Philip Rupprecht

Office Hours:

Tu, Wed, 10-12, or by appointment

Education

• Ph.D., Music Yale University, 1993
• M. Phil., Music Yale University, 1991
• B.A. (Hons.), Music, Cambridge University, 1988

Awards, Honors, and Distinctions

• Duke/UNC Exchange Fellow, Institute for the Arts and Humanities, UNC-Chapel Hill, Fall 2008
• William J. Bouwsma Fellow, National Humanities Center, Research Triangle Park, North Carolina, 2005-06
• Publication Subvention for the book Britten’s Musical Language (Cambridge University Press, 2001), Society for Music Theory, Fall 2001
• Faculty Fellow, Ethyl R. Wolfe Institute for the Humanities, Brooklyn College, 1997-98
• Whiting Dissertation Fellowship in the Humanities, Yale University, 1992-93
• Mellon Dissertation award, Yale University, 1992
• Marston Prize for Music Analysis, Selwyn College, Cambridge, 1988

Teaching (Spring 2010):

• Music 217.01, 20th century analysis Synopsis

  Biddle 069, M 03:05 PM-05:35 PM

• Music 330.08, In st perform prac/interpre

• Music 390.02, Independent study

Recent Professional Work:

  (More...)

•  Avant-Garde Nation: British Musical Modernism Since 1960.  Cambridge University Press, forthcoming . (Music in the 20th Century series)

• "'Something Slightly Indecent': British composers, the European avant-garde, and national stereotypes in the 1950s." Musical Quarterly 91.2 (2009): 278-325.
• "Above and beyond the bass: harmony and texture in George Benjamin’s Viola, Viola." Tempo: a quarterly review of modern music 59 (April, 2005): 28-38.

• "Thematic Drama in Early Peter Maxwell Davies: Op. 1 to the First Taverner Fantasia." Maxwell Davies Studies. Edited by Kenneth Gloag and Nicholas Jones. Cambridge University Press 2009: 45-78.

•  Review: Jonathan Cross, The Stravinsky Legacy. Journal of the American Musicological Society 56:2 (Summer, 2003): 498-507.