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Leela Prasad, Professor of Religious Studies and Gender, Sexuality & Feminist Studies

Leela Prasad
Contact Info:
Office Location:  118C Gray Bldg, Durham, NC 27708
Office Phone:  (919) 660-3533
Email Address:   send me a message
Web Page:

Teaching (Fall 2021):

  • Religion 110.01, Self, society, art in hinduism Synopsis
    Perkins 071, TuTh 10:15 AM-11:30 AM
    (also cross-listed as AMES 111.01)
  • Religion 221.01, Indian cinema & social change Synopsis
    Gray 220, W 10:15 AM-12:45 PM
    (also cross-listed as AMES 222.01, CINE 259.01)
  • Religion 910s.01, Ethnography of religion Synopsis
    See instru, Th 01:45 PM-04:15 PM
Office Hours:

By appointment

Ph.D.University of Pennsylvania1998

Research Interests: Anthropology of Ethics, modern Hinduism, Gandhi, Anthropology of Religion, Colonialism & Postcolonial Theory, Gender & Religion

Leela Prasad's primary interests are in the anthropology of ethics, the theory and practice of Hinduism, and religion and modernity. Her work examines the lived, expressive dimensions of ethics in Hindu and other Indic contexts through various lenses: narrative, folklore, gender, and diaspora, for example. Her ethnographic book Poetics of Conduct: Narrative and Moral Being in a South Indian Town (Columbia University Press, 2007) explores how ethical discourses and self-formation can be understood through a study of oral narrative, performance, vernacular material practices ranging from architecture to foodways, and the poetics of everyday language. (This book was awarded the “Best First Book in the History of Religions Prize” by the American Academy of Religion in 2007.)

She is currently working on two book projects. 

The first, titled Vernacular Ethics, is a theoretically re-framed collection of her ethnographically-grounded essays on various topics in ‘lived ethics.’ The essays range from religious programming in modern Indian television to the resonance of Gandhi in everyday life, from an alternative praxis of the public to the temporal dimensions of the idea of diaspora. Engaging the interdisciplinary theorization of the vernacular, she suggests that all ethical praxis is inevitably vernacular, and that this very vernacularity creates the possibility of a transcultural language of ethics. 

Leela’s second monograph (in progress), titled Annotating Pastimes, is located at the intersection of religion and the history of anthropology in India viewed through the perspective of three Indian folktale collectors in colonial India (for sample of this work, see here). The wide-ranging writings of these scholars and their extraordinary but obscured biographies that have acquired new life through the memories of living descendants demands that we re-appraise “enchantment” as a critical mode of engaging the past (collective, individual) and as a creative strategy for critiquing the political present. The book’s central argument is that without engaging enchantment, the theorization of Hindu life is ahistorical, even lifeless. 

A key area of Leela's interest is documentary film. 
She is currently co-directing an ethnographic documentary film called Moved by Gandhi that explores the Gandhi, not of the well-known chronologized biography, but of an affective presence that has outlived its historicity and simply moves people to be one way or the other. 

Leela's work typically combines ethnography and ‘textual’ study to understand the dialogue and distinctions between early Indic constructs and modern formulations, such as “shastra” (or law, rules of conduct). But she has also begun to explore the potential of modern science, especially physics, as she probes an anthropology of ethics. 

Leela is fluent in the Indian languages of Telugu, Kannada, Marathi, and Hindi. She was the inaugural director for the Duke Center of Civic Engagement, served on the Board of the Center for Documentary Studies for many years, and serves on the steering committee of the university-wide Mellon-funded transformative humanities initiative at Duke called Humanities Writ Large.
Recent Publications   (More Publications)

  1. Prasad, L. The Audacious Raconteur: Sovereignty and Storytelling in Colonial India. Cornell University Press, November, 2020: 222 pages. [doi]  [abs]
  2. Prasad, L. "Ethical Resonance: The Concept, the Practice, and the Narration." Journal of Religious Ethics 47:2 (June, 2019): 394-415. [doi]  [abs]
  3. Prasad, L. "Nameless in history: when the imperial English become the subjects of Hindu narrative." South Asian History and Culture 8:4 (October, 2017): 448-460. [doi]  [abs]
  4. Prasad, L. "Co-being, a praxis of the public: Lessons from hindu devotional (bhakti) narrative, arendt, and gandhi." Journal of the American Academy of Religion 85:1 (March, 2017): 199-223. [doi]  [abs]
  5. Prasad, L. "Maithil Women's Tales: Storytelling on the Nepal-India Border." Journal of American Folklore 130:518 (2017): 478-480.

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