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Books
- Britten's Musical Language. Cambridge University Press, 2001 . (Paperback edition, December 2006)
Book Manuscripts
- ed. Felix Woerner, Ullrich Scheideler and Philip Rupprecht. Tonality 1900-1950: Concept and Practice. Stuttgart: Franz Steiner Verlag, forthcoming, 2012 .
- ed. Philip Rupprecht. Rethinking Britten. Oxford University Press, forthcoming, 2013 .
- Avant-Garde Nation: British Musical Modernism Since 1960. Cambridge University Press, forthcoming . (Music in the 20th Century series)
Articles
- "'Something Slightly Indecent': British composers, the European avant-garde, and national stereotypes in the 1950s." Musical Quarterly 91.2 (2009): 278-325.
- "Above and beyond the bass: harmony and texture in George Benjamin’s Viola, Viola." Tempo: a quarterly review of modern music 59 (April, 2005): 28-38.
- "Tonal stratification and Uncertainty in Britten’s music." Journal of Music Theory 40.2 (Fall, 1996): 311-46.
Articles in Books
- "Agency Effects in the Instrumental Drama of Musgrave and Birtwistle." Musical Narrative After 1900.
Edited by Nicholas Reyland and Michael Klein. Indiana University Press, 2012, in press.
- "Among the Ruined Languages: Britten's Triadic Modernism, 1930-1940." Tonality 1900-1950: Concept and Practice.
Edited by Felix Woerner, Ullrich Scheideler and Philip Rupprecht. Stuttgart: Franz Steiner in press.
- (with Felix Woerner and Ullrich Scheideler). "Introduction." Tonality 1900-1950: Concept and Practice.
Edited by Felix Woerner, Ullrich Scheideler, and Philip Rupprecht. Stuttgart: Franz Steiner in press.
- "Thematic Drama in Early Peter Maxwell Davies: Op. 1 to the First Taverner Fantasia." Maxwell Davies Studies.
Edited by Kenneth Gloag and Nicholas Jones. Cambridge University Press 2009: 45-78.
- "The chamber music." The Cambridge companion to Benjamin Britten.
Edited by Mervyn Cooke. Cambridge University Press 1999: 245-59.
Reviews
- Review: Matthew Riley, ed., "British Music and Modernism, 1895-1960". Music and Letters 93
(2012): 103-06.
- Review: Jonathan Cross, The Stravinsky Legacy. Journal of the American Musicological Society 56:2
(Summer, 2003): 498-507.
- Review: Anthony Pople, ed., Theory, Analysis and Meaning in Music. Journal of Music Theory 41:1
(Spring, 1997): 157-75.
- Review: Kyle Gann, The music of Conlon Nancarrow. Institute for Studies in American Music Newsletter 27:1
(1997): 5, 7.
- Review: Andrew Mead, An Introduction to the Music of Milton Babbitt. Institute for Studies in American Music Newsletter 25:2
(1996): 12-14.
- Conference Report: Arnold Schoenberg Institute/Music Theory Society of New York State: Joint Meeting, Barnard College, Columbia University, October 1991. Music Analysis 11:1
(1992): 129-33.
Program Notes
- The Vorticists: Musical Allies. 31 October, 2010 . (Talk and Concert, Nasher Museum of Art)
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