunkte der
Dresdner Operngeschichte im 20. Jahrhundert."
Dresden, former GDR)
- Gilliam, B. T. S. Eliot, The Waste Land, and the Legacy of Wagner. March, 1988 . (T. S. Eliot Centenary Lecture Series, Duke
University, Department of English)
- Gilliam, B. Hugo von Hofmannsthal, Richard Strauss, and the Evolution of Elektra. 1988 . (British 19th-Century Music Conference,
Oxford; AMS)
- Gilliam, B. Gustav Mahler Richard Strauss: Correspondence, 1888-1911 . Gustav Mahler , Richard Strauss , Herta Blaukopf .. University of California Press, July, 1986 (418-422 pp.).
- Gilliam, B. "Richard Strauss's Preliminary Opera Sketches: Thematic Fragments and Symphonic Continuity". Spring, 1986 (176-188 pp.).
- GILLIAM, B. STRAUSS PRELIMINARY OPERA SKETCHES + 'ELEKTRA' AND DER 'ROSENKAVALIER' - THEMATIC FRAGMENTS AND SYMPHONIC CONTINUITY. 1986 (176-188 pp.).
- Gilliam, B. Richard Strauss’s Preliminary Opera Sketches: Thematic Fragments and Symphonic Continuity. November, 1982 . (American Musicological Society, Ann Arbor)
- Gilliam, B. Stefan Zweig’s Contribution to Strauss Opera after Die schweigsame Frau. April, 1981 . (International Stefan Zweig Symposium, SUNY,
Fredonia)
- Gilliam, B. Ein Skizzenbuch von Richard Strauss an der Harvard University. December, 1978 . (University of Munich)
Reviews
- B. Gilliam, various. Reviews
(1992 to 2005). (Written for JAMS, 19th-Century Music,
Musical Times, and Kurt Weill Newsletter)
Program Notes
- B. Gilliam. "La música surt de mi!" La dansa i la dissolució d'Elektra. Fall 2007 .
- B. Gilliam. Elektra. Fall 2007 .
Others