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Matthew A. Somoroff, Musicology

Contact Info:
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Typical Courses Taught:

  • Music 20s, SPECIAL TOPICS IN MUSIC Synopsis
Education:

MAQueens College, CUNY2005
BANew York University2002
Specialties:

Ethnomusicology
Musicology
Research Interests: Jazz; Sound Recordings; 21st century music; listening practices; aesthetics

I'm currently doing dissertation fieldwork in New York City. My dissertation is an ethnographic study of a small community that coalesces around and is largely defined by a shared interest in witnessing and listening to performances and recordings of a subgenre of improvised music carrying a varied nomenclature that includes the designations: "free jazz," "avant garde jazz," "out jazz," "creative music." In studying this community, I pay special attention to how members conceive of listening in theory and how they carry it out in practice.

Keywords:

Jazz • Listening • Sound Recordings • African American Music • Aesthetics • Urban Ethnography • Fans

Recent Publications

  1. M.A. Somoroff, Media Review Essay, Jazz Perspectives, vol. 3 no. 2 (August, 2009), pp. 183-187
  2. Review of Hamilton, Andy, Lee Konitz: Conversations on the Improviser's Art, Popular Music and Society, vol. 32 no. 1 (February, 2009), pp. 139-141
  3. Review of Solis, Gabriel, Monk's Music: Thelonious Monk and Jazz History in the Making, Ethnomusicology, vol. 52 no. 3 (Fall, 2008), pp. 466-468
  4. Review of: Alexander Weheliye, Phonographies, Popular Music & Society, vol. 30 no. 2 (May, 2007), pp. 292-294
  5. Review of: Kyra Gaunt, The Games Black Girls Play, Popular Music & Society, vol. 30 no. 2 (May, 2007), pp. 298-300
Selected Grant Support

  • Duke University Summer Research Grant, 2009.      

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