Philip Rupprecht

Office Hours:

T, Th, 2-3, or by appointment (email christy.reuss@duke.edu)

Education

• Ph.D., Music Yale University, 1993
• M. Phil., Music Yale University, 1991
• B.A. (Hons.), Music, Cambridge University, 1988

Awards, Honors, and Distinctions

• Society for Music Theory, 2012 Program Committee member, 2011-2012
• National Endowment for the Humanities, Musicology Panel Reader, July, 2011
• "Tonality 1900-1950: Concept and Practice," International Conference, National Endowment for the Humanities collaborative grant, October, 2010
• Duke/UNC Exchange Fellow, Institute for the Arts and Humanities, UNC-Chapel Hill, Fall 2008
• William J. Bouwsma Fellow, National Humanities Center, Research Triangle Park, North Carolina, 2005-06
• Publication Subvention for the book Britten’s Musical Language (Cambridge University Press, 2001), Society for Music Theory, Fall 2001
• Faculty Fellow, Ethyl R. Wolfe Institute for the Humanities, Brooklyn College, 1997-98
• Whiting Dissertation Fellowship in the Humanities, Yale University, 1992-93

Teaching (Spring 2012):

• Music 65.001, Theor/prac tonal mus i Synopsis

  Biddle 104, MW 10:05 AM-11:20 AM

• Music 65.01l, Theor/prac tonal mus i Synopsis

  Biddle 104, TuTh 10:05 AM-11:20 AM

• Music 217.01, 20th century analysis Synopsis

  Biddle 069, M 03:05 PM-05:55 PM

Recent Professional Work:

  (More...)

• ed. Felix Woerner, Ullrich Scheideler and Philip Rupprecht. Tonality 1900-1950: Concept and Practice.  Stuttgart: Franz Steiner Verlag, forthcoming, 2012 .
• ed. Philip Rupprecht. Rethinking Britten.  Oxford University Press, forthcoming, 2013 .

• "Agency Effects in the Instrumental Drama of Musgrave and Birtwistle." Musical Narrative After 1900. Edited by Nicholas Reyland and Michael Klein. Indiana University Press, in press (due 2011).

•  Review: Matthew Riley, ed., "British Music and Modernism, 1895-1960". Music and Letters  (2011 (in press)).

•  The Vorticists: Musical Allies. 31 October, 2010 . (Talk and Concert, Nasher Museum of Art)