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Research Interests for Kerry R McCarthy

Research Interests: Music of early modern England (with a special focus on the works of William Byrd)
Renaissance contrafacture and other scribal misbehavior
Liturgical reform and counter-reform
German Baroque sacred music

Representative Publications
  1. K. McCarthy, Liturgy and Contemplation in Byrd's Gradualia (2007), Routledge
  2. K. McCarthy, William Byrd (2013), Oxford University Press
  3. K.R. McCarthy, Evidence of Things Past (review-article on David Mateer, The Gyffard Partbooks), Journal of the Royal Musical Association 135:2, 405–11 (2011)
  4. K.R. McCarthy, Philips’ 1628 Paradisus and the triumph of the Eucharist, Renaissance Studies 25:3 (June 2011), 447–58 (2011)
  5. K. McCarthy, Byrd and the Mass-Proper Tradition, in Heinrich Isaac and Polyphony for the Proper of the Mass in the Late Middle Ages and Renaissance, ed. David Burn, edited by David Burn (2011), pp. 407-15, Brepols
  6. K. McCarthy (with John Harley), From the library of William Byrd, Musical Times, vol. 150 no. 4 (Winter, 2009)
  7. K. McCarthy, Byrd's patrons at prayer, Music and Letters, vol. 89 no. 1 (February 2008)
  8. K. McCarthy, "Brought to speake English with the rest": Byrd's motet contrafacta, Musical Times, vol. 148 no. 3 (September, 2007)
  9. K. McCarthy, Tallis, Isidore of Seville, and Suscipe quaeso, Early Music, vol. 35 no. 3 (August 2007), pp. 447-50
  10. K. McCarthy, Tallis, Thomas, in MGG (Die Musik in Geschichte und Gegenwart), vol. Personenteil vol. 16 (2007), pp. §457–70
  11. K. McCarthy, Byrd, Augustine, and Tribue Domine, Early Music, vol. 32 no. 4 (November 2004)
  12. K. McCarthy, William Mundy’s Vox patris caelestis and the Assumption of the Virgin, Music and Letters, vol. 85 no. 3 (August 2004), pp. 353-367
  13. K. McCarthy, 'Notes as a garland’: chronology and narrative of Byrd’s Gradualia, Early Music History, vol. 24 (2004), pp. 49-84

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