K. McCarthy. Liturgy and Contemplation in Byrd's Gradualia. New York: Routledge, 2007 .
K. McCarthy. William Byrd. Oxford University Press, forthcoming in 2013 .
Articles
K.R. McCarthy. "Evidence of Things Past (review-article on David Mateer, The Gyffard Partbooks)." Journal of the Royal Musical Association 135:2, 405–11 (2011).
K.R. McCarthy. "Philips’ 1628 Paradisus and the triumph of the Eucharist." Renaissance Studies 25:3 (June 2011), 447–58 (2011).
K. McCarthy. "Byrd and the Mass-Proper Tradition." Heinrich Isaac and Polyphony for the Proper of the Mass in the Late Middle Ages and Renaissance, ed. David Burn (2011): 407-15.
K. McCarthy (with John Harley). "From the library of William Byrd." Musical Times 150.4 (Winter, 2009).
K. McCarthy. "Byrd's patrons at prayer." Music and Letters 89.1 (February 2008).
K. McCarthy. ""Brought to speake English with the rest": Byrd's motet contrafacta." Musical Times 148.3 (September, 2007).
K. McCarthy. "Tallis, Isidore of Seville, and Suscipe quaeso." Early Music 35.3 (August 2007): 447-50.
K. McCarthy. "Tallis, Thomas." MGG (Die Musik in Geschichte und Gegenwart)Personenteil vol. 16 (2007): §457–70.
K. McCarthy. "Byrd, Augustine, and Tribue Domine." Early Music 32.4 (November 2004).
K. McCarthy. "William Mundy’s Vox patris caelestis and the Assumption of the Virgin." Music and Letters 85.3 (August 2004): 353-367.
K. McCarthy. "'Notes as a garland’: chronology and narrative of Byrd’s Gradualia." Early Music History 24 (2004): 49-84.
