|
| Research Interests for Kerry R McCarthy
Research Interests: Music of early modern England (with a special focus on the works of William Byrd)
Renaissance contrafacture and other scribal misbehavior
Liturgical reform and counter-reform
German Baroque sacred music
- Representative Publications
- K. McCarthy, Liturgy and Contemplation in Byrd's Gradualia
(2007), New York: Routledge
- K. McCarthy, William Byrd
(forthcoming in 2013), Oxford University Press
- K.R. McCarthy, Evidence of Things Past (review-article on David Mateer, The Gyffard Partbooks),
Journal of the Royal Musical Association 135:2, 405–11
(2011)
- K.R. McCarthy, Philips’ 1628 Paradisus and the triumph of the Eucharist,
Renaissance Studies 25:3 (June 2011), 447–58
(2011)
- K. McCarthy, Byrd and the Mass-Proper Tradition,
in Heinrich Isaac and Polyphony for the Proper of the Mass in the Late Middle Ages and Renaissance, ed. David Burn, edited by David Burn
(2011),
pp. 407-15, Brepols
- K. McCarthy (with John Harley), From the library of William Byrd,
Musical Times, vol. 150 no. 4
(Winter, 2009)
- K. McCarthy, Byrd's patrons at prayer,
Music and Letters, vol. 89 no. 1
(February 2008)
- K. McCarthy, "Brought to speake English with the rest": Byrd's motet contrafacta,
Musical Times, vol. 148 no. 3
(September, 2007)
- K. McCarthy, Tallis, Isidore of Seville, and Suscipe quaeso,
Early Music, vol. 35 no. 3
(August 2007),
pp. 447-50
- K. McCarthy, Tallis, Thomas,
in MGG (Die Musik in Geschichte und Gegenwart), vol. Personenteil vol. 16
(2007),
pp. §457–70
- K. McCarthy, Byrd, Augustine, and Tribue Domine,
Early Music, vol. 32 no. 4
(November 2004)
- K. McCarthy, William Mundy’s Vox patris caelestis and the Assumption of the Virgin,
Music and Letters, vol. 85 no. 3
(August 2004),
pp. 353-367
- K. McCarthy, 'Notes as a garland’: chronology and narrative of Byrd’s Gradualia,
Early Music History, vol. 24
(2004),
pp. 49-84
|
