Books

1. K. McCarthy. In Other Words: Renaissance Musical Contrafacta. Book in progress .
2. K. McCarthy. Liturgy and Contemplation in Byrd's Gradualia.  New York: Routledge, 2007 .

Articles

1. K. McCarthy. "Byrd's patrons at prayer." Music and Letters 89.1 (February 2008).
2. K. McCarthy. ""Brought to speake English with the rest": Byrd's motet contrafacta." Musical Times 148.3 (September, 2007).
3. K. McCarthy. "Tallis, Isidore of Seville, and Suscipe quaeso." Early Music 35.3 (August 2007): 447-50.
4. K. McCarthy. "Tallis, Thomas." MGG (Die Musik in Geschichte und Gegenwart) Personenteil vol. 16 (2007): §457–70.
5. K. McCarthy. "A Motet for Lovers of Music." Sacred Music 133.1 (2006): 21-24.
6. K. McCarthy. "Fit to Print: Controversy and Editorial Control in the Publications of William Byrd." Ex Libris (Associates of the Stanford University Libraries) 13 (Summer 2005): 6-10.
7. K. McCarthy. "Parsley, Osbert." MGG (Die Musik in Geschichte und Gegenwart) Personenteil vol. 13 (2005): §143-44.
8. K. McCarthy. "Pygott, Richard." MGG (Die Musik in Geschichte und Gegenwart) Personenteil vol. 13 (2005): §1087-88.
9. K. McCarthy. "Byrd, Augustine, and Tribue Domine." Early Music 32.4 (November 2004).
10. K. McCarthy. "William Mundy’s Vox patris caelestis and the Assumption of the Virgin." Music and Letters 85.3 (August 2004): 353-367.
11. K. McCarthy. "'Notes as a garland’: chronology and narrative of Byrd’s Gradualia." Early Music History 24 (2004): 49-84.
12. K. McCarthy. "Music for all seasons: the Byrd Gradualia revisited." Sacred Music 129.1 (Spring 2002).

Papers

1. K. McCarthy. Byrd and the politics of exile. July 2007 . (King's College London)
2. K.McCarthy. Genre outlaws: Renaissance musical contrafacta and their makers. October 2007 . (Renaissance Seminar, Wesleyan University)
3. K. McCarthy. The personal and the political in Byrd. March 2006 . (All Souls' College, Oxford)
4. K. McCarthy. "Brought to speake English with the rest": Byrd's motet contrafacta. July 2006 . (Annual Conference on Medieval & Renaissance Music, Cambridge)
5. K. McCarthy. Byrd's patrons at prayer. October 2006 . (Institute of Advanced Musical Studies, King's College, London; Trinity College, Dublin)
6. K. McCarthy. "Rose garlands and gunpowder: Byrd's musical world in 1605". August 2005 . (invited lecture, Reed College)
7. K. McCarthy. "Collaborative voice in the Tallis-Byrd Cantiones". 2005 . (Conference paper; read at Annual Meeting of the American Musicological Society, Washington, DC, October 2005; Annual Conference on Medieval and Renaissance Music, Tours, France, July 2005)
8. K. McCarthy. Fit to Print: controversy and editorial control in Byrd’s Latin publications. May 2004 . (Invited Lecture (Stanford University))
9. K. McCarthy. William Mundy’s Vox patris caelestis and the Assumption of the Virgin. December 2003 . (Invited Lecture, Joint Symposium, Departments of Music and History, Reed College)
10. K. McCarthy. In atriis tuis Jerusalem: English recusant constructions of sacred time and space. November 2003 . (Invited Lecture, Symposium on Music in Sacred Space, Wesleyan University)
11. K. McCarthy. ‘Notes as a garland’: chronology and narrative of Byrd’s Gradualia. 2003 . (Presented at National Meeting of the American Musicological Society, Houston, TX, November 2003 and 29th Medieval and Renaissance Music Conference, Jena, Germany, August 2003)

Reviews

1. K. McCarthy, Review of Philip Brett, William Byrd and his Contemporaries: Essays and a Monograph. NOTES: Journal of the Music Library Association 64:1 (2007): 63-66.
2. K. McCarthy, Review of Byrd Edition vol. 13, Songs of Sundrie Natures (ed. David Mateer). NOTES: Journal of the Music Library Association 62:4 (March, 2006): 1049-52.
3. K. McCarthy, Review of Johann Sebastian Bach: Christmas Oratorio (Ignace Bossuyt). Journal of the Riemenschneider Bach Institute 37:1 (2006): 78-81.
4. K. McCarthy, Review of Bach Studies from Dublin (eds. A. Leahy and Y. Tomita). BACH: Journal of the Riemenschneider Bach Institute 36:1 (2005): 97-100.
5. K. McCarthy, Review of Music in Medieval Manuscripts (Nicolas Bell). Medieval Review  (January 2003).
6. K. McCarthy, Review of The Advent Project (James McKinnon). Medieval Review  (June 2001).
7. K. McCarthy, “Tallis’ Suscipe quaeso”. Early Music  (May 2000). (Correspondence to journal)

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