Books

1.  Britten's Musical Language.  Cambridge University Press, 2001 . (Paperback edition, December 2006)

Book Manuscripts

1.  Avant-Garde Nation: British Musical Modernism Since 1960.  Cambridge University Press, forthcoming . (Music in the 20th Century series)

Articles

1. "'Something Slightly Indecent': British composers, the European avant-garde, and national stereotypes in the 1950s." Musical Quarterly  (Vol. 91 (2009): 275-326).
2. "Above and beyond the bass: harmony and texture in George Benjamin’s Viola, Viola." Tempo: a quarterly review of modern music 59 (April, 2005): 28-38.
3. "Tonal stratification and Uncertainty in Britten’s music." Journal of Music Theory 40.2 (Fall, 1996): 311-46.

Articles in Books

1. "Thematic Drama in Early Peter Maxwell Davies: Op. 1 to the First Taverner Fantasia." Maxwell Davies Studies. Edited by Kenneth Gloag and Nicholas Jones. Cambridge University Press 2009: 45-78.
2. "The chamber music." The Cambridge companion to Benjamin Britten. Edited by Mervyn Cooke. Cambridge University Press 1999: 245-59.

Reviews

1.  Review: Jonathan Cross, The Stravinsky Legacy. Journal of the American Musicological Society 56:2 (Summer, 2003): 498-507.
2.  Review: Anthony Pople, ed., Theory, Analysis and Meaning in Music. Journal of Music Theory 41:1 (Spring, 1997): 157-75.
3.  Review: Kyle Gann, The music of Conlon Nancarrow. Institute for Studies in American Music Newsletter 27:1 (1997): 5, 7.
4.  Review: Andrew Mead, An Introduction to the Music of Milton Babbitt. Institute for Studies in American Music Newsletter 25:2 (1996): 12-14.
5.  Conference Report: Arnold Schoenberg Institute/Music Theory Society of New York State: Joint Meeting, Barnard College, Columbia University, October 1991. Music Analysis 11:1 (1992): 129-33.

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