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Philip Rupprecht
| Title: |
Associate Professor (Music Theory and Musicology) |
| Office Location: |
070 Mary Duke Biddle |
| Office Phone: |
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| Email Address: |
philipr@duke.edu |
- Office Hours:
- T, Th, 4:30-5:30, or by appointment
Education
- Ph.D., Music Yale University, 1993
- M. Phil., Music Yale University, 1991
- B.A. (Hons.), Music, Cambridge University, 1988
Research Interests
Philip Rupprecht specializes in music of the twentieth and twenty-first centuries. His recent writings engage concepts of narrative in operatic drama, the trope of stereotype in the formation of national traditions in music, and agency effects in instrumental music. Currently, he is completing a study of British modernist composers of the 1960s. Awards, Honors, and Distinctions
- Fellowship, National Endowment for the Humanities, 2013-14
- Society for Music Theory, 2012 Program Committee member, 2011-2012
- "Tonality 1900-1950: Concept and Practice," International Conference, National Endowment for the Humanities collaborative grant, October, 2010
- Duke/UNC Exchange Fellow, Institute for the Arts and Humanities, UNC-Chapel Hill, Fall 2008
- William J. Bouwsma Fellow, National Humanities Center, Research Triangle Park, North Carolina, 2005-06
- Publication Subvention for the book Britten’s Musical Language (Cambridge University Press, 2001), Society for Music Theory, Fall 2001
- Faculty Fellow, Ethyl R. Wolfe Institute for the Humanities, Brooklyn College, 1997-98
Recent Professional Work: (More...)
Books - ed. Felix Woerner, Ullrich Scheideler and Philip Rupprecht. Tonality 1900-1950: Concept and Practice. Stuttgart: Franz Steiner Verlag, 2012 .
Articles in Books - "Agency Effects in the Instrumental Drama of Musgrave and Birtwistle." Music and Narrative Since 1900.
Edited by Michael L. Klein and Nicholas Reyland. Indiana University Press, 2013: 189-215.
- "Among the Ruined Languages: Britten's Triadic Modernism, 1930-1940." Tonality 1900-1950: Concept and Practice.
Edited by Felix Woerner, Ullrich Scheideler and Philip Rupprecht. Stuttgart: Franz Steiner, 2012: 223-245.
Reviews - Review: Elgar, Serenade for Strings, Op. 20, ed. Hogwood. 19th-Century Music Review
(in press).
- Review: Matthew Riley, ed., "British Music and Modernism, 1895-1960". Music and Letters 93
(2012): 103-06.
Other Activities: - A Conversation With Peter Westergaard, 18 Feb. 2012
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