Publications of Philip Rupprecht    :chronological  combined  bibtex listing:

Books

1.  Britten's Musical Language.  Cambridge University Press, 2001 . (Paperback edition, December 2006)

Book Manuscripts

1. ed. Felix Woerner, Ullrich Scheideler and Philip Rupprecht. Tonality 1900-1950: Concept and Practice.  Stuttgart: Franz Steiner Verlag, forthcoming, 2012 .
2. ed. Philip Rupprecht. Rethinking Britten.  Oxford University Press, forthcoming, 2013 .
3.  Avant-Garde Nation: British Musical Modernism Since 1960.  Cambridge University Press, forthcoming . (Music in the 20th Century series)

Articles

1. "'Something Slightly Indecent': British composers, the European avant-garde, and national stereotypes in the 1950s." Musical Quarterly 91.2 (2009): 278-325.
2. "Above and beyond the bass: harmony and texture in George Benjamin’s Viola, Viola." Tempo: a quarterly review of modern music 59 (April, 2005): 28-38.
3. "Tonal stratification and Uncertainty in Britten’s music." Journal of Music Theory 40.2 (Fall, 1996): 311-46.

Articles in Books

1. "Agency Effects in the Instrumental Drama of Musgrave and Birtwistle." Musical Narrative After 1900. Edited by Nicholas Reyland and Michael Klein. Indiana University Press, 2012, in press.
2. "Among the Ruined Languages: Britten's Triadic Modernism, 1930-1940." Tonality 1900-1950: Concept and Practice. Edited by Felix Woerner, Ullrich Scheideler and Philip Rupprecht. Stuttgart: Franz Steiner in press.
3. (with Felix Woerner and Ullrich Scheideler). "Introduction." Tonality 1900-1950: Concept and Practice. Edited by Felix Woerner, Ullrich Scheideler, and Philip Rupprecht. Stuttgart: Franz Steiner in press.
4. "Thematic Drama in Early Peter Maxwell Davies: Op. 1 to the First Taverner Fantasia." Maxwell Davies Studies. Edited by Kenneth Gloag and Nicholas Jones. Cambridge University Press 2009: 45-78.
5. "The chamber music." The Cambridge companion to Benjamin Britten. Edited by Mervyn Cooke. Cambridge University Press 1999: 245-59.

Reviews

1.  Review: Matthew Riley, ed., "British Music and Modernism, 1895-1960". Music and Letters 93 (2012): 103-06.
2.  Review: Jonathan Cross, The Stravinsky Legacy. Journal of the American Musicological Society 56:2 (Summer, 2003): 498-507.
3.  Review: Anthony Pople, ed., Theory, Analysis and Meaning in Music. Journal of Music Theory 41:1 (Spring, 1997): 157-75.
4.  Review: Kyle Gann, The music of Conlon Nancarrow. Institute for Studies in American Music Newsletter 27:1 (1997): 5, 7.
5.  Review: Andrew Mead, An Introduction to the Music of Milton Babbitt. Institute for Studies in American Music Newsletter 25:2 (1996): 12-14.
6.  Conference Report: Arnold Schoenberg Institute/Music Theory Society of New York State: Joint Meeting, Barnard College, Columbia University, October 1991. Music Analysis 11:1 (1992): 129-33.

Program Notes

1.  The Vorticists: Musical Allies. 31 October, 2010 . (Talk and Concert, Nasher Museum of Art)