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Research Interests for John Supko

Research Interests: Electroacoustic Music, Computer-assisted composition

Called “spellbindingly beautiful” (Steve Smith, Time Out New York ), "hypnotic...eerily beautiful" (Vivien Schweitzer, The New York Times ), and "fascinating" (Philip Clark, The Guardian ), the work of composer John Supko (b. 1980, NY) explores intersections: chance and intention; traditional music notation and real-time score generation; sound and spoken text; installation and performance; human and computer creativity. In recent years, Supko has been developing generative software to navigate his vast archives of field recordings, sampled acoustic and digital instruments, noise, and voice recordings. He uses this software to find unexpected compositional possibilities as well as to create dynamic sonic environments that are integrated into live performance with human musicians. Supko has also been experimenting with new forms of documentation for his music. Works such as A Free Invention for George Pitcher exist solely as software that ‘performs’ a new version of itself each time it is activated. He is a recipient of the Fulbright (2002) and Georges Lurcy (2007) fellowships, both for Paris, France, where he studied at the Ecole Normale de Musique. He has won numerous prizes and grants, among them the BMI Student Composer Award, two ASCAP/Morton Gould Young Composers Awards (including the 2008 Leo Kaplan Award), the Grand Prize of the National Young Composers Competition, the Perkins Prize of the Princeton University Music Department and a Commissioning Music/USA Meet the Composer commission. His work has been published in collaborative editions with the poet Philippe Denis by Collection Mémoires (Paris) and by Harpo & (Marseille), and has been released on the New Amsterdam and Cotton Goods labels. His 2014 collaborative album s_traits (with Bill Seaman) was named in "Best of 2014" recording lists in The New York Times and The Boston Globe . Currently Associate Professor of Music at Duke University, where he co-directs The Emergence Lab with Bill Seaman, Supko holds degrees from the Indiana University Jacobs School of Music (BM) and Princeton University (PhD).

Artificial Intelligence, computer-assisted composition, Cybernetics, electroacoustic music, electronic music, generative music, Markov chains, Music
Areas of Interest:

electronic music
electroacoustic music
generative music
computer-assisted composition
conceptual art
early 20th c. avant-garde
Markov chains

Recent Publications
  1. Supko, JP, How I Taught My Computer to Write Its Own Music, Nautilus no. 21 (February, 2015) [how-i-taught-my-computer-to-write-its-own-music[abs]
  2. Church, M; Burt, TP; Galay, VJ; Kondolf, GM, Rivers (January, 2015), pp. 98-129, ISBN 9780521878128 (percussion soloist & electronics; commissioned by Andrew Bliss & the University of Kentucky, Lexington.) [doi[abs]
  3. Supko, JP, divine the rest (December, 2013) [author's comments]
  4. Supko, JP, A Free Invention for George Pitcher (May, 2013) [A-FREE-INVENTION-FOR-GEORGE-PITCHER[author's comments]
  5. Supko, JP, FLESH (March, 2013) [FLESH[author's comments]

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