Publications of Jairo Moreno    :chronological  alphabetical  combined  bibtex listing:

Books

1.  Music Theories and Musical Thought from Zarlino to Weber.  Indiana University Press, forthcoming Fall 2003 . (under contract)
2.  Critical Terms for Musical Study.  edited by Jairo Moreno and Philip Rupprecht University of California Press, 2003 . (author of Introduction and entry "Subjectivity"; under consideration)

Articles

1. "Bauzá-Gillespie-Latin Jazz: Difference, Modernity, and the Black Caribbean." South Atlantic Quarterly  (forthcoming Fall, 2003).
2. "Subjectivity, Interpretation, and Irony in Gottfried Weber's Analysis of Mozart's K. 465." Music Theory Spectrum 25 (forthcoming 2003). condensed version of chapter 4 from Music Theories and Musical Thought from Zarlino to Weber; article accepted for publication December, 2001
3. "Schenker's Parallelisms, Schoenberg's Motive, and Referential Tones: Notes on Pluralistic Analysis." The College Music Symposium 41 (2001): 91-111.
4. "Tropical Discourses: Community, History, and Sentiment in Rubén Blades's Latin Music(s)." Journal of Popular Music Studies 13.2 (2001): 133-163.
5. "Challenging Views of Sequential Repetition: From Satzlehre to Melodielehre." Journal of Music History 44.1 (2000): 127-169.
6. "Body'n'Soul?: Voice and Movement in Keith Jarrett's Pianism." The Musical Quarterly 83.1 (1999): 75-92.

Papers

1. J. Moreno. "Sound, Perceptions, and the Early Modern Subject in Descartes's Compendium Musicae.". December 2001 . (Society for Music Theory, 24th Annual Meeting, Philadelphis, PA)
2. J. Moreno. "Tropical Discources: Latino Unity and Rubén Blades's Music(s)". November 2000 . (The Society for Ethnomusicology, Annual Meeting, Toronto, Canada)
3. J. Moreno. "Irony, Subjectivity, and the Limits of Theory in Gottfried Weber's Analysis of Mozart's K. 465". November 1999 . (American Musicology Society, 65th Annual Meeting, Kansas City, MO)
4. J. Moreno. "Irony, Subjectivity, and the Limits of Theory in Gottfried Weber's Analysis of Mozart's K. 465". July 1999 . (Third Triennial British Musicological Societies' Conference, Guildford, England)
5. J. Moreno. "The Epistemology of the Imaginary". June 1999 . (VI International Conference on Systematic and Comparative Musicology, Oslo, Norway)
6. J. Moreno. "Imitation and Motivation in Mattheson's Rhetorical Analysis". May 1999 . (in Special Session: Discourse-Genre-Meaing Explorations in Music: Music Theory Midwest, 10th Annual Conference, Butler University, Indianapolis)

Reviews

1. Naomi Cumming, Sonic Self: Musical Subjectivity and Signification. Music Theory Spectrum  (May, 2003).
2. Thomas Christensen, Rameau and Musical Thought in the Enlightenment. Journal of Music Theory 40:2 (1996): 354-361.

Recordings

1. Antonio Arnedo Quintet. Columbia.  MTM, 2001 . (Columbia)
2. Lucía Pulido. Religious and Pagan Songs from Colombia: A New Musical Proposal.  Intuition, 2000 . (Germany)