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Philip RupprechtPhilip Rupprecht

Title: Director of Graduate Studies and Associate Professor of Music
Office Location: 070 Mary Duke Biddle
Office Phone: 919 660-3318
Email Address: philipr@duke.edu
Office Hours:

Thu, 11-12, or by appointment

Education

  • Ph.D., Music Yale University, 1993
  • M. Phil., Music Yale University, 1991
  • B.A. (Hons.), Music, Cambridge University, 1988

Awards, Honors, and Distinctions

  • Duke/UNC Exchange Fellow, Institute for the Arts and Humanities, UNC-Chapel Hill, Fall 2008
  • William J. Bouwsma Fellow, National Humanities Center, Research Triangle Park, North Carolina, 2005-06
  • Publication Subvention for the book Britten’s Musical Language (Cambridge University Press, 2001), Society for Music Theory, Fall 2001
  • Faculty Fellow, Ethyl R. Wolfe Institute for the Humanities, Brooklyn College, 1997-98
  • Whiting Dissertation Fellowship in the Humanities, Yale University, 1992-93
  • Mellon Dissertation award, Yale University, 1992
  • Marston Prize for Music Analysis, Selwyn College, Cambridge, 1988

Teaching (Fall 2009):

  • Music 65.002, Theor/prac tonal mus i Synopsis
    Biddle 102, MW 04:25 PM-05:40 PM
  • Music 65.02l, Theor/prac tonal mus i Synopsis
    Biddle 102, TuTh 04:25 PM-05:40 PM
  • Music 115.001, Theor/prac tonal mus iii Synopsis
    Biddle 102, MW 01:15 PM-02:30 PM
  • Music 115.01, Theor/prac tonal mus iii Synopsis
    Biddle 102, TuTh 01:15 PM-02:30 PM

Teaching (Spring 2010):

  • Music 217.01, 20th century analysis Synopsis
    Biddle 069, M 03:05 PM-05:35 PM

Recent Professional Work:

  (More...)

    Book Manuscripts
  •  Avant-Garde Nation: British Musical Modernism Since 1960.  Cambridge University Press, forthcoming . (Music in the 20th Century series)
    Articles
  • "'Something Slightly Indecent': British composers, the European avant-garde, and national stereotypes in the 1950s." Musical Quarterly  (Vol. 91 (2009): 275-326).
  • "Above and beyond the bass: harmony and texture in George Benjamin’s Viola, Viola." Tempo: a quarterly review of modern music 59 (April, 2005): 28-38.
    Articles in Books
  • "Thematic Drama in Early Peter Maxwell Davies: Op. 1 to the First Taverner Fantasia." Maxwell Davies Studies. Edited by Kenneth Gloag and Nicholas Jones. Cambridge University Press 2009: 45-78.
    Reviews
  •  Review: Jonathan Cross, The Stravinsky Legacy. Journal of the American Musicological Society 56:2 (Summer, 2003): 498-507.

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