Publications of Louise Meintjes    :chronological  combined  bibtex listing:

Books

1. L. Meintjes. Dust of the Zulu: Ngoma Song, Dance and Masculinity in the Post Apartheid Struggle. in progress .
2. L. Meintjes. Sound of Africa!: Making Music Zulu in a South African Studio.  Duke University Press, January, 2003 .

Articles

1. Samuels, D; L. Meintjes, A Ochoa, T Porcello. "Soundscapes: Toward a Sounded Anthropology." Annual Review of Anthropology 39.329-345 (2010).
2. Porcello, Thomas, Louise Meintjes, Ana Maria Ochoa, and David Samuels. "The Reorganization of the Sensory World." Annual Review of Anthropology 39 (2010): 51-66.
3. T. Porcello, L. Meintjes, A-M Ochoa, D Samuels. "The Reorganization of the Sensory World." Annual Review of Anthropology  (2010).
4. D Samuels, L. Meintjes, A-M Ochoa, T. Porcello. "Soundscapes: Towards a Sounded Anthropology." Annual Review of Anthropology  (2010).
5. L. Meintjes. "O sentimento da política: produzindo ‘zuluidade’ em um estúdio de gravação sul-africano. [The Feeling of Politics: Producing Zuluness in a South African Studio.]." Debates 8 (2005): 78-92. Translated by Cláudia Souza Nunes Azevedo.
6. L. Meintjes. "Shoot the Sergeant, Shatter the Mountain: The production of masculinity in Zulu Ngoma Song and Dance in post Apartheid South Africa." Ethnomusicology Forum 13.2 (2004): 173-201. Also appears as ”Maten al soldado: música y negociación de conflicto en Sudáfrica” translated by Ana Maria Ochoa Gautier in Revista Transcultural de Música/Transcultural Music Review 10 (2006).
7. L. Meintjes. ""Heritage and Politics: An Ethnomusicological Perspective on Nation Building and Construction of the Past"."   (May, 2003). Unpublished position paper prepared for the Wenner-Gren Foundation for Anthropological Research
8. L. Meintjes. "Entries on DownTown Studios and EMI(South Africa)." Encyclopedia of Popular Music of the World, Volume One: Media, Culture and the Industry  (2002).
9. L. Meintjes. ""Hugh Masekela", and "Abdullah Ibrahim"." The New Groves Dictionary of Music and Musicians  (2001).
10. L. Meintjes. ""John Lindemann" and "West Nkosi"." The Rough Guide to World Music 1st edition (1994).
11. L. Meintjes. ""Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning"." Ethnomusicology 34.1 (Winter 1990): 37-73. Reprinted in Popular Music: Critical Concepts in Media and Cultural Studies, Simon Frith (ed), London: Routledge, (2004). Translated for reprint in Korean Journal of Musicology (forthcoming).

Articles in Books

1. L. Meintjes. "The Politics of the Recording Studio: A Case Study from South Africa." The Cambridge Companion to Recorded Music. Edited by Nicholas Cook, Eric Clarke, Daniel Leech-Wilkinson, and John Rink. Cambridge University Press 2009.
2. L. Meintjes. ""Reaching Overseas: South African Sound Engineers, Technology and Tradition"." Wired for Sound: Engineering and Technologies in Sonic Cultures. Edited by P. Greene and T. Porcello. Middletown: Wesleyan University Press 2004: 23-48.

Reviews

1. L. Meintjes, The World of South African Music: A Reader edited by C. Lucia (Newcastle, Cambridge Scholars Press, 2005). Journal of Southern African Studies 34:1 (2008): 234-236.
2. L. Meintjes, Representing African Music: Postcolonial Notes, Queries, Positions by Kofi Agawu (Routledge, 2003). Journal of the American Musicological Society 59:3 (2007): 769-777.
3. L. Meintjes, In the Time of Cannibals:The word music of South Africa’s Basotho migrants by David Copland (U Chicago Press, 1994). American Ethnologist 23:3 (August, 1996): 648.
4. L. Meintjes, Marabi Nights: Early South African Jazz and Vaudeville by C. Ballantine (Ravan Press, 1993). Popular Music 15:2 (1996): 245-247.
5. L. Meintjes, African Stars: Studies in Black South African Performance by V. Erlmann (U Chicago Press, 1991). Popular Music 11:3 (1992): 378-380.

Others