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Publications of Philip Rupprecht    :chronological  alphabetical  combined  bibtex listing:

Books

  1.  Tonality Since 1950.  edited by Woerner, F; Scheideler, U; Rupprecht, P Franz Steiner Verlag, 2017 .
  2. Rupprecht, P. British musical modernism: The Manchester group and their contemporaries.  Cambridge University Press, January, 2015 (1-492 pp.). [doi]  [abs]
  3. ed. Philip Rupprecht. Rethinking Britten.  edited by Rupprecht, P Oxford University Press, 2013 . [rethinking-britten-9780199794805;jsessionid=298A075E8904493D3DCFEDC0830D1AA2]
  4. Various, . Tonality 1900-1950: Concept and Practice.  edited by Woerner, F; Scheideler, U; Rupprecht, P Stuttgart: Franz Steiner Verlag, 2012 . [html]
  5. Rupprecht, P. Britten’s Musical Language.  Cambridge University Press, 2001 . (Paperback edition, December 2006) [189-7790522-2579128]

Articles

  1. Rupprecht, P. ""Something Slightly Indecent": British Composers, the European Avant-garde, and National Stereotypes in the 1950s." Musical Quarterly 91.3-4 (2008): 275-326. [Gateway.cgi], [doi]
  2. Philip Rupprecht, . "Above and beyond the bass: harmony and texture in George Benjamin’s Viola, Viola." Tempo: a quarterly review of modern music 59 (April, 2005): 28-38.
  3. Philip Rupprecht, . "Tonal stratification and Uncertainty in Britten’s music." Journal of Music Theory 40.2 (Fall, 1996): 311-346.

Articles in Books

  1. Rupprecht, P. "Scenes from Britten's 'Spring Symphony'." Literary Britten. Edited by Kennedy, K. Boydell 2018.
  2. Rupprecht, P. "Images in Sound: Movement, Harmony and Colour in the Early Music." The Music of Simon Holt. Edited by Charlton, D. Boydell June, 2017.
  3. Rupprecht, P. "Tonality Rediscovered: Oliver Knussen and the Musical ‘Object’ in the 1970s.." Tonality Since 1950. Edited by Woerner, F; Scheideler, U; Rupprecht, P. Franz Steiner Verlag February, 2017: 209--231.
  4. Rupprecht, P. "Quickenings of the Heart: Notes on Rhythm and Tempo in Britten’s Music." Benjamin Britten Studies: Essays on an Inexplicit Art. Edited by Stroeher, V; Vickers, J. Boydell Press 2017: 317-345.
  5. Rupprecht, P; Woerner, F; Scheideler, U. "Introduction." Tonality Since 1950. Edited by Woerner, F; Scheideler, U; Rupprecht, P. Franz Steiner Verlag 2017: 9-24.
  6. "Mechanical Song: Birtwistle's Rhythmic Imagination." Harrison Birtwistle Studies. Edited by David Beard, Kenneth Gloag and Nicholas Jones. Cambridge Univ. Press 2015.
  7. Rupprecht, P. "Britten and the Avant-Garde in the 1950s." Rethinking Britten. Edited by Rupprecht, P. Oxford University Press 2013: 131-55.
  8. Rupprecht, P. "Agency Effects in the Instrumental Drama of Musgrave and Birtwistle." Music and Narrative Since 1900. Edited by Klein, ML; Reyland, N. Indiana University Press 2013: 189-215.
  9. Rupprecht, P. "Introduction: Britten’s Music and Its Audiences." Rethinking Britten. Edited by Rupprecht, P. Oxford University Press 2013: xv-xxxi.
  10. Rupprecht, P. "Mechanical Song: Birtwistle’s Rhythmic Imagination." Birtwistle Studies. Edited by Beard, D; Gloag, K; Jones, N. Cambridge Univ Press 2013.
  11. Rupprecht, P; Woerner, F; Scheideler, U. "Introduction." Tonality 1900-1950: Concept and Practice. Edited by Woerner, F; Scheideler, U; Rupprecht, P. Stuttgart: Franz Steiner, 2012: 11-22.
  12. Rupprecht, P. "Among the Ruined Languages: Britten’s Triadic Modernism, 1930-1940." Tonality 1900-1950: Concept and Practice. Edited by Woerner, F; Scheideler, U; Rupprecht, P. Stuttgart: Franz Steiner, 2012: 223-245.
  13. Rupprecht, P. "Thematic Drama in Early Peter Maxwell Davies: Op. 1 to the First Taverner Fantasia." Maxwell Davies Studies. Edited by Gloag, K; Jones, N. Cambridge University Press 2009: 45-78.
  14. Rupprecht, P. "The Chamber Music." The Cambridge Companion to Benjamin Britten. Edited by Cooke, M. Cambridge University Press 1999: 245-59.

Reviews

  1. Rupprecht, P, Britten's Unquiet Pasts: Sound and Memory in Postwar Reconstruction. Journal of the American Musicological Society 68:3 (2015): 698-703. [Gateway.cgi], [doi]
  2. Rupprecht, P, Serenade for Strings. Nineteenth Century Music Review 10:2 (December, 2013): 390-394. [Gateway.cgi], [doi]
  3. Rupprecht, P, British Music and Modernism, 1895-1960. Music and Letters 93:1 (February, 2012): 103-106. [Gateway.cgi], [doi]
  4. Rupprecht, P, Review: Matthew Riley, ed., "British Music and Modernism, 1895-1960". Music and Letters 93 (2012): 103-06.
  5. Rupprecht, P, Review: Jonathan Cross, The Stravinsky Legacy. Journal of the American Musicological Society 56:2 (Summer, 2003): 498-507.
  6. Rupprecht, P, Review: Kyle Gann, The music of Conlon Nancarrow. Institute for Studies in American Music Newsletter 27:1 (1997): 5-7.
  7. Rupprecht, P, Review: Anthony Pople, ed., Theory, Analysis and Meaning in Music. Journal of Music Theory 41:1 (Spring, 1997): 157-75.
  8. Rupprecht, P, Review: Andrew Mead, An Introduction to the Music of Milton Babbitt. Institute for Studies in American Music Newsletter 25:2 (1996): 12-14.
  9. Rupprecht, P, Conference Report: Arnold Schoenberg Institute/Music Theory Society of New York State: Joint Meeting, Barnard College, Columbia University, October 1991. Music Analysis 11:1 (1992): 129-33.

Program Notes

  1.  The Vorticists: Musical Allies. 31 October, 2010 . (Talk and Concert, Nasher Museum of Art)

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